Master Knitter Level I – Swatches #1, #2, & #3

I have completed the first three swatches for the TKGA Master Knitter Level I program. As I mentioned in an earlier post, I discovered an issue with tension that I did not realize I had. And over the last few weeks, I have done quite a bit of reading about tension and an equal amount of knitting, reknitting, and being much more aware of HOW I knit. This is one of the purposes of the Master Knitter program — it makes you think about your craft and helps you identify the bad habits you have developed over time.

I have decided to use this blog as I way for me to document the lessons learned as I proceed through the Master Knitter Level I program. Hopefully, others will find my notes and comments helpful and will also learn from them. So, here is the first of my “lessons learned”:

Swatch #1 — 2 X 2 Ribbing & Garter Stitch
Garter stitch (knit all rows) was fairly easy for me — the key is to maintain an even tension throughout knitting the rows.

Tension can be a real issue with 2 X 2 Ribbing, because most knitters tend to purl more loosely than they knit. [I do]. The result of this tendency is that your ribs are formed of uneven stitches and appear “wonky”. My first attempt at this swatch was definitely “wonky”. After much researching, knitting and reknitting, I determined that I was really out of practice purling because I had been knitting projects mostly “in the round” and this was part of my problem. So, I spent some time just purling and working on my tension — trying to get it more consistent. I eventually managed to obtain a fairly even tension with my ribs. From my reading, I think that the unevenness on the edges is normal and should be satisfactory.

Swatch # 2: 1 X 1 Ribbing and Stockinette Stitch
Swatch #2Tension was also an issue for me with the 1 X 1 Ribbing. With this ribbing, I found that my looser purl stitches really impacted the shape of the ribs. Again, I found that I really needed to practice purling and focus on keeping my tension even when doing the ribbing.

For the Stockinette Stitch, I was able to obtain the even fabric required — but only after I had worked on my purling. The evenness isn’t as noticeable on the right side — you need to look at the wrong side of the fabric and make certain that there isn’t a distinct difference in your rows between the knit rows and the purl rows. Along the way, I discovered that I knit fairly loosely and I had to go down one needle size to achieve a decent fabric.

If you are trying to correct uneven tension when ribbing, here are a couple of ways to do so:
1) Just try knitting with an even tension; 2) Give your yarn and extra tug when moving it to the front of the needle and before purling; 3) Try wrapping your yarn under your needle when purling — note, this makes the stitches sit on the needle with the back loop leaning forward — to avoid twisting the stitch you must knit through the back loop rather than the front when knitting; 4) Try purling using the Norwegian Purl method [link to video here].

Swatch # 3: Seed Stitch
Swatch #3
Swatch # 3 was a sample of Seed Stitch — which is K1, P1 across the row over an even number of stitches. The goal here is to produce a nice even fabric with no visible holes between the knit and purl stitches. This is another tension challenge. It took me three swatches to produce the swatch shown. I finally came to the conclusion that I was over-doing the tension, basically trying too hard — and once I relaxed a bit on this, I got a better result.

In summary, here’s what worked for me: 1) After practicing, I needed to relax a bit — I got to the point that I was pulling my purl stitches so tightly that I made my knitting even less consistent. 2) Remembering to do that little extra tug when putting the yarn in front to purl. 3) For the edges — giving the yarn an extra tug when knitting off the last stitch on the row, followed by giving an extra tug after knitting the first two stitches on the next row.

1 thought on “Master Knitter Level I – Swatches #1, #2, & #3”

  1. Lindy, I found your narrative to be very helpful to me as I start the Level 1 Master Knitting course. I, too, have found in the very short time of working on swatches 1, 2, and 3, that I am taking a very close look at my knitting techniques, style and results. I have made swatches several time with two different kinds of yarn and will block and see which I like better. Over the years, I have read many knitting ‘how to’ books, but I am finding that I need to go back and take a second look at some of the articles. I found your article by google-ing ‘seed stitch without holes’. So, you can see where I am with my transitional stitch tension. I have added your site to my favorites and will continue to ‘check with you’ as I move through this exciting course.

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Related Post

Designing a Sweater without a PatternDesigning a Sweater without a Pattern

In previous posts, I have discussed how to use Elizabeth Zimmerman’s Percentage System (EPS) to design and knit a sweater and how to modify a written pattern to adjust for changes in sizing and/or gauge. Today, I will briefly describe the process of designing a sweater without a written pattern. I learned this process in depth when I first knitted a sweater using my knitting machine. Knitting garments on a knitting machine requires extensive set-up and calculations before you can even begin to knit. Regardless of whether you are hand knitting or machine knitting – the process and calculations are the same.

As in the previous design techniques, you start with a good set of body measurements and a gauge swatch to determine your stitch and row gauge. You will also need to factor in the amount of ease you wish to have in your completed sweater.

Any sweater has several basic elements: The front & back, the sleeves and the neck. Sweaters come in two basic forms – the pullover and the cardigan. If you take a minute to think through all the sweaters you have seen, you will realize that all of them are some variation of these two basic forms. So, let’s start by breaking down the elements of a basic pullover sweater.

Elements of a Pullover Sweater:

  • The Front & Back – in a very basic design, the front and the back are the same up to the point where one shapes the neckline. The Front and Back make up the tube of fabric that goes around the entire body – thus, the back consists of one-half of the total number of stitches needed for the body/chest measurement and the front has the other half. In our basic design, the back/front is essentially a rectangle – and you need to determine the width and the length from your own measurements. If you plan to knit this sweater in the round, then you will calculate the total number of stitches based upon the body/chest measurement plus ease. [(BM + Ease) X SPI]. If you plan to knit this sweater in pieces and then sew the pieces together, you will calculate the number of stitches needed for the front/back by dividing the Body/chest measurement by two and then adding in Ease and multiplying by your stitch gauge. [((BM/2) + Ease) X SPI]. For a set-in sleeve, you will also need to calculate the shaping of the armhole. When knitting in the round, at the point you begin shaping the armholes, it is best to knit flat and knit the front and back separately.
  • The Neck – the most basic neck for a pullover sweater is a round or crew neck shape. In our basic sweater design – a portion of the stitches of the center back are used for the back of the neck, while in the front there is some shaping done to make the front of the neck slightly lower than the back. The stitches not used in the neck are used for the shoulders and form the shoulder seams of the sweater. It is best to use live stitches for necklines. This allows you the needed stretch for the fabric to go over the head of the wearer. One must also keep in mind that the average woman’s head has a circumference of 22 inches. Thus, there needs to sufficient width allocated to the neck to allow the head to pass through it.Back Neck – for the basic sweater pattern, the back does not have any shaping to it. It is simply divided into three sections: Left shoulder, Neck and right shoulder. The number of stitches assigned to the back neck stitches is somewhat proportional to the chest measurement. Generally, the wider the chest, the larger the neck circumference. In this basic sweater design, there should be an equal number of stitches allocated to the shoulders, with the remaining stitches placed on hold for the neck. You determine the number of back neck stitches by multiplying your stitch gauge by the width of the back neck. You then subtract the number of back stitches from the total number of stitches for the back at the shoulders – this will give you the number of stitches for the shoulders. This number needs to be divisible by 2, so you may need to take 1 stitch from your neck stitches to even it out.

    Front Neck – the shaping for the front neck begins below the last row of the shoulder. For women, the depth of the neckline starts 2.5 to 3 inches below the shoulder, for men, the depth is 3 inches to 3.5 inches and for children the depth is 1.5 to 2.5 inches. This depth is entirely a matter of preference. The front neck is shaped as a semi-circle by gradually eliminating stitches on either side of the center front neck stitches. Thus, the center front stitches are placed on hold and then decreases are done on either side of these stitches as you knit up to the shoulders. This shaping will occur concurrently with the armhole shaping

  • The Sleeves – the most common styles of sleeve in commercial sweaters are the drop-sleeve and the set-in sleeve. For this design, I will cover the set-in sleeve. A Set-in Sleeve joins the body of the sweater at the armhole and the top of the shoulder seam. Set-in sleeves require shaping at the top of the sleeve itself as well as corresponding shaping in the front and back. The shaping is made by a series of bind-offs, increases and/or decreases. To design your sleeve you must have your sleeve length, the width of the sleeve at the armhole, the width of the sleeve at the elbow and the width of the sleeve at the wrist. You also need the depth of the armhole. There are quite a few calculations required to be able to knit a properly fitting set-in sleeve. You begin by calculating the shaping of the sleeve from the wrist to the underarm and then calculate the shaping required to form the rounded sleeve cap. Shaping is achieved by a series of increases from the wrist to the underarm, followed by bind-offs and decreases to form the sleeve cap.

Now let’s look at a basic cardigan sweater.

Cardigans are most often knitted flat – either in separate pieces or in as a one wide piece on a long circular needle. They can be knitted in the round using a steek to separate the two fronts when finishing the sweater. Shaping for armholes and neckline are mirrored for the right and left fronts. In addition, there is a knitted band of fabric that overlaps at the center front – this band can be knitted concurrently with the front using a pattern stitch or can be added to the front by picking up stitches along the center front edge after the front has been knitted.

The calculations for this sweater are essentially the same as for our basic pullover – with the exception of the front. A cardigan sweater has two front pieces that meet and overlap in the center of the garment. This means that each front piece is one-half of the front piece of a pullover sweater, plus some added width for the overlapping parts(buttonbands or borders). In our basic sweater design, you simply add the desired width of the buttonband to each front piece. For example, the front on our pullover measures 40 inches. For our cardigan, each front piece would be half of that or 20 inches and the buttonband would be 2 inches wide: 20 + 2 = 22 inches. My Excel Spreadsheet includes a section on calculating the fronts for a cardigan.

I have created an Excel Spreadsheet for all the calculations required for a basic pullover with a set-in sleeve. Click here to download the spreadsheet: Sweater Calculator.

Using this calculator and your own gauge, you now have all the calculations required to knit your pullover sweater. You can knit this sweater from the top down or from the bottom up. The shaping for a top-down sweater is done in the reverse order of a bottom-down sweater.

Terms of Use: You may electronically copy and print to hard copy portions of the spreadsheet for the sole purpose of using materials it contains for informational and non-commercial, personal use only. Any other use of this spreadsheet — including any commercial use, reproduction for purposes other than described above, modification, distribution, republication, display, or performance — without the prior written permission of Lindy’s Knits & Laces is strictly prohibited.

Today I have briefly outlined the basics of designing your own sweater using two basic sweater designs. From these two basic designs, you can create a sweater according to your own measurements out of any weight yarn. I recommend you give it a try. Listed below are some references for your further exploration – I have only scratched the surface of this topic. Happy Knitting.

If you find this post and/or my spreadsheet helpful , please leave me a comment. Thanks!

For further exploration – check out these sources:

Maggie Righetti, Sweater Design in Plain English
Leslye Solomon, The Uncomplicated Knitting Machine
Deborah Newton, Designing Knitwear.
Barbara G. Walker,Knitting from the Top Down.
Vogue Knitting

Summer Knitting: Washcloths/Dishcloths – #1 – #3Summer Knitting: Washcloths/Dishcloths – #1 – #3

During the summer months, I like to knit smaller projects that knit up quickly, are portable and don’t require a whole lot of intricate knitting. So, 2010 is the Summer of Washcloths. I recently came across a booklet with 10 different knit dishcloth patterns: “Kitchen Bright Dishcloths” from Leisure Arts (2004).

Now, I had already downloaded a few patterns from Ravelry and knit up 1 of those, plus I decided to finally knit the “Ball Band Dishcloth” printed on the back of the Peaches and Cream yarn label. So — if I knit the 10 in the Leisure Arts booklet, by the end of the Summer, I will have …(count ’em)… a Dozen new knitted dishcloths.

I am a quarter of the way through my dozen. Here are the three completed projects:

#1 – Waffle Weave Dishcloth
Waffle Weave Dischloth

Pattern found on Ravelry. Yarn Used: Peaches and Cream, Winterberry Ombre. I like this pattern, though I’m not sure I like the way the yarn pooled when I knit it.

#2 – Ball Band Dishcloth
Ball Band Dishcloth
Pattern on back of Peaches and Cream yarn label. Yarn Used: Peaches and Cream, Teal Blue and Teal Ombre. I like the end result, but really did not like knitting this pattern. Not sure why — I just didn’t enjoy knitting it.

#3 – Bee Stitch Dishcloth
Bee Stitch Dishcloth
Pattern from Leisure Arts booklet. Yarn Used: Lion Brand Kitchen Cotton, Natural. I really enjoyed knitting this dishcloth. The Lion Brand yarn feels softer than the Peaches and Cream (probably due to lack of dye) and I loved knitting the Bee Stitch — it’s an easy 4 row stitch pattern.