I am now half way through my Summer Knitting project of knitting a dozen dishcloths. Here are the three I have just finished:
Dishcloth #4 – Crocus Buds
Pattern from the Leisure Arts “Knitting Kitchen Brights Dishcloths” brochure. Yarn: Lion Brand Kitchen Cotton, color Banana. This was an interesting openwork pattern. The “crocus buds” are created by pulling a stitch over the next two stitches on the needle. It is a simple 6 stitch pattern over 4 rows with yarn overs creating the open patterning between the “crocus buds”.
Dishcloth #5 – Elfin Lace
Pattern from Leisure Arts “Knitting Kitchen Brights Dishcloths” brochure. Yarn: Lion Brand Kitchen Cotton, color Natural. Easy lace pattern, that knits up into a nice dishcloth. The Elfin Lace pattern is an eight stitch pattern done over 8 rows.
Dishcloth #6 – Trinity Stitch
Pattern from Leisure Arts “Knitting Kitchen Brights Dishcloths” brochure. Yarn: Lion Brand Kitchen Cotton, color Natural. Lovely textured pattern produced by using the “Trinity Stitch”. I loved knitting this one. The “Trinity Stitch” is a neat textured pattern.
3 thoughts on “Summer Knitting: Dishcloths # 4 – 6”
What an awesome dishcloth. I think you did a great job.
I am interested in the pattern on your front page – the turquoise dishcloth that looks lacy around the edge. Thanks.
MaryAnn — Thanks for the comment. All the dishclothes posted in this blog were knit from patterns from the Leisure Arts book cited in the posts, with the exception of the one that was knit using the pattern on the ball band of the Peaches and Cream yarn.
I have just added Fisherman’s Rib to my Stitch Library. This is an interesting rib pattern that uses “knit 1 below (k1b). K1b is also used in the Bee Stitch and if you want more information on it, here are links to that information.
This ribbing pattern results in a fluffy, soft and warm ribbing that is similar to the brioche rib stitch. In fact, while researching Fisherman’s Rib, I found several places where it is described as a variation in the brioche technique. Nancy Marchand, author of Knitting Brioche, states:
“In the Netherlands, both brioche stitch and Fisherman’s Rib are called patentsteek. The method of working the stitch is different but the end result is the same.”
The main difference between the brioche stitch and fisherman’s rib is that you use yarnovers combined with slipped stitches to form the fabric in brioche and you use k1b to create fisherman’s rib. There are several different ways to make the Fisherman’s Rib stitch and I have included these in my Fisherman’s Rib Stitch instructions.
I have used fisherman’s rib to make several lovely warm hats. It would work well for a warm scarf or a cowl as well. This stitch pattern will use approximately 30% more yarn than regular 1 X 1 ribbing and should be done on needles that are one to two sizes smaller than what you would normally use for the yarn you select.
There isn’t a lot of information on how to decrease or increase when doing fisherman’s rib, and it took me awhile to find ones that worked well for my hats. I will share that information in my upcoming posts.
This cast on is basically a series of slip knots placed on your needle. It creates a very elastic edge and is great for the cuffs of socks, mittens, and sleeves plus anywhere else where you want a very stretchy edge. It works especially well with ribbing and adding stitches at the end of a row.
One important point when doing this cast on: you need to get the stitches snugged up close to each other – avoid gaps between the stitches as it will give an untidy looking edge.
In my previous post, I discussed how to make a preliminary swatch to select the size needle that gives you a fabric that you like and then how to knit a gauge swatch. The gauge swatch is measured to give you your stitch gauge (stiches per inch) and your row gauge (rows per inch).
At this point, you might think you are ready to cast on and begin knitting your sweater – BUT….
Are you planning on using some type of ribbing for the bottom, cuffs and neckline of the garment? Are you planning on using a certain textured stitch pattern, a lace pattern or cables in your sweater? Will you be combining two or more stitch patterns in the body of the sweater? If the answer to any of these questions is “yes”, then you need to do more swatching.
Swatches with Borders: Have you ever knit something with a definite edge made by knitting either garter stitch or seed stitch and then found that the edges curl? The reason this happens is usually due to a difference in gauge between the stitch pattern used for the border and the stitch pattern used for the body. Thus, if you are knitting piece with a border that is different than the body of the piece, knitting a swatch with the borders on it provides you with an opportunity to make adjustments to minimize or eliminate the problem. Suzanne Bryan has a nice video on this that you may find helpful, here’s the link:
Note: I don’t recommend using garter stitch borders on gauge swatches even though others do. The border tends to distort the swatch and may affect the accuracy of your measurements.
Swatches of Ribbing: Ribbing by nature tends to “pull in”. Which means that 30 stitches of ribbing will have a smaller width than 30 stitches of stockinette stitch. How much of a difference can be quite significant and affect the way the garment fits around the hips and neck as well as around the wrists on a long sleeve. Also, some knitters find that their ribbing stitches appear larger than their stockinette stitches due to changes in tension. One solution for this is to use a smaller needle when ribbing – but if you do that you may need to have more stitches to get the right width of fabric for a proper fit. Knitting a swatch with your selected ribbing pattern followed by a transition to the stitch being used for the body of the sweater will provide you with the information you need to decide what you want to do. You might want to knit separate swatches with different ribbing patterns to select which ribbing you prefer to use in your garment. (You don’t have to use the same ribbing that the designer did for the pattern if you don’t want to…just saying.)
Swatches of Stitch Patterns:
In this post, stitch patterns refer to textured pattern stitches, lace patterns, cable patterns, etc. Basically any grouping of stitches that combine to make a pattern from the variations in stitches used.
I think making a swatch of the stitch patterns used in a written pattern provides a great deal of useful information about how the finished garment will look and feel – and fit! It’s also good practice before doing it as part of your finished item.
Keep in mind that most written patterns only give gauge in stockinette stitch and while that tells you what the designer’s gauge is – it does not tell you how the gauge changes in the stitch pattern(s) used in knitting the garment. If you find a written pattern that states the gauge of the stitch pattern – great. But does your gauge match that? Swatching is the only way you will know.
If you are only using one stitch pattern, then knitting a swatch with two or more pattern repeats will help you figure out how the pattern affects the width and length of the garment and what adjustment you might need to make to obtain the correct size of garment you want. If you combine it with your ribbing, you will see how the ribbing affects the transition to the main fabric of the garment.
If you are combining more than one stitch pattern within the main fabric of a garment, I recommend doing individual swatches for each stitch pattern to use as a gauge swatches.
Crest of Wave Lace Pattern
Garter Stitch
Embossed Moss Stitch Ribbing
Then to see what happens when the stitch patterns are combined, you should do a swatch large enough to include all of the stitch patterns used in the order you plan to use them. This may end up being a very large swatch – even enough stitches for the back of your garment. This type of swatch will provide you with a lot of helpful information and give you insight into what adjustments you might need to make for a great fitting garment. More on this in a later post.
What an awesome dishcloth. I think you did a great job.
I am interested in the pattern on your front page – the turquoise dishcloth that looks lacy around the edge. Thanks.
MaryAnn — Thanks for the comment. All the dishclothes posted in this blog were knit from patterns from the Leisure Arts book cited in the posts, with the exception of the one that was knit using the pattern on the ball band of the Peaches and Cream yarn.