Written by: Lindy
August 19, 2010
I used the Trinity Stitch pattern for dishcloth # 6. This stitch pattern produces a lovely textured fabric and is relatively easy to do. It is also known as the Cluster Stitch or Bramble Stitch. The fabric produced has a “knobby” texture and would make a lovely scarf or hat. It could also be used as part of the textured patterning in an Aran style or Fisherman style sweater or as a panel mixed with other textured patterns in an afghan or shawl.
The pattern is a multiple of 4 stitches done over 4 rows:
Row 1: (Right side) – Purl
Row 2: *(K1, P1, K1) all in same stitch, P3tog. Repeat from * across.
Row 3: Purl
Row 4: *P3tog, (K1, P1, K1) all in the same stitch. Repeat from * across.
Repeat these 4 rows for the desired length of your fabric.
Reference: Barbara G. Walker, A Treasury of Knitting Patterns
Written by: Lindy
August 4, 2010
As I have been knitting the different dishcloth patterns in my Summer Knitting project, it occurred to me that it might be a good idea to write a post in this blog about how to do some of the textured stitch patterns used in knitting the dishcloths. So, I am starting with the Bee Stitch.
The Bee Stitch is an easy textured stitch pattern and it produces an interesting textured fabric. It is a variation of the garter stitch and the edges do not roll. I think it would make a nice textured scarf or baby afghan. It certainly made a nice dishcloth.
The Bee Stitch is a multiple of 2 stitches plus 1 over 4 rows. It is made by “knitting 1 below (K1b)” and you need to have an odd number of stitches.
Row 1: Knit
Row 2: (Right Side): *(K1, K1b); Repeat from * across to last stitch K1.
Row 3: Knit
Row 4: *(K1b, K1); repeat from * across to last stitch, K1b.
Repeat these 4 rows for desired length of fabric. This 4 row repeat creates a diagonal patterning.
To “Knit 1 Below” , you put the tip of your needle through the center of the stitch below the stitch on the needle and slip off both strands at the same time. Tip – make certain that you are going through the center of the stitch below and can see the two strands of yarn when pulling the yarn through the stitch.
Here is a link to a YouTube video demonstrating “Knit 1 Below”: Knitting Demo Video.
References:
Kitchen Bright Dishcloths, Leisure Arts
Knitting on the Net (www.knittingonthenet.com)
Written by: Lindy
May 13, 2010
Front Cross and Back Cross Cable Stitches are mirror images of each other. The Front Cross cable twists to the left, while the Back Cross twists to the right. Both cables are done over four stitches.
In the sample – I have knitted a swatch with 3 Front Cross Cables and 3 Back Cross Cables to demonstrate how they mirror each other and also to show how these two cables would look in a ribbing. Remember that cables are usually separated by a few purl stitches in most textured pattern designs. In this swatch, I separated the cables by 2 purl stitches on each side. (I also blocked this swatch and stretched it to separate the cables. If you were using these cables as a ribbing, you would not want to block your garment this way.)
The Front Cross Cable is often written in patterns as “C4F”. To knit this cable, you slip the first two stitches onto a cable needle and hold them in the front of your knitting while you knit the next two stitches. Then you knit the two stitches off the cable needle. This results in the cable twisting to the left.
Tension can be an issue here, as many knitters tend to stretch the last stitch of the four a bit too much and end up with a looser stitch on the left edge of the needle. If you look closely at the left edge of the cable in the picture above, you will see that I do have looser stitches on the left edge.
Montse Stanley, in the “Knitters Handbook”, suggests knitting through the back of this stitch, rather than then front will tighten it up. You must remember to purl through the back loop again on the next row or you will have a twisted stitch if you do this, however.
The Back Cross Cable is often written in patterns as “C4B”. To knit this cable, you slip the first two stitches onto a cable needle and hold them in the back of your knitting while you knit the next two stitches. Then you knit the two stitches of the cable needle. This results in the cable twisting to the right. The same tension issues occur with this cable as with the Front Cross Cable.
In my swatch, I have varied the number of rows between cable stitch repeats to demonstrate how the appearance of the cables changes with the number of rows. The first two cables are based upon a four row repeat (meaning that the cable was done on the fourth row) and the last two cables are based upon a six row repeat.
These two cable patterns are very versatile – uses include: all-over cable patterning in a sweater (the popular “baby cable” sweaters found in stores today), a border for another textured pattern in an Aran style sweater, a decorative ribbing for a pullover sweater, the patterning found in my Cable Rib socks. I’m certain you can find many more examples as you look through sweater and sock patterns.
Written by: Lindy
March 8, 2010
Swatches 7 through 9 are demonstrations of various decrease techniques.
Swatch #7
Swatch 7 demonstrates “Blended Decreases” using SSK (Slip, Slip, Knit) on the right edge and K2Tog (Knit 2 Together) on the left edge.
SSK is a left-slanting decrease and is made by slipping 1 stitch as if to knit, then slipping a second stitch as if to knit, then inserting the left needle into these two stitches and knitting them together.
K2Tog is a right-slanting decrease. K2Tog decreases are the basic decrease every knitter learns. You simply insert the right needle into two stitches on the left needle and knit them together.
I have had difficulty finding a reference that actually defines “Blended Decreases”. Through my research it appears that “Blended Decreases” are decreases that slant or slope in the direction of the desired shaping. In this swatch the left-slanting decrease on the right edge and the right-slanting decrease on the left edge slope in toward the center of the swatch.
Swatch #8
Swatch 8 demonstrates SKP (Slip, Knit, Pass Slipped Stitch Over) and KSP (Knit, Slip, Pass stitch over) decreases.
SKP decreases are also sometimes written as S1, K1 PSSO in patterns. This is a left-slanting decrease and is done on the right edge of the swatch. Any decrease that requires you to pass a stitch over another one results in a somewhat uneven stitch due to the stretching that occurs when you pass the stitch over.
The KSP decrease was a new method for me. It is a right-slanting decrease that mirrors the SKP decrease and was knit on the left edge of this swatch. KSP is done by knitting a stitch, then slipping the stitch back on the left needle and passing the stitch over the next stitch with the right needle, then slipping the stitch back from the left needle to the right needle.
Swatch #9
Swatch 9 uses the K2Tog and SSK decreases but is different from Swatch 7 in that the K2Tog is done on the right edge and the SSK is done on the left edge.
TKGA refers to this swatch as “Full Fashioned”. I have not found a specific definition for the term “Full Fashioned” in my references. However, two of my sources refer to full fashioned decreases as decreases that are done with 2 or more stitches on the edge, making the decreases more visible and part of the intended design of the knitted fabric. In this swatch, the K2Tog decrease on the right edge slants to the right and stands out against the slope of the fabric. Likewise the SSK decrease on the left edge slants to the left and stands out against the slope of the fabric on that side. These decreases are more visible than those in Swatch 7.
Written by: Lindy
March 4, 2010
Swatches 4 through 6 in the Master Knitter Level I program are all about increases. Specifically, each swatch demonstrates a particular type of increase. The increases are done on each side, with three stitches before the right edge increase and three stitches after the left edge increase.
Swatch 4 - Bar Increase
Swatch 4 demonstrates the Bar Increase. This is probably the increase most knitters first learned to make when knitting. It often written as “KFB” in patterns — which means “Knit in the front and back loops”. When you knit into the front loop of a knit stitch and then knit in the back loop of the same knit stitch, the resulting increase has a purl bump where the second stitch was made. It is clearly visible as you can see in this picture.
I learned a few things working on this swatch. Since I am now much more aware of my tension, I found that the purl bumps looked much better if I made certain I kept the tension even with both stitches. It’s much the same issue as when I had trouble getting even tension in ribbing.
Also, through my research, I learned that you should never make your increases on the very edge of your knitting — you should have at least one stitch on the edge before doing the increase. This makes it much easier and neater to do seams. This is something to pay attention to when you are knitting pieces that will be sewn together — I know I will practice this in my future knitting projects.
Swatch 5 - Make 1 Increases
Swatch 5 demonstrates Make 1 increases. On the right edge, I knit an M1R increase — which means “Make 1 Right” — this is a right-slanting increase. It is made by inserting the left needle from the back and lifting the horizontal strand between stitches onto the left needle and knitting into the front of this strand.
On the left edge, the increase is an M1L — which means “Make 1 Left” — a left-slanting increase. It is made by inserting the left needle from the front and lifting the horizontal strand between stitches onto the left needle and knitting into the back of this strand.
M1 increases are tighter and there is no purl bump on the front of the knitting.
Swatch #6 - Lifted Increases
Swatch 6 demonstrates the Lifted or Raised Increase. This is the most invisible of increases — and was an increase I had never used before, so the entire swatch was a learning experience.
Again, I knit a right-slanting increase on the right edge. This increase is done by lifting the stitch below the stitch on the left needle and knitting it.
The left-slanting increase on the left edge of the swatch gave me the most difficulty. I had to search out several different pictures of it in my references before I figured it out. The left-slanting lifted increase is done by lifting the stitch below the stitch just knitted on the right needle and then knitting it.
The best pictures and explanations I found of this increase, as well as the others, were in an online article at Knitty.com, entitled “Techniques with “Theresa – Increases”.
So, these three swatches improved my technique when knitting increases and I learned a method of increasing that I had never used before. Check out the article on Knitty.com if you want to explore these methods.
Written by: Lindy
August 14, 2009
These three stitch patterns create an allover textured pattern using a combination of knit and purl stitches. As such, these three textured patterns are great for decorative borders. Between the USA and UK there is some confusion related to the Moss Stitch – I have seen references to the Moss Stitch which are exactly the same as what I know as a Seed Stitch here in the USA.
Seed Stitch (Moss Stitch):
This is one of my favorite patterns for borders with the stockinette stitch. It lies flat and does not roll or curl. It is reversible and I love it for front bands on cardigan sweaters.
This stitch pattern is a multiple of two and a repeat over two rows. The first row is the same as a 1 X 1 ribbing: K1, P1 across the row. On the following row, all stitches are worked the opposite of the way they face you – i.e. you purl the knit stitches and knit the purl stitches. Seed stitch tends to expand widthwise and is wider than the same number of stockinette stitches.
Irish Moss Stitch:
This stitch has a diagonal texture. It is a multiple of two stitches with a repeat over four rows. The first two rows are knit the same as 1 X 1 Ribbing: K1, P1 across the row. Then the next two rows are knit the opposite: P1, K1 across. You repeat these four rows to make the textured pattern.
Just like the Seed Stitch, the Irish Moss Stitch creates a reversible fabric that lies flat and does not roll or curl. The fabric will tend to expand crosswise and the stitches may “seat” themselves after washing. If you are using this pattern stitch as the main body of your garment, it is best to knit the garment to the actual measurements of the chest of the intended wearer before the first washing.
Double Moss Stitch (Double Seed Stitch, Box Stitch):
This stitch pattern is a multiple of four stitches repeated over four rows. The first two rows are the same as 2 X 2 Ribbing: K2, P2 across the row. On the next two rows, you do P2, K2 across. It has essentially the same properties as the Irish Moss Stitch. This pattern is wonderful for knitting textured scarves that do not roll or curl on the edges.
Written by: Lindy
August 7, 2009
All ribbing is a combination of knit and purl stitches across a row. When you knit back on the next row, you knit the stitches as the face you, that is, knit the knit stitches and purl the purl stitches. The knit stitches form a ridge (or rib) and the purl stitches form a valley. Ribbing is essentially a reversible fabric. Ribbing is elastic crosswise and will stretch lengthwise and is most often used for sweater neckbands and bottoms and the cuff of socks. Ribbing also “pulls in” naturally, so it will effect the shape of your garment.
One-By-One (1×1) Ribbing:
This is knitted exactly as it says. Knit 1 stitch, purl 1 stitch across the row. (Remember to move your yarn from back to front as you knit and purl.) If you are knitting this ribbing flat for a garment, you should be knitting an odd number of stitches, so that when the garment is seamed together the ribbing will appear to be continuous. If you are knitting in the round, you should always have an even number of stitches. This ribbing is the most elastic of ribbings. It tends to look more loosely knit than stockinette stitch, and because it is so elastic, most patterns have you knit your ribbing on needles that are a size or two smaller than the body of the pattern.
Two-By-Two (2×2) Ribbing:
This ribbing is made by K2, P2 across the row. It is a multiple of 4 stitches, so when knitting a flat piece to be joined with another, you should be knitting a multiple of 4 plus 1 stitch so that the pieces will weave together correctly. For knitting in the round, you would knit over a multiple of 4 stitches. This is a popular ribbing and it works well for sock cuffs, but it is not as elastic as the 1×1 ribbing.
Three-By-One (3×1) Ribbing:
This ribbing is also a multiple of 4 stitches: K3, P1 across. The rules for 2×2 ribbing also apply to this ribbing. As you can see in the picture, this produces a wide rib with an almost invisible valley. I have seen this ribbing used in sock patterns and it does give the socks and attractive looking cuff.
Other Ribbing Patterns: There are many other variations of ribbing, including Cabled Ribbing, Four-By-Two Ribbing, and Six-by-Three Ribbing. I will include an example of Cabled Ribbing in a latter post on Cable Stitch Patterns.
Note: For information about tension issues with ribbing, see my post: Master Knitter Level I – Swatches # 1, 2, & 3.
