The other day while waiting for my MIL at the beauty shop, I took out my baby blanket and sat knitting in the waiting area. One of the stylists came up to me and asked me what I was knitting. So I showed her. Then she said, “I could never knit anything like that – it’s too complex.” I replied that this pattern was actually very easy – it was just a three different combinations of knit and purl stitches, and I showed her the graph of the pattern square. She then told me that she had once knitted a sweater for her granddaughter that had a color pattern of a frog. So, I told her that if she had done that type of color knitting, this textured pattern would be easy for her to do. She replied that “maybe, she could do it – BUT she didn’t think she’d ever be able to master anything like cables”. So in spite of my gentle encouragement, I’m not certain this knitter will try to knit something with a variety of textures – which is too bad, because she will miss out on some wonderful knitting projects.
Have you ever limited your knitting by such thinking? I know I did many years ago – but after discovering Elizabeth Zimmerman’s approach to “unventing” things, my perspective has changed greatly. I’d like to encourage all my readers to think about this. There is a lot of freedom in being able to take a printed pattern and view it not as something that has to be followed exactly, but more as a place to start something uniquely yours. BTW – if you have never read Elizabeth Zimmerman’s books – you are missing an absolutely fun and enlightening experience!
As I spend time knitting my baby blanket, I find myself marveling at how those two basic stitches – the Knit Stitch and the Purl Stitch – can be combined in endless ways to make up fascinating textures. Consider the sheer simplicity of these two stitches. They are just opposites of each other. Yet these two stitches are knitting up nicely into teddy bear squares surrounded by seed stitch borders. And this project is rather simple. Then consider an Aran sweater pattern as an example of a far more complex combination of textured patterns – but again, the textures are made by the way one combines the basic knit and purl stitches and applies techniques such as cabling. Thus, knitting is both simple and complex and filled with unlimited possibilities of variation and combinations. No wonder we knitters love to knit!
3 thoughts on “Combinations of Knit & Purl – Simplicity or Complexity?”
Yes, you’re right. Sometimes it’s absolute instinct to stop right at the brink of doing something new just because it looks harder than we give ourselves credit for being able to learn.
I haven’t read EZ’s books, though she MUST have something remarkable to teach people. So many people love her work and find her inspirational and feel freed to create after reading her books. I’ve been at the brink of reading them, but . . . .
Yeah. I should listen to you and take the leap and try something new/old and read EZ. I’ll do it!
That’s terrific. I’m glad my comments triggered a positive response for you. I’d start with either “Knitting without Tears” or the “Knitter’s Almanac” from Elizabeth Zimmerman — both are available through Amazon.com, but many retail knit sites sell them as well. You can also probably find them through your LYS. Happy reading!
Thanks for posting about this, I would like to read more about this topic.
I have finished the cardigan sweater I was knitting for my GS. Now, I started this project in October 2009, well ahead of this little boy’s anticipated arrival. I had always intended to knit it as a size 12 months — I just hadn’t intended for him to be 9 months old by the time I finished! Ah…best intentions, too much ambition …and too many other WIPs to distract me.
Actually, I knit the cardigan in about 3 months. I had started this project planning to knit both a romper and a cardigan to match. I had the romper about three-fourths complete when I decided that it wasn’t what I wanted for my GS. So I set it aside for a bit and then realized I better get busy knitting or the sweater would be too small before it was ever finished.
Here’s the little guy in the sweater:
He’s a real cutie, isn’t he? Not that I’m a proud Grandma or anything like that…. 🙂
Brief run-down on the project details: Pattern was from a Dale of Norway pattern booklet, Nr. 203 “Baby Designs”. Yarn was Dale of Norway Baby Ull — colorways 4221 (red), 5735 (navy), 6435 (teal). The body is done in a three color, slipped stitch pattern, which I identified from Barbara G. Walker’s “A Treasury of Knitting Patterns” as the waffle weave. I will post about this pattern later.
Here’s a link to all the project details in my Ravelry projects: GS’s Cardigan.
The type of material used to make a set of knitting needles ranges from aluminum, acrylic (plastic), nickel, stainless steel to different woods such as bamboo, birch, and rosewood. Each type has properties that may affect your knitting. For instance, wood needles are “grippier” and work well with slippery yarns. Needles made from metals are often slicker and work well with “sticky” yarns because the stitches can glide more easily across the needle.
Here’s a fact that I stumbled across when I was struggling to knit with a laceweight yarn:
“Not all yarns work with all needles”
I had this lovely, but very fine laceweight yarn that I tried using for a lace shawl, but I became so frustrated with knitting it because it just wouldn’t knit up properly. The shawl pattern was part of a knit along (KAL) and so I posted a question to the group asking for suggestions on how to address my issue. One knitter told me to try a different type of needle because the needle I was using with the yarn might be the problem. This was a new concept for me at the time – it had never occurred to me that the knitting needles I used might not work with a yarn. So, I went to my LYS and purchased a set of Addi lace circular needles. These needles are made of brass, but they have a coating on them that makes them grippier. The difference in the way the yarn knit up on these needles was amazing! No more struggles with how the stitches formed or moved on the needles.
Lesson Learned. When selecting knitting needles, you should consider what you plan to knit and what type of yarn you plan to use. For this reason, I recommend that as you build your collection of knitting needles, you buy needles of different materials and try them out. If the project you are planning to knit uses a slicker yarn and you need to purchase a new needle for this project, consider buying a bamboo or birch needle. If the yarn is sticky – consider buying a needle made of nickel or stainless steel. You will find that over time, you will need a mix of needles made of various materials.
Types of materials that needles are made of include:
Metal – Needles can be made of Aluminum, Brass, Nickel, or Stainless Steel. All these metals make needles that are strong and smooth. Metal needles work well with most yarns, but if you have a slick yarn, you may find that the stitches slip too easily off the needles. Addi Lace needles are made of brass but have been coated to make them less slick. This helps when knitting lace patterns with very fine weight yarns. Some knitters find that they are allergic to Nickel. Others report that Brass needles stain their fingers. Aluminum and Stainless Steel are less reactive and may be a better choice if you are one who does react to Brass or Nickel.
Wood – There are many companies that make knitting needles of Bamboo, Birch, or Rosewood. Wood needles are less slick than metal needles and work well with slicker yarns such as rayon or silk. One issue with wood needles is that they can break if put under a lot of pressure. This is especially true with the smaller sizes.
Synthetic – These needles can be made of plastic, acrylic, or carbon fiber. Plastic and acrylic needles come in a wide variety of colors. These needles are also smoother than wood needles and are less expensive. Needles made of carbon fiber are quite strong and work well slick yarns. These needles are more expensive.
Needle Options:
Straight Needles are single point needles with a cap on the other end. They are available in several different lengths ranging from 7 inches (for kids) to 14 inches. Single point straight needles work well for knitting items flat, but they do not work for knitting circular (or in-the-round). As I said in my last post, these are the needles on which I learned to knit. I knit my first sweater using a pair of 14-inch needles.
Double Point Needles (DPNs) are exactly what the name says: needles with a point on each end. These are probably the earliest type of knitting needles, and they are used to knit circular. According to historians, early depictions of knitters using DPNs have been dated to the 14th century. DPNs are sold in sets or 4 or 5. You have stitches divided over 3 or 4 needles and knit with the remaining needle. These needles also come in a variety of lengths.
Circular Needles have a single point needle on each end with a thin cable in between. The cables are made of a flexible synthetic material and come lengths ranging from 9 inches to 60 inches. While these are used to knit in-the-round, they can also be used to knit flat.
There are two options for circular needles: Fixed lengths and Interchangeable. Fixed length needles are just that – they have a fixed length. 9-inch circular needles can be used to knit socks, and 16-inch needles work well to knit hats. For general purpose knitting, a 24-inch fixed circular is a good choice for length. If using “magic loop” technique, lengths between 32” to 60” work well. The longer lengths also work when knitting items with large numbers of stitches.
Interchangeable Circular Needles are needles that have needle tips that either screw or click into the ends of a cable. They are sold in sets with a number of different sizes of tips plus different lengths of cables. Such sets offer a lot of flexibility because you can easily change the length of your needles by switching cables. Interchangeable sets can be somewhat expensive depending on the type of materials used and the brand. Interchangeable needle tips and cables can also be purchased in single sizes and lengths, so it is possible to build a set over time. This is also a good way to expand your set of interchangeables.
I use my interchangeable needles the most. Over time I have added a variety of needle tips in different materials to my first set, so now I have the option of using either nickel or wood tips. I also have added extra cables in different lengths. I usually have more than one project on needles at any given time, so it’s great to have duplicates of sizes and cables available. I recently received a second interchangeable set of needles that has stainless steel tips. I find that enjoy using these, so I will be purchasing some duplicate tips in the sizes I use the most.
Recommendations to New Knitters:
Try out different types of needle materials so that you learn what works best for you. If you are planning a project with a slicker yarn and need a new set of needles for it – consider buying one made of bamboo or birch wood. Likewise, if your project uses a sticky yarn, go for a metal set, and if possible, select a metal than you haven’t used before.
If you belong to a knitting group, you might find some members that will be willing to let you try out one of their needles on a swatch.
If you haven’t used circular needles before – consider buying circulars instead of straight needles for your next project.
Big box stores sell knitting needles and supplies but if you have a local yarn shop near you, consider buying from it. Some local yarn shops may also offer you the chance to try a type of needle before you buy. It doesn’t hurt to ask.
Swatches 4 through 6 in the Master Knitter Level I program are all about increases. Specifically, each swatch demonstrates a particular type of increase. The increases are done on each side, with three stitches before the right edge increase and three stitches after the left edge increase.
Swatch 4 - Bar Increase
Swatch 4 demonstrates the Bar Increase. This is probably the increase most knitters first learned to make when knitting. It often written as “KFB” in patterns — which means “Knit in the front and back loops”. When you knit into the front loop of a knit stitch and then knit in the back loop of the same knit stitch, the resulting increase has a purl bump where the second stitch was made. It is clearly visible as you can see in this picture.
I learned a few things working on this swatch. Since I am now much more aware of my tension, I found that the purl bumps looked much better if I made certain I kept the tension even with both stitches. It’s much the same issue as when I had trouble getting even tension in ribbing.
Also, through my research, I learned that you should never make your increases on the very edge of your knitting — you should have at least one stitch on the edge before doing the increase. This makes it much easier and neater to do seams. This is something to pay attention to when you are knitting pieces that will be sewn together — I know I will practice this in my future knitting projects.
Swatch 5 - Make 1 Increases
Swatch 5 demonstrates Make 1 increases. On the right edge, I knit an M1R increase — which means “Make 1 Right” — this is a right-slanting increase. It is made by inserting the left needle from the back and lifting the horizontal strand between stitches onto the left needle and knitting into the front of this strand.
On the left edge, the increase is an M1L — which means “Make 1 Left” — a left-slanting increase. It is made by inserting the left needle from the front and lifting the horizontal strand between stitches onto the left needle and knitting into the back of this strand.
M1 increases are tighter and there is no purl bump on the front of the knitting.
Swatch #6 - Lifted Increases
Swatch 6 demonstrates the Lifted or Raised Increase. This is the most invisible of increases — and was an increase I had never used before, so the entire swatch was a learning experience.
Again, I knit a right-slanting increase on the right edge. This increase is done by lifting the stitch below the stitch on the left needle and knitting it.
The left-slanting increase on the left edge of the swatch gave me the most difficulty. I had to search out several different pictures of it in my references before I figured it out. The left-slanting lifted increase is done by lifting the stitch below the stitch just knitted on the right needle and then knitting it.
The best pictures and explanations I found of this increase, as well as the others, were in an online article at Knitty.com, entitled “Techniques with “Theresa – Increases”.
So, these three swatches improved my technique when knitting increases and I learned a method of increasing that I had never used before. Check out the article on Knitty.com if you want to explore these methods.
Yes, you’re right. Sometimes it’s absolute instinct to stop right at the brink of doing something new just because it looks harder than we give ourselves credit for being able to learn.
I haven’t read EZ’s books, though she MUST have something remarkable to teach people. So many people love her work and find her inspirational and feel freed to create after reading her books. I’ve been at the brink of reading them, but . . . .
Yeah. I should listen to you and take the leap and try something new/old and read EZ. I’ll do it!
That’s terrific. I’m glad my comments triggered a positive response for you. I’d start with either “Knitting without Tears” or the “Knitter’s Almanac” from Elizabeth Zimmerman — both are available through Amazon.com, but many retail knit sites sell them as well. You can also probably find them through your LYS. Happy reading!
Thanks for posting about this, I would like to read more about this topic.