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Combinations of Knit & Purl – Simplicity or Complexity?

The other day while waiting for my MIL at the beauty shop, I took out my baby blanket and sat knitting in the waiting area. One of the stylists came up to me and asked me what I was knitting. So I showed her. Then she said, “I could never knit anything like that – it’s too complex.” I replied that this pattern was actually very easy – it was just a three different combinations of knit and purl stitches, and I showed her the graph of the pattern square. She then told me that she had once knitted a sweater for her granddaughter that had a color pattern of a frog. So, I told her that if she had done that type of color knitting, this textured pattern would be easy for her to do. She replied that “maybe, she could do it – BUT she didn’t think she’d ever be able to master anything like cables”. So in spite of my gentle encouragement, I’m not certain this knitter will try to knit something with a variety of textures – which is too bad, because she will miss out on some wonderful knitting projects.

Have you ever limited your knitting by such thinking? I know I did many years ago – but after discovering Elizabeth Zimmerman’s approach to “unventing” things, my perspective has changed greatly. I’d like to encourage all my readers to think about this. There is a lot of freedom in being able to take a printed pattern and view it not as something that has to be followed exactly, but more as a place to start something uniquely yours. BTW – if you have never read Elizabeth Zimmerman’s books – you are missing an absolutely fun and enlightening experience!

As I spend time knitting my baby blanket, I find myself marveling at how those two basic stitches – the Knit Stitch and the Purl Stitch – can be combined in endless ways to make up fascinating textures. Consider the sheer simplicity of these two stitches. They are just opposites of each other. Yet these two stitches are knitting up nicely into teddy bear squares surrounded by seed stitch borders. And this project is rather simple. Then consider an Aran sweater pattern as an example of a far more complex combination of textured patterns – but again, the textures are made by the way one combines the basic knit and purl stitches and applies techniques such as cabling. Thus, knitting is both simple and complex and filled with unlimited possibilities of variation and combinations. No wonder we knitters love to knit!

3 thoughts on “Combinations of Knit & Purl – Simplicity or Complexity?”

  1. Yes, you’re right. Sometimes it’s absolute instinct to stop right at the brink of doing something new just because it looks harder than we give ourselves credit for being able to learn.

    I haven’t read EZ’s books, though she MUST have something remarkable to teach people. So many people love her work and find her inspirational and feel freed to create after reading her books. I’ve been at the brink of reading them, but . . . .

    Yeah. I should listen to you and take the leap and try something new/old and read EZ. I’ll do it!

  2. That’s terrific. I’m glad my comments triggered a positive response for you. I’d start with either “Knitting without Tears” or the “Knitter’s Almanac” from Elizabeth Zimmerman — both are available through Amazon.com, but many retail knit sites sell them as well. You can also probably find them through your LYS. Happy reading!

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In honor of EZ’s Brithday: Baby Surprise Jacket KALIn honor of EZ’s Brithday: Baby Surprise Jacket KAL

Elizabeth Zimmerman’s 100th birthday was August 9. One of our expert knitters in the Nebraska Knit & Crochet Guild (NKCG) started a knit-a-long (KAL) of the “Baby Surprise Jacket” in honor of EZ’s birthday. I had never done this baby sweater pattern, so I joined in the KAL.

It turned into on of those obsession driven projects. You know the ones — where you become so intrigued by how the pattern is unfolding that you simply.cannot.put.it.down. Yup, your fingers just itch to knit and your brain refuses to think about anything else — especially mundane things like laundry, cooking and other housework. That’s what this little project became.

You see, the BSJ is knit entirely of garter stitch and involves a series of increases, decreases and center double decreases to make your knitting go at right angles. It is knit in a single piece — and the fascinating thing is that it turns into a sweater without the normal sweater type shaping that you usually do. As I knit this project, I kept marveling at the ingenuity of the designer — how in the heck had she figured this out? It’s a combination of understanding geometry and the shaping required for a baby sweater — and EZ was someone who took theoretical concepts like right angles and turned them into pragmatic knitted garments. Perhaps a few pictures will help.

When you finish knitting the pattern — you end up with an oddly shaped piece of garter stitch fabric that looks like this:

Garter stitch fabric - Baby Surprise Jacket

As you can see, I knit this with two different yarns to create stripes. Now, when you fold the edges together, this striped fabric turns into this:

Baby Surprise Jacket, folded

A jacket. That’s the surprise — it actually turns into a little sweater jacket with nifty right angle striping on the front and horizontal striping on the back. And — there are only two seams to sew! Just two — the sleeves at the top. The button band is done as part of the bottom of the knitted piece, so you just add buttons and you are finished. (I’m still looking for buttons, so I don’t have a photo of the finished jacket.)

Now, the written pattern is somewhat confusing at first. There are several resources available to help sort out the sketchy instructions given in both the Knitter’s Almanac and Knitting Workshop. However, the biggest question I had was “if I knit this at a gauge of 6 stitches per inch, what size is my jacket?” EZ just tells you it will fit an infant if you knit at that gauge and if you knit it at a gauge of 5 stitches per inch, you will get a bigger jacket that will fit a larger child about 1 year old. This is this question that seems to cause knitters the most problems.

I knit this BSJ using Dale of Norway Baby Ull, which is a fingering weight wool yarn and my gauge was 6 spi. The jacket measures 15.25 inches across the chest, just at the point where the underarm is. Looking at a standard body measurements chart for baby sizes, This jacket is a 0-3 months size.

Now this sizing issue really bugged me — so I had to figure out the sizing for different gauges and correlate them to actual baby sizes. (Yes, I am a geek.) After studying the pattern, I discovered that the chest measurement is at the point in the pattern where you are knitting 90 stitches. (90 divided by 6 equals 15). So, using this point of reference, I have calculated roughly what the corresponding size will be if the BSJ is knitted at gauges of 5.5 spi, 5 spi, & 4.5 spi. I put this into a table to help others who might be bugged by this question:

Gauge Chest Measurement Size
6 spi 15-16 in. 0-3 mos
5.5 spi 16-17 in. 3-6 mos
5 spi 18 in. 12 mos.
4.5 spi 20 in 18 mos.

References:
Pattern: Ez’s instructions for the Baby Surprise Jacket can be found in Knitter’s Almanac or Knitting Workshop and/or it can be purchased from Schoolhouse Press.

Row Counter: A handy tool for keeping track while knitting the BSJ can be found here: http://www.box.net/shared/eugvsfb3lt

Video: There is a six-part video series on the BSJ, here is the link to the First Episode.

Ravelry Knitters — there is also a Rav Group for the BSJ.

Part 2: Freeing Yourself from a Pattern – Step 1, Take Good MeasurementsPart 2: Freeing Yourself from a Pattern – Step 1, Take Good Measurements

In my last post, I outlined how to use EZ’s Percentage System to design a sweater. Today, I will spend some time answering a question from Amanda, who asked, “What do you do when the pattern does not have instructions for YOUR size?”

This is very frustrating for those of us who are either smaller or larger than the range of sizes given by the pattern designer. I have never fully understood why some designer’s only develop their patterns for “Small, Medium, & Large”, though the trend seems to be to at least go up to “Extra Large” in current knitting publications. But, if your measurements do not correspond to the designer’s definition of “medium”, you may still find yourself with a sweater that is not well-fitting.

Isn’t that the goal for all of us? To knit a well-fitting garment? So, once again, the answer is to use the pattern as a general guideline and develop your own sweater according to your own measurements. Your measurements are your starting point.

There are two ways to take your measurements:
#1: Take measurements from a sweater that fits you the way you like/love.
Lay the sweater out flat on a table or other flat surface and take the following measurements:

The Chest Measurement [CM] – this is the widest point of the sweater, usually right below the underarm. Measure from side seam to side seam. Remember that since you are measuring with the garment laying flat, that the actual chest measurement is twice this amount. (Important if you will be knitting in the round).

Shoulder Width[ShW] – this is the measurement across the shoulders from the seams or the point where the arm meets the body. This measurement is important for a proper fitting sweater.

The Neck Measurment [NM] – measure this for both the front and the back and note if the garment has shaping that creates depth – due to a difference in the front neckline from the back.

Armhole Depth [AD] – measure from the top of the sleeve at the shoulder seam down to the underarm.

Sleeve Length [SL] – measure from the top of the sleeve at the shoulder seam to the beginning of the sleeve.

Wrist Measurement [WM] – measure the width of the wrist at the bottom of the sleeve.

Sleeve Width [SW] – measure the widest part of the sleeve.

Side Seam Length [SSL] – measure from the bottom of the sweater to the point where the sleeve meets the body at the underarm.

Back Length [BL] – at the center of the back – measure from the center of the back neck edge to the bottom of the sweater.

Front Length [FL] – at the center of the front (or front edge if a cardigan) – measure from the front neck edge to the bottom of the sweater.

Other measurements that you may want –
width of sleeve at the elbow
width at waist (if sweater tapers in at the waist)

I am including a diagram that you can use to record these measurements – click here: Measurements Diagram.

#2 – Take your measurements using your body.
Note – this is best accomplished with the help of a good friend. Measurements to be taken are the same as above, only taken directly from your body. You will need to figure in “ease” when calculating your pattern changes.

Now a few words about “Ease”. Ease is an extra amount of fabric that provides a garment with movement and shaping. When you take your measurements from your sweater – they will include the ease of that sweater. When you take actual body measurements, you will need to add in an appropriate amount of ease.

Close fitting garments have less ease and in some cases have negative ease, while loose fitting garments may have a significant amount of ease. Generally, the guidelines are that a classic fit has 7-10% ease, a close-fit will have a negative 7-10% ease and a very loose fit may have up to 20% ease.

So, now you have all the measurements you need. Take a look at the pattern you are wanting to use – hopefully, there is a diagram in the pattern that gives the finished measurements for each size. If not, you may want to use my diagram to write them down. Make note of the differences between your measurements and those in the pattern.

Also, make note of any textured stitch patterns or colorwork patterns used in the pattern. You need to know what the base number of stitches is for the pattern repeats. This is usually something like: “7 stitches over 9 rows” or “7 stitches, plus 1 over 9 rows”. Write this down – you will need it later.

That’s enough for today. Next post: Step 2 – Analyze the pattern.

Chevron Scarf – in ProgressChevron Scarf – in Progress

So, I spent quite a bit of time asking various folks what they thought about the chevron scarf and which patterning they liked. All of them were very supportive and all gave me their opinions — but many couched their remarks in such a way that I would not feel the need to frog what I had already knitted. (I appreciate their kind concern, but I really don’t mind frogging something if it isn’t knitting up the way I want it.)

Those who thought the 2 row change in color was best were about equal to the ones who preferred the 4 row change in color. Likewise, many suggested that I leave the initial rows of 2 row color changes as is and just continue knitting the 4 row color changes until the scarf was nearly done — then switch back to the 2 row color changes. I seriously consider doing this — but, in the end, I decided I preferred the 4 row color changes over the 2 row color changes (too busy, I found them really distracting). So I took a plunge into the frog pound, and started over.

ChevronScarf2bNow this pattern knits up rather quickly and it didn’t take me very long to get back to the original length I had knitted. This is a wonderful knitting project — it is an easy to remember 4 row pattern and I really like knitting the Cascade Heritage yarn. I am certain I will finish this Christmas present well ahead of schedule.