Combinations of Knit & Purl – Simplicity or Complexity?

July 19, 2009| Lindy| 3 Comments | 8:51 pm

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The other day while waiting for my MIL at the beauty shop, I took out my baby blanket and sat knitting in the waiting area. One of the stylists came up to me and asked me what I was knitting. So I showed her. Then she said, “I could never knit anything like that – it’s too complex.” I replied that this pattern was actually very easy – it was just a three different combinations of knit and purl stitches, and I showed her the graph of the pattern square. She then told me that she had once knitted a sweater for her granddaughter that had a color pattern of a frog. So, I told her that if she had done that type of color knitting, this textured pattern would be easy for her to do. She replied that “maybe, she could do it – BUT she didn’t think she’d ever be able to master anything like cables”. So in spite of my gentle encouragement, I’m not certain this knitter will try to knit something with a variety of textures – which is too bad, because she will miss out on some wonderful knitting projects.

Have you ever limited your knitting by such thinking? I know I did many years ago – but after discovering Elizabeth Zimmerman’s approach to “unventing” things, my perspective has changed greatly. I’d like to encourage all my readers to think about this. There is a lot of freedom in being able to take a printed pattern and view it not as something that has to be followed exactly, but more as a place to start something uniquely yours. BTW – if you have never read Elizabeth Zimmerman’s books – you are missing an absolutely fun and enlightening experience!

As I spend time knitting my baby blanket, I find myself marveling at how those two basic stitches – the Knit Stitch and the Purl Stitch – can be combined in endless ways to make up fascinating textures. Consider the sheer simplicity of these two stitches. They are just opposites of each other. Yet these two stitches are knitting up nicely into teddy bear squares surrounded by seed stitch borders. And this project is rather simple. Then consider an Aran sweater pattern as an example of a far more complex combination of textured patterns – but again, the textures are made by the way one combines the basic knit and purl stitches and applies techniques such as cabling. Thus, knitting is both simple and complex and filled with unlimited possibilities of variation and combinations. No wonder we knitters love to knit!

3 thoughts on “Combinations of Knit & Purl – Simplicity or Complexity?”

LindyLou (too) says:

July 23, 2009 at 5:19 pm

Yes, you’re right. Sometimes it’s absolute instinct to stop right at the brink of doing something new just because it looks harder than we give ourselves credit for being able to learn.

I haven’t read EZ’s books, though she MUST have something remarkable to teach people. So many people love her work and find her inspirational and feel freed to create after reading her books. I’ve been at the brink of reading them, but . . . .

Yeah. I should listen to you and take the leap and try something new/old and read EZ. I’ll do it!
admin says:

July 23, 2009 at 6:47 pm

That’s terrific. I’m glad my comments triggered a positive response for you. I’d start with either “Knitting without Tears” or the “Knitter’s Almanac” from Elizabeth Zimmerman — both are available through Amazon.com, but many retail knit sites sell them as well. You can also probably find them through your LYS. Happy reading!
How I Lost 30 Pounds in 30 Days Without Diet says:

July 23, 2009 at 11:12 pm

Thanks for posting about this, I would like to read more about this topic.

Comments are closed.

Mirrored Cables – Front Cross & Back Cross CablesMirrored Cables – Front Cross & Back Cross Cables

May 13, 2010| Lindy| 0 Comment| 11:03 am

Front Cross and Back Cross Cable Stitches are mirror images of each other. The Front Cross cable twists to the left, while the Back Cross twists to the right. Both cables are done over four stitches.

In the sample – I have knitted a swatch with 3 Front Cross Cables and 3 Back Cross Cables to demonstrate how they mirror each other and also to show how these two cables would look in a ribbing. Remember that cables are usually separated by a few purl stitches in most textured pattern designs. In this swatch, I separated the cables by 2 purl stitches on each side. (I also blocked this swatch and stretched it to separate the cables. If you were using these cables as a ribbing, you would not want to block your garment this way.)

The Front Cross Cable is often written in patterns as “C4F”. To knit this cable, you slip the first two stitches onto a cable needle and hold them in the front of your knitting while you knit the next two stitches. Then you knit the two stitches off the cable needle. This results in the cable twisting to the left.

Tension can be an issue here, as many knitters tend to stretch the last stitch of the four a bit too much and end up with a looser stitch on the left edge of the needle. If you look closely at the left edge of the cable in the picture above, you will see that I do have looser stitches on the left edge.

Montse Stanley, in the “Knitters Handbook”, suggests knitting through the back of this stitch, rather than then front will tighten it up. You must remember to purl through the back loop again on the next row or you will have a twisted stitch if you do this, however.

The Back Cross Cable is often written in patterns as “C4B”. To knit this cable, you slip the first two stitches onto a cable needle and hold them in the back of your knitting while you knit the next two stitches. Then you knit the two stitches of the cable needle. This results in the cable twisting to the right. The same tension issues occur with this cable as with the Front Cross Cable.

In my swatch, I have varied the number of rows between cable stitch repeats to demonstrate how the appearance of the cables changes with the number of rows. The first two cables are based upon a four row repeat (meaning that the cable was done on the fourth row) and the last two cables are based upon a six row repeat.

These two cable patterns are very versatile – uses include: all-over cable patterning in a sweater (the popular “baby cable” sweaters found in stores today), a border for another textured pattern in an Aran style sweater, a decorative ribbing for a pullover sweater, the patterning found in my Cable Rib socks. I’m certain you can find many more examples as you look through sweater and sock patterns.

Master Knitter Level I – Swatches #1, #2, & #3Master Knitter Level I – Swatches #1, #2, & #3

February 11, 2010| Lindy| 0 Comments| 12:05 pm

I have completed the first three swatches for the TKGA Master Knitter Level I program. As I mentioned in an earlier post, I discovered an issue with tension that I did not realize I had. And over the last few weeks, I have done quite a bit of reading about tension and an equal amount of knitting, reknitting, and being much more aware of HOW I knit. This is one of the purposes of the Master Knitter program — it makes you think about your craft and helps you identify the bad habits you have developed over time.

I have decided to use this blog as I way for me to document the lessons learned as I proceed through the Master Knitter Level I program. Hopefully, others will find my notes and comments helpful and will also learn from them. So, here is the first of my “lessons learned”:

Swatch #1 — 2 X 2 Ribbing & Garter Stitch
Garter stitch (knit all rows) was fairly easy for me — the key is to maintain an even tension throughout knitting the rows.

Tension can be a real issue with 2 X 2 Ribbing, because most knitters tend to purl more loosely than they knit. [I do]. The result of this tendency is that your ribs are formed of uneven stitches and appear “wonky”. My first attempt at this swatch was definitely “wonky”. After much researching, knitting and reknitting, I determined that I was really out of practice purling because I had been knitting projects mostly “in the round” and this was part of my problem. So, I spent some time just purling and working on my tension — trying to get it more consistent. I eventually managed to obtain a fairly even tension with my ribs. From my reading, I think that the unevenness on the edges is normal and should be satisfactory.

Swatch # 2: 1 X 1 Ribbing and Stockinette Stitch
Tension was also an issue for me with the 1 X 1 Ribbing. With this ribbing, I found that my looser purl stitches really impacted the shape of the ribs. Again, I found that I really needed to practice purling and focus on keeping my tension even when doing the ribbing.

For the Stockinette Stitch, I was able to obtain the even fabric required — but only after I had worked on my purling. The evenness isn’t as noticeable on the right side — you need to look at the wrong side of the fabric and make certain that there isn’t a distinct difference in your rows between the knit rows and the purl rows. Along the way, I discovered that I knit fairly loosely and I had to go down one needle size to achieve a decent fabric.

If you are trying to correct uneven tension when ribbing, here are a couple of ways to do so:
1) Just try knitting with an even tension; 2) Give your yarn and extra tug when moving it to the front of the needle and before purling; 3) Try wrapping your yarn under your needle when purling — note, this makes the stitches sit on the needle with the back loop leaning forward — to avoid twisting the stitch you must knit through the back loop rather than the front when knitting; 4) Try purling using the Norwegian Purl method [link to video here].

Swatch # 3: Seed Stitch

Swatch # 3 was a sample of Seed Stitch — which is K1, P1 across the row over an even number of stitches. The goal here is to produce a nice even fabric with no visible holes between the knit and purl stitches. This is another tension challenge. It took me three swatches to produce the swatch shown. I finally came to the conclusion that I was over-doing the tension, basically trying too hard — and once I relaxed a bit on this, I got a better result.

In summary, here’s what worked for me: 1) After practicing, I needed to relax a bit — I got to the point that I was pulling my purl stitches so tightly that I made my knitting even less consistent. 2) Remembering to do that little extra tug when putting the yarn in front to purl. 3) For the edges — giving the yarn an extra tug when knitting off the last stitch on the row, followed by giving an extra tug after knitting the first two stitches on the next row. (more…)

Things Learned from a SwatchThings Learned from a Swatch

October 12, 2009| Lindy| 2 Comments| 8:00 am

It took me years to appreciate the value of doing a swatch before starting a knitting project. I cannot tell you how many poorly fitted sweaters I knit before I came to realize that it truly was worth the time and effort to swatch first.

I learned this when I bought my first knitting machine. You see, when you are using a knitting machine, you can’t even get started without doing that swatch – as you need it to tell you if you have your machine tension set up correctly. It only takes one frustrating experience with a too tight tension on the knitting machine to convince you of the necessity for doing a swatch or two.

Swatching also provides you as a knitter the freedom to become, as Elizabeth Zimmermann says, “The boss of your knitting”. If you know your gauge, and understand the basics of the design you are wanting to make – you are free to modify any pattern – or MAKE YOUR OWN.

So, I always swatch. This last weekend I did a swatch using the Baby Ull yarns that I purchased to knit a sweater and romper for my new grandson due the end of January. I had a couple of extra reasons for doing this swatch beyond determining what size needle I needed to obtain the stated pattern gauge. First, I wanted to try out the three color pattern for the sweater and get comfortable with it. Second, I wanted to see if I liked the color combinations of the yarns in the color pattern.

Swatch_Cardigan1 Here’s a picture of the swatch. I cast on 44 stitches so that I could have a 40 stitch area surrounded by a 2 stitch garter stitch edging. I started using US 2 (3.00 mm) needles and then switched to a smaller US 1 (2.50 mm) needle for the last part of the swatch. I did a section of garter stitch, then stockinette stitch, then the color pattern using the lighter aqua blue as the main color and then switched to using the darker teal blue as the main color. I finished the swatch by doing a section of sockinette stitch on the smaller needles, followed by a section of garter stitch.

Here’s what I learned from this swatch: 1) I need to use smaller needles than what is stated in the pattern in order to obtain gauge. This is important because I want this sweater to fit. 2) I like using the darker teal blue as the main color – I think the lighter aqua blue shows up better against it than the other way around. This is significant – because I bought 7 balls of the lighter aqua and only 1 ball of the darker teal. (I have now ordered enough teal to make the sweater, as my LYS did not have enough of it on hand…) 3) The 3 color pattern is fairly simple and easy to knit. I think it’s good to practice such things before starting off on a special project like this.

So to those readers who “hate to swatch”: do you see the value of what I did here? Swatching is a valuable technique that helps you be the “boss of your knitting”. Now go swatch!