Stitch Patterns – Garter Stitch, Stockinette Stitch & Reverse Stockinette Stitch

August 1, 2009| Lindy| 0 Comments | 2:28 am

Categories:

I have decided to blog about various stitch patterns from time to time. So I am starting with the time honored basics: the garter stitch, the stockinette stitch and the reverse stockinette stitch.

This discussion assumes you know how to do a knit stitch and a purl stitch. If you are new to knitting and are not familiar with these two stitches, click on this link: http://www.knittinghelp.com/videos/knit-stitch.

Garter Stitch: this stitch pattern is made by knitting every row, turning your knitting at the end of each row. (You would get the same effect if you purled every row – but most knitters prefer to knit every row). If you want to knit garter stitch “in the round”, you would knit one row and then purl one row – so most patterns using garter stitch are for flat pieces rather than circular knit pieces. The pattern produces a knitted fabric with ridges on each side that is essentially reversible – it looks very much the same on the right side as the wrong side. It takes two rows to make 1 ridge. The garter stitch is great for borders because it will not curl and lays flat once knitted. Many afghan and baby blanket patterns have a garter stitch border and it is often used as the basis for wash clothes and placemats.

Stockinette Stitch: this stitch pattern is the most commonly used knitted fabric. This stitch pattern produces a fabric with flat “V” shaped stitches on the right side and bumpy stitches on the wrong side. It is also known as flat knitting, tricot or jersey knit. Stockinette stitch consists of knitting one row, turning your work and purling one row if you are knitting a flat piece. If you are knitting in the round, you knit every row. Stockinette stitch fabric curls on the edges and at the top and bottom – it makes a good fabric for the body of a garment, but usually requires another stitch pattern for edging and or borders. It also stretches lengthwise when worn.

Reverse Stockinette Stitch: this is exactly what it sounds like – it is simply stockinette stitch fabric used with the purl side as the right side. It has all the properties of the stockinette stitch, but in addition, it will also stretch widthwise. You can see how the 3 stitches differ in the picture below:

If you look at the pictures of my teddy bear baby blanket – you will see how the teddy bear is formed by using the stockinette and reverse stockinette stitches together to form the pattern. This is a good example of how they can be combined to form textured patterning. Aran knitting patterns often combine stockinette, reverse stockinette and garter stitches as part of the textural patterning. Again, here are examples where the stitching is actually very straightforward and easy – but produces a fabric that looks complex because of the wonderful textures.

Note: For information on tension issues occurring with garter stitch, stockinette and reverse stockinette stitch, see my post on Master Knitter Level I — Swatches #1, 2 & 3.

1 thought on “Stitch Patterns – Garter Stitch, Stockinette Stitch & Reverse Stockinette Stitch”

LindyLou (too) says:

August 5, 2009 at 3:59 am

I’ve heard of reverse stockinette many times, but have never investigated it. Thank you for the clear explanation and for including the information about the stretchability of reverse stockinette.

Comments are closed.

Tubular Cast OnsTubular Cast Ons

There are several versions of tubular cast ons. All tubular cast ons give the appearance of a rolled edge. The basic Tubular Cast On starts with half the number of stitches needed. You cast on with waste yarn followed by 4 rows of stockinette stitch in your main color of yarn. Then you increase by picking up stitches from the first row of the main color knitting. This cast on has an elastic edge and is good for K1P1 ribbing used in socks, gloves, and hats.

The Provisional Tubular Cast On begins with the Provisional Cast On before starting the tubular rows. Starting with the Provisional Cast On eliminates having to pick up stitches. It can be used for both K1P1 and K2P2 ribbing and has a matching bind off (Tubular Bind Off).

The Yarnover Tubular Cast On starts with a Chained Cast On in half the number of stitches needed. Yarnovers are used to add the remaining stitches. This cast on is good for knitting in the round and works for both K1P1 and K2P2 ribbing. Most sources recommended using a smaller size needle to do this cast on and prevent flaring out.

The Italian Tubular Cast On is similar to the Provisional Cast On. It does not require the use of waste yarn. You begin this cast on with a long tail about four times the length of what you are casting on. As with the other tubular cast ons this one works well with K1P1 and K2P2 ribbing and matches the Tubular Bind Off.

Links for videos on these cast ons:

Tubular Cast On

Provisional Tubular Cast On

Yarnover Cast On

Italian Tubular Cast On(flat)

Italian Tubular Cast On (ITR)

Part 2: Freeing Yourself from a Pattern – Step 1, Take Good MeasurementsPart 2: Freeing Yourself from a Pattern – Step 1, Take Good Measurements

In my last post, I outlined how to use EZ’s Percentage System to design a sweater. Today, I will spend some time answering a question from Amanda, who asked, “What do you do when the pattern does not have instructions for YOUR size?”

This is very frustrating for those of us who are either smaller or larger than the range of sizes given by the pattern designer. I have never fully understood why some designer’s only develop their patterns for “Small, Medium, & Large”, though the trend seems to be to at least go up to “Extra Large” in current knitting publications. But, if your measurements do not correspond to the designer’s definition of “medium”, you may still find yourself with a sweater that is not well-fitting.

Isn’t that the goal for all of us? To knit a well-fitting garment? So, once again, the answer is to use the pattern as a general guideline and develop your own sweater according to your own measurements. Your measurements are your starting point.

There are two ways to take your measurements:
#1: Take measurements from a sweater that fits you the way you like/love.
Lay the sweater out flat on a table or other flat surface and take the following measurements:

The Chest Measurement [CM] – this is the widest point of the sweater, usually right below the underarm. Measure from side seam to side seam. Remember that since you are measuring with the garment laying flat, that the actual chest measurement is twice this amount. (Important if you will be knitting in the round).

Shoulder Width[ShW] – this is the measurement across the shoulders from the seams or the point where the arm meets the body. This measurement is important for a proper fitting sweater.

The Neck Measurment [NM] – measure this for both the front and the back and note if the garment has shaping that creates depth – due to a difference in the front neckline from the back.

Armhole Depth [AD] – measure from the top of the sleeve at the shoulder seam down to the underarm.

Sleeve Length [SL] – measure from the top of the sleeve at the shoulder seam to the beginning of the sleeve.

Wrist Measurement [WM] – measure the width of the wrist at the bottom of the sleeve.

Sleeve Width [SW] – measure the widest part of the sleeve.

Side Seam Length [SSL] – measure from the bottom of the sweater to the point where the sleeve meets the body at the underarm.

Back Length [BL] – at the center of the back – measure from the center of the back neck edge to the bottom of the sweater.

Front Length [FL] – at the center of the front (or front edge if a cardigan) – measure from the front neck edge to the bottom of the sweater.

Other measurements that you may want –
width of sleeve at the elbow
width at waist (if sweater tapers in at the waist)

I am including a diagram that you can use to record these measurements – click here: Measurements Diagram.

#2 – Take your measurements using your body.
Note – this is best accomplished with the help of a good friend. Measurements to be taken are the same as above, only taken directly from your body. You will need to figure in “ease” when calculating your pattern changes.

Now a few words about “Ease”. Ease is an extra amount of fabric that provides a garment with movement and shaping. When you take your measurements from your sweater – they will include the ease of that sweater. When you take actual body measurements, you will need to add in an appropriate amount of ease.

Close fitting garments have less ease and in some cases have negative ease, while loose fitting garments may have a significant amount of ease. Generally, the guidelines are that a classic fit has 7-10% ease, a close-fit will have a negative 7-10% ease and a very loose fit may have up to 20% ease.

So, now you have all the measurements you need. Take a look at the pattern you are wanting to use – hopefully, there is a diagram in the pattern that gives the finished measurements for each size. If not, you may want to use my diagram to write them down. Make note of the differences between your measurements and those in the pattern.

Also, make note of any textured stitch patterns or colorwork patterns used in the pattern. You need to know what the base number of stitches is for the pattern repeats. This is usually something like: “7 stitches over 9 rows” or “7 stitches, plus 1 over 9 rows”. Write this down – you will need it later.

That’s enough for today. Next post: Step 2 – Analyze the pattern.

Last FO of 2010: Dishcloths #10 – 12Last FO of 2010: Dishcloths #10 – 12

It’s been awhile since my last post. The month of December simply flew by with all the preparations for the Holidays and I just never found time to post. Now that the New Year’s Day holiday is over, I am hoping to get back to much more regular postings.

I finished dishcloth #12 just after Christmas. I had planned to get my dozen dishcloths done well before Christmas — but you know that saying about best laid plans? Other things just kept popping up and interfering with my knitting time. Ah well… at least I finished the last dishcloth before the end of the year. So here are the last three of the set of 12:

Dishcloth # 10 – Slanted Squares

Pattern from Leisure Arts “Knitting Kitchen Brights Dishcloths” brochure. Yarn: Peaches & Cream Cotton, color Teal. This is a textured pattern made up of combination of stockinette, reverse stockinette and seed stitch.

Dishcloth # 11 – Basic Diamonds

Pattern from Leisure Arts “Knitting Kitchen Brights Dishcloths” brochure. Yarn: Peaches & Cream Cotton, color Teal. Purl stitches are used to create the diamond patterning. The pattern is very similar to the “Diamond Brocade” pattern I used for my DD’s scarf last year. This pattern is based on 6 stitches and 6 rows, whereas the Diamond Brocade pattern is based upon 8 stitches and 8 rows.

Dishcloth # 12 – Shapely Diamond

Pattern from Leisure Arts “Knitting Kitchen Brights Dishcloths” brochure. Yarn: Peaches & Cream Cotton, color Lemon. This was a fun pattern to knit and it knit up fairly quickly. The pattern is based on 34 stitches knit over 59 rows.

Links to Dishcloths #1 through #9:
Dishcloths #1 — #3
Dishcloths #4 — #6
Dishcloths #7 — #9

Link to “Kitchen Bright Dishcloths” from Leisure Arts (2004).