Chevron Scarf – in Progress

So, I spent quite a bit of time asking various folks what they thought about the chevron scarf and which patterning they liked. All of them were very supportive and all gave me their opinions — but many couched their remarks in such a way that I would not feel the need to frog what I had already knitted. (I appreciate their kind concern, but I really don’t mind frogging something if it isn’t knitting up the way I want it.)

Those who thought the 2 row change in color was best were about equal to the ones who preferred the 4 row change in color. Likewise, many suggested that I leave the initial rows of 2 row color changes as is and just continue knitting the 4 row color changes until the scarf was nearly done — then switch back to the 2 row color changes. I seriously consider doing this — but, in the end, I decided I preferred the 4 row color changes over the 2 row color changes (too busy, I found them really distracting). So I took a plunge into the frog pound, and started over.

ChevronScarf2bNow this pattern knits up rather quickly and it didn’t take me very long to get back to the original length I had knitted. This is a wonderful knitting project — it is an easy to remember 4 row pattern and I really like knitting the Cascade Heritage yarn. I am certain I will finish this Christmas present well ahead of schedule.

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Summer Knitting: Dishcloths # 4 – 6Summer Knitting: Dishcloths # 4 – 6

I am now half way through my Summer Knitting project of knitting a dozen dishcloths. Here are the three I have just finished:

Dishcloth #4 – Crocus Buds
Knitted dishcloth in crocus buds pattern
Pattern from the Leisure Arts “Knitting Kitchen Brights Dishcloths” brochure. Yarn: Lion Brand Kitchen Cotton, color Banana. This was an interesting openwork pattern. The “crocus buds” are created by pulling a stitch over the next two stitches on the needle. It is a simple 6 stitch pattern over 4 rows with yarn overs creating the open patterning between the “crocus buds”.

Dishcloth #5 – Elfin Lace
Knitted elfin lace pattern dishcloth
Pattern from Leisure Arts “Knitting Kitchen Brights Dishcloths” brochure. Yarn: Lion Brand Kitchen Cotton, color Natural. Easy lace pattern, that knits up into a nice dishcloth. The Elfin Lace pattern is an eight stitch pattern done over 8 rows.

Dishcloth #6 – Trinity Stitch
Dishcloth knitted using the trinity stitch
Pattern from Leisure Arts “Knitting Kitchen Brights Dishcloths” brochure. Yarn: Lion Brand Kitchen Cotton, color Natural. Lovely textured pattern produced by using the “Trinity Stitch”. I loved knitting this one. The “Trinity Stitch” is a neat textured pattern.

Link to “Kitchen Bright Dishcloths” from Leisure Arts (2004).

FO: Multnomah Shawlette in Crazy ZauberballFO: Multnomah Shawlette in Crazy Zauberball

Knitted shawlette using Multnomah pattern

I took a little knitting detour last week and knit up the Multnomah Shawl in Zauberball Crazy yarn. Colorway is Fliederduft, which is loosely translated as “lilacs”. I had allocated this yarn to a pair of socks as part of the “10 in 2010” projects at the beginning of this year. However, after looking through many examples of socks knit with Zauberball Crazy in the Ravelry projects, I decided that I really didn’t want to knit this yarn into a pair socks. So — I switched to a shawl and ended up doing the Multnomah pattern by Kate Flagg.

The shawl was done in garter stitch until I had 265 stitches and then I started the feather and fan pattern and did 9 repeats. This pattern is a fairly quick knit. I was able to finish it up in a week and that was even with needing to frog back a couple of rows in order to have enough yarn to bind off.

Final size of the shawl — it’s actually a shawlette — was 15.5 inches by 58 inches.

Multnomah Shawl knitted in Zauberball Crazy

I am pleased with the result. It’s an nice size for a decorative scarf/shawlette and I think the striping of the yarn is shown off to better affect than it would be in a pair of socks.

Zauberball Crazy is a self-striping, marled yarn. Which means that it stripes, but because the two plies of the yarn may be different colors, you get a somewhat “tweedy” appearance in many of the stripes. It’s a unique yarn. It is a fingering weight, superwash wool and nylon yarn and the fabric is soft and drapes nicely after blocking. I did find that the yarn had a tendency to split occasionally and there were spots where a tuft of yarn from one of the plies would stick out — these were easily removed. I might be tempted to try another colorway — but not certain what project I would use it for.

The Multnomah Shawl pattern is a very popular pattern on Ravelry and there many knitters who have made larger shawls, so when I knit this pattern again I plan to knit a larger one. The pattern is free and available for download from Ravelry (must be Ravelry member) or on Kate Flagg’s website.

I have finally figured out how to share information from my Ravelry project pages, so I am linking to this project details on my “Z Crazy” Multnomah Page.

Designing a Sweater without a PatternDesigning a Sweater without a Pattern

In previous posts, I have discussed how to use Elizabeth Zimmerman’s Percentage System (EPS) to design and knit a sweater and how to modify a written pattern to adjust for changes in sizing and/or gauge. Today, I will briefly describe the process of designing a sweater without a written pattern. I learned this process in depth when I first knitted a sweater using my knitting machine. Knitting garments on a knitting machine requires extensive set-up and calculations before you can even begin to knit. Regardless of whether you are hand knitting or machine knitting – the process and calculations are the same.

As in the previous design techniques, you start with a good set of body measurements and a gauge swatch to determine your stitch and row gauge. You will also need to factor in the amount of ease you wish to have in your completed sweater.

Any sweater has several basic elements: The front & back, the sleeves and the neck. Sweaters come in two basic forms – the pullover and the cardigan. If you take a minute to think through all the sweaters you have seen, you will realize that all of them are some variation of these two basic forms. So, let’s start by breaking down the elements of a basic pullover sweater.

Elements of a Pullover Sweater:

  • The Front & Back – in a very basic design, the front and the back are the same up to the point where one shapes the neckline. The Front and Back make up the tube of fabric that goes around the entire body – thus, the back consists of one-half of the total number of stitches needed for the body/chest measurement and the front has the other half. In our basic design, the back/front is essentially a rectangle – and you need to determine the width and the length from your own measurements. If you plan to knit this sweater in the round, then you will calculate the total number of stitches based upon the body/chest measurement plus ease. [(BM + Ease) X SPI]. If you plan to knit this sweater in pieces and then sew the pieces together, you will calculate the number of stitches needed for the front/back by dividing the Body/chest measurement by two and then adding in Ease and multiplying by your stitch gauge. [((BM/2) + Ease) X SPI]. For a set-in sleeve, you will also need to calculate the shaping of the armhole. When knitting in the round, at the point you begin shaping the armholes, it is best to knit flat and knit the front and back separately.
  • The Neck – the most basic neck for a pullover sweater is a round or crew neck shape. In our basic sweater design – a portion of the stitches of the center back are used for the back of the neck, while in the front there is some shaping done to make the front of the neck slightly lower than the back. The stitches not used in the neck are used for the shoulders and form the shoulder seams of the sweater. It is best to use live stitches for necklines. This allows you the needed stretch for the fabric to go over the head of the wearer. One must also keep in mind that the average woman’s head has a circumference of 22 inches. Thus, there needs to sufficient width allocated to the neck to allow the head to pass through it.Back Neck – for the basic sweater pattern, the back does not have any shaping to it. It is simply divided into three sections: Left shoulder, Neck and right shoulder. The number of stitches assigned to the back neck stitches is somewhat proportional to the chest measurement. Generally, the wider the chest, the larger the neck circumference. In this basic sweater design, there should be an equal number of stitches allocated to the shoulders, with the remaining stitches placed on hold for the neck. You determine the number of back neck stitches by multiplying your stitch gauge by the width of the back neck. You then subtract the number of back stitches from the total number of stitches for the back at the shoulders – this will give you the number of stitches for the shoulders. This number needs to be divisible by 2, so you may need to take 1 stitch from your neck stitches to even it out.

    Front Neck – the shaping for the front neck begins below the last row of the shoulder. For women, the depth of the neckline starts 2.5 to 3 inches below the shoulder, for men, the depth is 3 inches to 3.5 inches and for children the depth is 1.5 to 2.5 inches. This depth is entirely a matter of preference. The front neck is shaped as a semi-circle by gradually eliminating stitches on either side of the center front neck stitches. Thus, the center front stitches are placed on hold and then decreases are done on either side of these stitches as you knit up to the shoulders. This shaping will occur concurrently with the armhole shaping

  • The Sleeves – the most common styles of sleeve in commercial sweaters are the drop-sleeve and the set-in sleeve. For this design, I will cover the set-in sleeve. A Set-in Sleeve joins the body of the sweater at the armhole and the top of the shoulder seam. Set-in sleeves require shaping at the top of the sleeve itself as well as corresponding shaping in the front and back. The shaping is made by a series of bind-offs, increases and/or decreases. To design your sleeve you must have your sleeve length, the width of the sleeve at the armhole, the width of the sleeve at the elbow and the width of the sleeve at the wrist. You also need the depth of the armhole. There are quite a few calculations required to be able to knit a properly fitting set-in sleeve. You begin by calculating the shaping of the sleeve from the wrist to the underarm and then calculate the shaping required to form the rounded sleeve cap. Shaping is achieved by a series of increases from the wrist to the underarm, followed by bind-offs and decreases to form the sleeve cap.

Now let’s look at a basic cardigan sweater.

Cardigans are most often knitted flat – either in separate pieces or in as a one wide piece on a long circular needle. They can be knitted in the round using a steek to separate the two fronts when finishing the sweater. Shaping for armholes and neckline are mirrored for the right and left fronts. In addition, there is a knitted band of fabric that overlaps at the center front – this band can be knitted concurrently with the front using a pattern stitch or can be added to the front by picking up stitches along the center front edge after the front has been knitted.

The calculations for this sweater are essentially the same as for our basic pullover – with the exception of the front. A cardigan sweater has two front pieces that meet and overlap in the center of the garment. This means that each front piece is one-half of the front piece of a pullover sweater, plus some added width for the overlapping parts(buttonbands or borders). In our basic sweater design, you simply add the desired width of the buttonband to each front piece. For example, the front on our pullover measures 40 inches. For our cardigan, each front piece would be half of that or 20 inches and the buttonband would be 2 inches wide: 20 + 2 = 22 inches. My Excel Spreadsheet includes a section on calculating the fronts for a cardigan.

I have created an Excel Spreadsheet for all the calculations required for a basic pullover with a set-in sleeve. Click here to download the spreadsheet: Sweater Calculator.

Using this calculator and your own gauge, you now have all the calculations required to knit your pullover sweater. You can knit this sweater from the top down or from the bottom up. The shaping for a top-down sweater is done in the reverse order of a bottom-down sweater.

Terms of Use: You may electronically copy and print to hard copy portions of the spreadsheet for the sole purpose of using materials it contains for informational and non-commercial, personal use only. Any other use of this spreadsheet — including any commercial use, reproduction for purposes other than described above, modification, distribution, republication, display, or performance — without the prior written permission of Lindy’s Knits & Laces is strictly prohibited.

Today I have briefly outlined the basics of designing your own sweater using two basic sweater designs. From these two basic designs, you can create a sweater according to your own measurements out of any weight yarn. I recommend you give it a try. Listed below are some references for your further exploration – I have only scratched the surface of this topic. Happy Knitting.

If you find this post and/or my spreadsheet helpful , please leave me a comment. Thanks!

For further exploration – check out these sources:

Maggie Righetti, Sweater Design in Plain English
Leslye Solomon, The Uncomplicated Knitting Machine
Deborah Newton, Designing Knitwear.
Barbara G. Walker,Knitting from the Top Down.
Vogue Knitting