Master Knitter – Level I – Lindy's Knits & Laces

Master Knitter – Level I

January 18, 2010| Lindy| 0 Comments | 5:36 pm

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I have always wanted to tackle the Master Level Knitting certifications through The Knitting Guild Association. Until this year, I have always talked myself out of doing so, because I thought the time commitment would be too much – given everything else in my busy life.

There is a knitter in my local guild that has completed the Master Knitter Level 1 and is working on Master Knitter Level 2. She was generous enough to share her project binder and talk with me about the process. So, this year – I took the plunge! I signed up for Master Knitter, Level 1 and have received my instructions. It requires knitting 16 different swatches of various knitting techniques and stitches, answering 17 questions, completing 1 knitted project and writing a 2-page report on the care of knitwear. I have a year to complete and I think I will be able to get it done. Knowing that I have someone locally to ask questions is a big plus.

I knitted my first swatch last Sunday evening. It took a little longer than I anticipated because I did some extra swatching to find the right size needle for the yarn I will be using for all my swatches. One down, 15 to go – my goal is to do one swatch per week, and answer the questions that pertain to that swatch. Wish me luck.

1 thought on “Master Knitter – Level I”

Amanda says:

January 18, 2010 at 7:21 pm

That’s awesome! Someday I want to do that too! I’m glad you took the plunge. It will be an awesome thing to watch you develop along the year.

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Master Knitter Level I – Swatches #4, #5, & #6 – IncreasesMaster Knitter Level I – Swatches #4, #5, & #6 – Increases

Swatches 4 through 6 in the Master Knitter Level I program are all about increases. Specifically, each swatch demonstrates a particular type of increase. The increases are done on each side, with three stitches before the right edge increase and three stitches after the left edge increase.

Swatch 4 - Bar Increase

Swatch 4 demonstrates the Bar Increase. This is probably the increase most knitters first learned to make when knitting. It often written as “KFB” in patterns — which means “Knit in the front and back loops”. When you knit into the front loop of a knit stitch and then knit in the back loop of the same knit stitch, the resulting increase has a purl bump where the second stitch was made. It is clearly visible as you can see in this picture.

I learned a few things working on this swatch. Since I am now much more aware of my tension, I found that the purl bumps looked much better if I made certain I kept the tension even with both stitches. It’s much the same issue as when I had trouble getting even tension in ribbing.

Also, through my research, I learned that you should never make your increases on the very edge of your knitting — you should have at least one stitch on the edge before doing the increase. This makes it much easier and neater to do seams. This is something to pay attention to when you are knitting pieces that will be sewn together — I know I will practice this in my future knitting projects.

Swatch 5 - Make 1 Increases

Swatch 5 demonstrates Make 1 increases. On the right edge, I knit an M1R increase — which means “Make 1 Right” — this is a right-slanting increase. It is made by inserting the left needle from the back and lifting the horizontal strand between stitches onto the left needle and knitting into the front of this strand.

On the left edge, the increase is an M1L — which means “Make 1 Left” — a left-slanting increase. It is made by inserting the left needle from the front and lifting the horizontal strand between stitches onto the left needle and knitting into the back of this strand.

M1 increases are tighter and there is no purl bump on the front of the knitting.

Swatch #6 - Lifted Increases

Swatch 6 demonstrates the Lifted or Raised Increase. This is the most invisible of increases — and was an increase I had never used before, so the entire swatch was a learning experience.

Again, I knit a right-slanting increase on the right edge. This increase is done by lifting the stitch below the stitch on the left needle and knitting it.

The left-slanting increase on the left edge of the swatch gave me the most difficulty. I had to search out several different pictures of it in my references before I figured it out. The left-slanting lifted increase is done by lifting the stitch below the stitch just knitted on the right needle and then knitting it.

The best pictures and explanations I found of this increase, as well as the others, were in an online article at Knitty.com, entitled “Techniques with “Theresa – Increases”.

So, these three swatches improved my technique when knitting increases and I learned a method of increasing that I had never used before. Check out the article on Knitty.com if you want to explore these methods.

Troubles with TensionTroubles with Tension

The first three swatches for the Master Knitter Level I require you to knit 2 X 2 ribbing, 1 X 1 Ribbing, garter stitch, stockinette stitch and seed stitch. As I have been knitting the first two swatches for the Master Knitter Level I, I have discovered that my tension is not what I thought it was: I thought I knit fairly evenly– but as I looked at the examples from TKGA — I began to realize that my knitting tension is not the same when I knit as when I purl. This seems to be a common issue among those who are working on the Level I Master Knitter swatches.

I have tried several different things to correct this problem — but so far I am still not knitting as evenly as I want. I have discovered that my knitting is less even with bamboo needles than with metal needles. I have also determined that it is very important to tighten up my tension at the end of a row — especially on the last stitch, so that I get more even stitches on the edges of the swatch. However — I have yet to achieve the even stitches for ribbing that I’d like to have.

Did you know that tension in ribbing — that it is, tension differences between knit and purl stitches — can really make a difference in the way your ribbing appears? I’d never given this much thought — but it really does effect how the ribs in the ribbing are formed. I have read (very recently) that this more of a problem for English knitters than for Continental knitters — but that it happens with both styles. The problem is often due to the excess yarn used in forming the purl stitch. The next time you are switching between knit and purl stitches — pay attention to how you wrap the yarn for the purl stitch — you actually do use slightly more yarn when doing a purl.

I am still seeking solutions for my tension problems — I’ll post about how I resolve this.

Master Knitter Level I – Swatches #7, #8, & #9 – DecreasesMaster Knitter Level I – Swatches #7, #8, & #9 – Decreases

Swatches 7 through 9 are demonstrations of various decrease techniques.

Swatch #7

Swatch 7 demonstrates “Blended Decreases” using SSK (Slip, Slip, Knit) on the right edge and K2Tog (Knit 2 Together) on the left edge.

SSK is a left-slanting decrease and is made by slipping 1 stitch as if to knit, then slipping a second stitch as if to knit, then inserting the left needle into these two stitches and knitting them together.

K2Tog is a right-slanting decrease. K2Tog decreases are the basic decrease every knitter learns. You simply insert the right needle into two stitches on the left needle and knit them together.

I have had difficulty finding a reference that actually defines “Blended Decreases”. Through my research it appears that “Blended Decreases” are decreases that slant or slope in the direction of the desired shaping. In this swatch the left-slanting decrease on the right edge and the right-slanting decrease on the left edge slope in toward the center of the swatch.

Swatch #8

Swatch 8 demonstrates SKP (Slip, Knit, Pass Slipped Stitch Over) and KSP (Knit, Slip, Pass stitch over) decreases.

SKP decreases are also sometimes written as S1, K1 PSSO in patterns. This is a left-slanting decrease and is done on the right edge of the swatch. Any decrease that requires you to pass a stitch over another one results in a somewhat uneven stitch due to the stretching that occurs when you pass the stitch over.

The KSP decrease was a new method for me. It is a right-slanting decrease that mirrors the SKP decrease and was knit on the left edge of this swatch. KSP is done by knitting a stitch, then slipping the stitch back on the left needle and passing the stitch over the next stitch with the right needle, then slipping the stitch back from the left needle to the right needle.

Swatch #9

Swatch 9 uses the K2Tog and SSK decreases but is different from Swatch 7 in that the K2Tog is done on the right edge and the SSK is done on the left edge.

TKGA refers to this swatch as “Full Fashioned”. I have not found a specific definition for the term “Full Fashioned” in my references. However, two of my sources refer to full fashioned decreases as decreases that are done with 2 or more stitches on the edge, making the decreases more visible and part of the intended design of the knitted fabric. In this swatch, the K2Tog decrease on the right edge slants to the right and stands out against the slope of the fabric. Likewise the SSK decrease on the left edge slants to the left and stands out against the slope of the fabric on that side. These decreases are more visible than those in Swatch 7.