Lindy's Knits & Laces knitting,Knitting Techniques,Master Knitter Level I,TKGA Master Knitter Level I – Swatches #1, #2, & #3

Master Knitter Level I – Swatches #1, #2, & #3

I have completed the first three swatches for the TKGA Master Knitter Level I program. As I mentioned in an earlier post, I discovered an issue with tension that I did not realize I had. And over the last few weeks, I have done quite a bit of reading about tension and an equal amount of knitting, reknitting, and being much more aware of HOW I knit. This is one of the purposes of the Master Knitter program — it makes you think about your craft and helps you identify the bad habits you have developed over time.

I have decided to use this blog as I way for me to document the lessons learned as I proceed through the Master Knitter Level I program. Hopefully, others will find my notes and comments helpful and will also learn from them. So, here is the first of my “lessons learned”:

Swatch #1 — 2 X 2 Ribbing & Garter Stitch
Garter stitch (knit all rows) was fairly easy for me — the key is to maintain an even tension throughout knitting the rows.

Tension can be a real issue with 2 X 2 Ribbing, because most knitters tend to purl more loosely than they knit. [I do]. The result of this tendency is that your ribs are formed of uneven stitches and appear “wonky”. My first attempt at this swatch was definitely “wonky”. After much researching, knitting and reknitting, I determined that I was really out of practice purling because I had been knitting projects mostly “in the round” and this was part of my problem. So, I spent some time just purling and working on my tension — trying to get it more consistent. I eventually managed to obtain a fairly even tension with my ribs. From my reading, I think that the unevenness on the edges is normal and should be satisfactory.

Swatch # 2: 1 X 1 Ribbing and Stockinette Stitch
Swatch #2Tension was also an issue for me with the 1 X 1 Ribbing. With this ribbing, I found that my looser purl stitches really impacted the shape of the ribs. Again, I found that I really needed to practice purling and focus on keeping my tension even when doing the ribbing.

For the Stockinette Stitch, I was able to obtain the even fabric required — but only after I had worked on my purling. The evenness isn’t as noticeable on the right side — you need to look at the wrong side of the fabric and make certain that there isn’t a distinct difference in your rows between the knit rows and the purl rows. Along the way, I discovered that I knit fairly loosely and I had to go down one needle size to achieve a decent fabric.

If you are trying to correct uneven tension when ribbing, here are a couple of ways to do so:
1) Just try knitting with an even tension; 2) Give your yarn and extra tug when moving it to the front of the needle and before purling; 3) Try wrapping your yarn under your needle when purling — note, this makes the stitches sit on the needle with the back loop leaning forward — to avoid twisting the stitch you must knit through the back loop rather than the front when knitting; 4) Try purling using the Norwegian Purl method [link to video here].

Swatch # 3: Seed Stitch
Swatch #3
Swatch # 3 was a sample of Seed Stitch — which is K1, P1 across the row over an even number of stitches. The goal here is to produce a nice even fabric with no visible holes between the knit and purl stitches. This is another tension challenge. It took me three swatches to produce the swatch shown. I finally came to the conclusion that I was over-doing the tension, basically trying too hard — and once I relaxed a bit on this, I got a better result.

In summary, here’s what worked for me: 1) After practicing, I needed to relax a bit — I got to the point that I was pulling my purl stitches so tightly that I made my knitting even less consistent. 2) Remembering to do that little extra tug when putting the yarn in front to purl. 3) For the edges — giving the yarn an extra tug when knitting off the last stitch on the row, followed by giving an extra tug after knitting the first two stitches on the next row.

1 thought on “Master Knitter Level I – Swatches #1, #2, & #3”

  1. Lindy, I found your narrative to be very helpful to me as I start the Level 1 Master Knitting course. I, too, have found in the very short time of working on swatches 1, 2, and 3, that I am taking a very close look at my knitting techniques, style and results. I have made swatches several time with two different kinds of yarn and will block and see which I like better. Over the years, I have read many knitting ‘how to’ books, but I am finding that I need to go back and take a second look at some of the articles. I found your article by google-ing ‘seed stitch without holes’. So, you can see where I am with my transitional stitch tension. I have added your site to my favorites and will continue to ‘check with you’ as I move through this exciting course.

Comments are closed.

Related Post

January and HatsJanuary and Hats

January in Nebraska is usually cold, snowy and gray. This year was no exception. We have had several 5 inch snowfalls, sometimes with freezing drizzle accompanying, temperatures well below freezing and our usual gusty winds — which makes for wind chills in the sub-zero category. So, it seemed like a good time to knit up some nice warm hats. I have knit two and am about half-way done with a third. February is continuing with the snow and cold temperatures — so I will have no trouble finishing this third hat.

First up is the “Three Color Hat ala EZ”:
Three Color Hat ala EZ

This hat was knit using Patons Classic Wool yarn, which is a worsted weight yarn. This yarn is nice and soft and knits up well. The main color is Plum Heather (Colorway 77307). Color 2 was Aran (Colorway 00202) and Color 3 was Jade Heather (Colorway 77208). I used size US 6 and US 8 circular needles and my gauge was 5 spi using the larger needles.
Front view of Three Color Hat ala EZ

I knit this hat according to the instructions given in Elizabeth Zimmermann’s Knitting Workshop. Her instructions are for a yarn with a gauge of 4 spi, so I adjusted the number of stitches from 72 to 90 to start. The first color pattern is one suggested in the book, the second is one I made up as I went. I knit the hat to a length of 6 inches before I started decreasing. It is probably too long, but I’m happy with the end result: A one of a kind, warm wool hat that fits nicely over my ears and keeps me warm!

Next Post: Trinity Stitch Slouchy Hat.

Reference: Elizabeth Zimmermann’s Knitting Workshop

FO: Multnomah Shawlette in Crazy ZauberballFO: Multnomah Shawlette in Crazy Zauberball

Knitted shawlette using Multnomah pattern

I took a little knitting detour last week and knit up the Multnomah Shawl in Zauberball Crazy yarn. Colorway is Fliederduft, which is loosely translated as “lilacs”. I had allocated this yarn to a pair of socks as part of the “10 in 2010” projects at the beginning of this year. However, after looking through many examples of socks knit with Zauberball Crazy in the Ravelry projects, I decided that I really didn’t want to knit this yarn into a pair socks. So — I switched to a shawl and ended up doing the Multnomah pattern by Kate Flagg.

The shawl was done in garter stitch until I had 265 stitches and then I started the feather and fan pattern and did 9 repeats. This pattern is a fairly quick knit. I was able to finish it up in a week and that was even with needing to frog back a couple of rows in order to have enough yarn to bind off.

Final size of the shawl — it’s actually a shawlette — was 15.5 inches by 58 inches.

Multnomah Shawl knitted in Zauberball Crazy

I am pleased with the result. It’s an nice size for a decorative scarf/shawlette and I think the striping of the yarn is shown off to better affect than it would be in a pair of socks.

Zauberball Crazy is a self-striping, marled yarn. Which means that it stripes, but because the two plies of the yarn may be different colors, you get a somewhat “tweedy” appearance in many of the stripes. It’s a unique yarn. It is a fingering weight, superwash wool and nylon yarn and the fabric is soft and drapes nicely after blocking. I did find that the yarn had a tendency to split occasionally and there were spots where a tuft of yarn from one of the plies would stick out — these were easily removed. I might be tempted to try another colorway — but not certain what project I would use it for.

The Multnomah Shawl pattern is a very popular pattern on Ravelry and there many knitters who have made larger shawls, so when I knit this pattern again I plan to knit a larger one. The pattern is free and available for download from Ravelry (must be Ravelry member) or on Kate Flagg’s website.

I have finally figured out how to share information from my Ravelry project pages, so I am linking to this project details on my “Z Crazy” Multnomah Page.