Yarn Substitution

Substituting yarn

The question comes up every so often at the knitting meet-up and in the Ravelry forums. It takes the form of “Can I use this yarn instead of that yarn?” and any of a number of variations. And the answer is almost always: “It depends.”

Oh, we want this answer to be a simple “Yes”. But it seldom is. Usually the knitter has a valid reason for wanting to use a different yarn than what was used in the printed pattern: Lack of availability, wanting/needing a different colorway, dislike of the particular yarn, etc. If the knitter happens to select a yarn of similar weight and make-up, the substitution will probably go reasonably well – providing, of course, that the knitter can achieve the stated pattern gauge with the chosen yarn. This is the happiest of all occurrences – the yarn you want to use works out well with the pattern and you can just relax and knit happily on your project.

The subject of matching gauge could constitute the contents of an entire article, if not a book. For the sake of brevity, I will simply state that gauge is essential and that any knitter who wishes to produce a well-fitting garment needs to pay attention to gauge – IF she is following a pattern that contains the concept of “fit” as part of the design. (Gauge is less important with scarves & shawls).

Lindy’s Advice #1: When substituting yarns, it is best to select a yarn that is of the same weight and has the same characteristics as the original yarn. But do a gauge swatch to make certain you do not need to make adjustments so that the garment fits correctly.

Perhaps the most frustrating of experiences with yarn substitution is the situation where you have selected a yarn of similar weight and characteristics – but try as you may, you cannot achieve the stated gauge. The advice is usually to go up a needle size or two if your gauge has more stitches and to go down needle sizes if your gauge has fewer stitches. If this works, then wonderful! Proceed with the project. But if, in spite of the change in needle sizes, you still cannot get the stated gauge – well, this can be a significant problem. Being off a half a stitch doesn’t seem like much, but when multiplied over a large number of stitches (say 100 or more), it becomes quite significant and the result is a garment that doesn’t fit properly. You have two options in this situation: 1) try a different yarn (yep, try another one) ; or 2) get out your calculator and start calculating the adjustments needed to ensure a proper fit.

Note: If math makes you anxious and you would never consider recalculating the number of stitches you need to make the garment using your yarn and your gauge – then skip this next part.

Here are the basic calculations you’ll need to make the appropriate adjustments:

Pattern Gauge states “20 stitches and 20 rows = 4 inches” (5 stitches/inch and 5 rows/inch)

To adjust pattern width (i.e. your stitch gauge is different):
Your stitch gauge is 22 stitches = 4 inches. Which is 5.5 stitches per inch

Pattern instructions state that the back of the garment measures 25 inches at the bottom and says to cast on 125 stitches. To adjust for your gauge, you would need to cast on 25 X 5.5 = 137.5 stitches – you will need to round down to 137 stitches so that you have an odd number of stitches, since the pattern has an odd number.
You will need to make similar calculations for width measurements throughout your pattern – it is best if you go through and do this before you starting knitting.

Adjusting pattern length may or may not require some math. If the pattern has instructions that use length (inches) rather than rows, it really isn’t necessary to calculate the number of rows required with your gauge, because you can simply knit to the desired number of inches.

However, if the pattern contains instructions such as “knit 40 rows then begin shaping” – you may want to calculate the adjustments needed, as follows:

Your row gauge is 30 rows = 4 inches – which is 7.5 rows per inch

Pattern row gauge is 20 rows = 4 inches (5 rows per inch)
To calculate the number of rows you need to knit to be equal to the 40 rows called for in the pattern :
40 rows ÷ 5 rows/inch = 8 inches
8 inches X 7.5 rows/inch = 60 rows – so instead of knitting 40 rows then begin shaping, you would knit 60 rows.

A shortcut in these calculations would be to go through and calculate the number of inches that need to be knit using the row gauge of the pattern and then just knitting to the calculated length.

This can be a daunting bit of calculation – but it will result in a better fitting garment with your desired choice of yarn and is thus, worth the effort.

So far, I have discussed what considerations are needed when substituting a yarn of similar weight and characteristics with another. Now about substituting an entirely different weight of yarn…

I have attempted this several times and have not been happy with the result each time. Hence, Lindy’s Advice #2: No matter how much you love the yarn you want to substitute and the pattern, if the yarn is not the same weight and/or does not have the same characteristics as the yarn used in the pattern – DO NOT use that yarn with that pattern.

I know, I know – you really want to use this yarn, but it’s like trying to fit a square peg in a round hole. I feel your pain, I really do. But don’t do it, you won’t be happy with the result.

I think every knitter has tried using bulky yarn for a worsted weight pattern or visa versa. The results have probably been disappointing and the garment was either too big or too small. It certainly was for me.

I know of many knitters who have attempted to double-strand worsted weight or sport weight yarn to substitute for bulky weight. It can be done with some success, but once again – you have to do a gauge swatch and make the necessary adjustments for differences between your gauge and the pattern gauge. You just can’t get away from the math…

But wait! There is a way to substitute yarn so that it doesn’t drive you crazy: “Free yourself from the pattern”.

Huh? What do I mean by that? Well, as a knitter you will eventually reach a point in your knitting experience when you begin to understand the basics of garment design and construction. Granted there are literally hundreds of thousands of written sweater patterns available. But any sweater has a front, a back, two sleeves and a neck. If you understand how to construct the basic parts and match them to your desired body measurements – you really don’t need a specific written pattern.

Let’s start with that pattern you want to knit with a different weight of yarn. What are the characteristics of the garment? How are the sleeves shaped? How is the front shaped and how is the back shaped? What do you like about this pattern?

Does the pattern use a textured stitch patterning or does it have a particular colorwork patterning? Are there charts for the stitch pattern(s) or the colorwork pattern(s)? You can use these to make your own customized sweater with your chosen yarn.

How? Well, it will require some thinking, some planning, some math (sorry!) and a very good set of body measurements. Armed with the knowledge of sweater design – you can go from carefully following a written pattern to using the pattern as an inspiration for your own custom designed sweater.

I will outline how to do this in my next post. Off to find my sweater design references…

1 thought on “Yarn Substitution”

  1. This is really helpful.

    Maybe in the sweater design part you could answer questions about sizing? What if your pattern doesn’t have your size?

Comments are closed.

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Summer (…into Fall) Knitting: Dishcloths #7– #9Summer (…into Fall) Knitting: Dishcloths #7– #9

Well, my Summer knitting project of a dozen dishcloths has now drifted into Fall. I completed Dishcloth #7 and #8 before Summer ended and then got busy with other projects and just left my needles and yarn waiting for me to come back and knit some more. So, I started Dishcloth # 9 on Sunday and finished it up today. Hopefully, I will finish the last three dishcloths before the end of the Fall season. Here are the completed projects:

Dishcloth #7 — Valentine Hearts
Dishcloth #7 - Valentine Hearts
Pattern from Leisure Arts “Knitting Kitchen Brights Dishcloths” brochure. Yarn: Peaches & Cream Cotton, color Teal. This is a reverse stockinette stitch pattern on a stockinette stitch background that resembles a cut-out of hearts that I made when I was a child. It’s an easy knit pattern over 20 rows.

Dishcloth #8 — Zigzag Eyelet
Zigzag Eyelet Dishcloth
Pattern from Leisure Arts “Knitting Kitchen Brights Dishcloths” brochure. Yarn: Lion Brand Kitchen Cotton, color Natural. Lovely little lace pattern done over a multiple of 11 stitches plus 2 and 12 rows.

Dishcloth #9 — Climbing Lattice
Dishcloth in Climbing Lattice pattern
Pattern from Leisure Arts “Knitting Kitchen Brights Dishcloths” brochure. Yarn: Sugar’n Cream, color Cool Breeze Ombre. This is an interesting lace pattern that combines left twists with a four stitch eyelet pattern. I was getting tired of solid color yarns, so I went with this ombre — I really like the way it knitted up.

Links to Dishcloths #1 through #6:
Dishcloths #1 — #3
Dishcloths #4 — #6

Link to “Kitchen Bright Dishcloths” from Leisure Arts (2004).

Stitch Patterns – Seed Stitch, Irish Moss Stitch & Double Moss StitchStitch Patterns – Seed Stitch, Irish Moss Stitch & Double Moss Stitch

These three stitch patterns create an allover textured pattern using a combination of knit and purl stitches. As such, these three textured patterns are great for decorative borders. Between the USA and UK there is some confusion related to the Moss Stitch – I have seen references to the Moss Stitch which are exactly the same as what I know as a Seed Stitch here in the USA.

Seed Stitch (Moss Stitch):
SeedStitch
This is one of my favorite patterns for borders with the stockinette stitch. It lies flat and does not roll or curl. It is reversible and I love it for front bands on cardigan sweaters.
This stitch pattern is a multiple of two and a repeat over two rows. The first row is the same as a 1 X 1 ribbing: K1, P1 across the row. On the following row, all stitches are worked the opposite of the way they face you – i.e. you purl the knit stitches and knit the purl stitches. Seed stitch tends to expand widthwise and is wider than the same number of stockinette stitches.

Irish Moss Stitch:
IrishMossStitch
This stitch has a diagonal texture. It is a multiple of two stitches with a repeat over four rows. The first two rows are knit the same as 1 X 1 Ribbing: K1, P1 across the row. Then the next two rows are knit the opposite: P1, K1 across. You repeat these four rows to make the textured pattern.

Just like the Seed Stitch, the Irish Moss Stitch creates a reversible fabric that lies flat and does not roll or curl. The fabric will tend to expand crosswise and the stitches may “seat” themselves after washing. If you are using this pattern stitch as the main body of your garment, it is best to knit the garment to the actual measurements of the chest of the intended wearer before the first washing.

Double Moss Stitch (Double Seed Stitch, Box Stitch):
DblMossStitc
This stitch pattern is a multiple of four stitches repeated over four rows. The first two rows are the same as 2 X 2 Ribbing: K2, P2 across the row. On the next two rows, you do P2, K2 across. It has essentially the same properties as the Irish Moss Stitch. This pattern is wonderful for knitting textured scarves that do not roll or curl on the edges.

Combinations of Knit & Purl – Simplicity or Complexity?Combinations of Knit & Purl – Simplicity or Complexity?

The other day while waiting for my MIL at the beauty shop, I took out my baby blanket and sat knitting in the waiting area. One of the stylists came up to me and asked me what I was knitting. So I showed her. Then she said, “I could never knit anything like that – it’s too complex.” I replied that this pattern was actually very easy – it was just a three different combinations of knit and purl stitches, and I showed her the graph of the pattern square. She then told me that she had once knitted a sweater for her granddaughter that had a color pattern of a frog. So, I told her that if she had done that type of color knitting, this textured pattern would be easy for her to do. She replied that “maybe, she could do it – BUT she didn’t think she’d ever be able to master anything like cables”. So in spite of my gentle encouragement, I’m not certain this knitter will try to knit something with a variety of textures – which is too bad, because she will miss out on some wonderful knitting projects.

Have you ever limited your knitting by such thinking? I know I did many years ago – but after discovering Elizabeth Zimmerman’s approach to “unventing” things, my perspective has changed greatly. I’d like to encourage all my readers to think about this. There is a lot of freedom in being able to take a printed pattern and view it not as something that has to be followed exactly, but more as a place to start something uniquely yours. BTW – if you have never read Elizabeth Zimmerman’s books – you are missing an absolutely fun and enlightening experience!

As I spend time knitting my baby blanket, I find myself marveling at how those two basic stitches – the Knit Stitch and the Purl Stitch – can be combined in endless ways to make up fascinating textures. Consider the sheer simplicity of these two stitches. They are just opposites of each other. Yet these two stitches are knitting up nicely into teddy bear squares surrounded by seed stitch borders. And this project is rather simple. Then consider an Aran sweater pattern as an example of a far more complex combination of textured patterns – but again, the textures are made by the way one combines the basic knit and purl stitches and applies techniques such as cabling. Thus, knitting is both simple and complex and filled with unlimited possibilities of variation and combinations. No wonder we knitters love to knit!