Part 2: Freeing Yourself from a Pattern – Step 2: Analyze the Pattern and Modify It to Fit.

April 2, 2010| Lindy| 0 Comment | 11:59 am

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In my last post, I went through all the necessary measurements you need to take in order to ensure that you can modify or create any sweater pattern you wish.
If you haven’t done so, you may want to go back and read this information and take your measurements.

Today I will discuss how to analyze a written pattern so that you can use it as a guideline to knit your own well-fitting garment. First, get your favorite sweater – you will be using it to help you analyze the pattern you have selected.

Now, let’s take a look at this sweater – you need to understand what it is about this sweater that makes it your favorite. Is it a pullover or a cardigan? Is it close-fitting or loose? How long is it? What type of sleeve does it have (Set-in, drop, raglan or other)? What type of neckline ( Round, V-neck, Boat Neck, Square, or other)? Now compare this information to the sweater pattern you want to knit. Just a word of caution, here, if the pattern you have chosen differs dramatically from your favorite sweater – you may not be happy with the end result. Then, again, if it is a conscious choice, you may.

Now let’s look at the sizing given in the pattern. Sizes are often stated as “Small, Medium, Large, Extra-Large”, etc. Some patterns will give sizing using finished chest/bust circumference, while others will state the sizing in terms of actual body measurements. If the pattern sizing is in terms of finished measurements, it will have the ease incorporated into it. If in actual body measurements, you may have to determine how much ease is factored into the garment. The amount of ease is both a matter of personal preference and a property of the design of the sweater. To determine how much ease you prefer – pull out your favorite sweater, measure the chest and compare the measurement to your actual body measurement. The math is simple: Subtract your body measurement from the garment measurement – this will give you the amount of inches of ease.

Now – take a look at that pattern you are considering– is there a size that matches your actual chest measurement PLUS that amount of ease? If the answer is “Yes” – then, if your gauge with your yarn matches the pattern, you are good to go.

If you find that your size is not represented within the pattern, you will need to adjust the body width.

For a body width less than the smallest size given in the pattern, recalculate the number of stitches to cast on and then follow the directions for the smallest size.

For a body width greater than the largest size given in the pattern, recalculate the number of stitches to cast on and follow the directions for the largest size.

For a body width that is in between sizes, recalculate the number of stitches to cast on and then follow the directions for the closest size.

In all cases, the formula is: SPI (your gauge) X body width

There are some additional elements to consider and modify if you are adjusting body width:

If the sleeve is a drop sleeve design, be careful not to add too much body width or the shoulders will be too wide. If you need more width in the hip area than the shoulders – use an A-Line shape for the body – which means that you will need to factor in some decreases from the hip to the underarm.

If the sleeve is a set-in sleeve design, remember that as you change body width, you must also adjust the shoulder width because the top of the sleeve should hit the end of the shoulder.

The sleeve length must be adjusted when adding or subtracting body width. This is because if you add width or subtract width to the body, you have also done so to the shoulder width – and shoulder width contributes to the total sleeve length. Verify the length you need for your sweater and make adjustments accordingly.

Additional considerations in modifying a written pattern:

Does this pattern incorporate a textured or colored stitch pattern? If so, what is the base stitch pattern? To determine this, look at the instructions and the graph for the stitch patterning. Most stitch patterns are a multiple of a base number of stitches – i.e. 8 stitches over 24 rows. So, if you are reducing or increasing the number of stitches to cast on – you will need to adjust this number so that it divisible by your base stitch pattern. For example: You have determined that you need to cast on 214 stitches and your base stitch pattern is an 8 stitch repeat. If you divide 214 by 8, you get 26.75 – which is not a even number. You will need to increase the number of stitches you cast on to 216 – which is evenly divisible by 8.

Today, I have discussed how to use a written pattern as a guideline and modify it so that it will fit properly. This works best if your gauge matches the pattern, but your measurements do not.

Next post, I will discuss the notion of designing your own sweater from your choice of yarn, a basic design and the stitch pattern of your choice.

Stitch Patterns – Seed Stitch, Irish Moss Stitch & Double Moss StitchStitch Patterns – Seed Stitch, Irish Moss Stitch & Double Moss Stitch

August 14, 2009| Lindy| 0 Comment| 8:30 am

These three stitch patterns create an allover textured pattern using a combination of knit and purl stitches. As such, these three textured patterns are great for decorative borders. Between the USA and UK there is some confusion related to the Moss Stitch – I have seen references to the Moss Stitch which are exactly the same as what I know as a Seed Stitch here in the USA.

Seed Stitch (Moss Stitch):
SeedStitch
This is one of my favorite patterns for borders with the stockinette stitch. It lies flat and does not roll or curl. It is reversible and I love it for front bands on cardigan sweaters.
This stitch pattern is a multiple of two and a repeat over two rows. The first row is the same as a 1 X 1 ribbing: K1, P1 across the row. On the following row, all stitches are worked the opposite of the way they face you – i.e. you purl the knit stitches and knit the purl stitches. Seed stitch tends to expand widthwise and is wider than the same number of stockinette stitches.

Irish Moss Stitch:
IrishMossStitch
This stitch has a diagonal texture. It is a multiple of two stitches with a repeat over four rows. The first two rows are knit the same as 1 X 1 Ribbing: K1, P1 across the row. Then the next two rows are knit the opposite: P1, K1 across. You repeat these four rows to make the textured pattern.

Just like the Seed Stitch, the Irish Moss Stitch creates a reversible fabric that lies flat and does not roll or curl. The fabric will tend to expand crosswise and the stitches may “seat” themselves after washing. If you are using this pattern stitch as the main body of your garment, it is best to knit the garment to the actual measurements of the chest of the intended wearer before the first washing.

Double Moss Stitch (Double Seed Stitch, Box Stitch):
DblMossStitc
This stitch pattern is a multiple of four stitches repeated over four rows. The first two rows are the same as 2 X 2 Ribbing: K2, P2 across the row. On the next two rows, you do P2, K2 across. It has essentially the same properties as the Irish Moss Stitch. This pattern is wonderful for knitting textured scarves that do not roll or curl on the edges.

Site Make-Over CompletedSite Make-Over Completed

July 22, 2020| LindyBeir| 0 Comment| 8:00 am

I have not been actively blogging since about 2014. Life has a way of intervening from time to time, and I stepped away from the task of updating my blog and website to focus on other things happening in my life.

I just finished updating my website pages with a new theme and color scheme. I have also updated links throughout. As often happens links change over time or become inactive. I hope you find the updates pleasing and that you will continue to check in to my blog from time to time as I plan on making regular posts going forward.

My next post will be the first of a series of posts discussing swatches. Swatches are one of those things that you learn to appreciate over time and I will be sharing what I have learned as I have grown as a knitter.

How to Knit a Basic Beanie without a Pattern — Part 2: Crown ShapingHow to Knit a Basic Beanie without a Pattern — Part 2: Crown Shaping

May 1, 2024| LindyBeir| 0 Comment| 12:07 pm

In my previous post, I discussed the basic structure of a basic beanie hat and how to knit the brim and the body of the hat. Once you have knitted the hat to the desired length before the start of the crown shaping, you have basically knit a cylinder as shown below.

If you look at the top of the cylinder, it is a circle – and this is the area where you shape the crown by gradually decreasing stitches to close the top of the hat. I usually decrease my stitches down to somewhere between 6 to 12 stitches and then finish the top of the hat by breaking the yarn and using the tail to close the very top of the hat.

Shaping the Crown: The shape of the crown is determined by the number of stitches you need to decrease, the type of decreases you use and how frequently you make your decreases.

Basic beanies usually have either a “spiral” shaped crown or a “wedge” shaped crown. Spiral shaped crowns are made by dividing the number of stitches into an equal number of segments where the decreases are made. The number of segments can be 5, 6, 7, or 8. The number you choose depends upon the total number of stitches and whether the total is evenly divisible by the number of segments. For example, 96 stitches can be divided into 6 equal segments of 16 stitches, or it can be divided into 8 equal segments of 12 stitches. If you have a number of stitches that cannot be evenly divided, then you will need to decrease your stitches down to a number that can be evenly segmented.

Typically, the decrease used for crown shaping is K2Tog which is a right-leaning decrease. You can also use the SSK decrease which leans left. However, you need to use only one of these two decreases in order to knit the spiral shape for your crown.

A wedge-shaped crown has only 4 segments. If you want this shape for your crown, you will divide your stitches by 4 and then use double decreases as you shape the crown. Using 96 stitches as an example, you would have 4 segments of 24 stitches.

To decrease you can use a combination of K2Tog and SSK at each point of decrease or you can use a Central Double Decrease(CDD).

I usually place a stitch or 2 between the K2Tog and SSK decrease when making the wedge-shaped crown. This gives the top of the hat a decorative ridge. The CDD makes a decorative line itself.

Rate of Decreases: Typically, I start crown decreases at a rate of every other round – where I decrease in each segment until I have knit approximately 1.5 inches and then I switch to decreasing every round until I am down to somewhere between 12 and 6 stitches. This is based on my experience.

Calculating Decrease Rates: I know it’s a lot of math, but here goes: To calculate your own rate of decrease, you need to know the number of rows that remain for the crown of the hat and your row gauge. The crown of the hat is approximately 1/3 of the total length of the hat. For example, the total length of the hat is 11 inches — and 1/3 of this is 3.7 inches. Using a row gauge of 7 rounds per inch. 3.7 x 7 equals 25.9 rounds (round up to 26 rounds). I need to decrease from 96 stitches to 12 stitches at a rate of 6 sts per decrease round. This gives me 14 sets of decreases (96-12 = 84, 84/6 = 14). Dividing the total number of rounds by the number of decrease rounds gives me 1.9. Now I can opt to decrease EOR over 28 rows, which makes my hat slightly longer, or I can decrease EOR for 20 rows (decreasing 60 sts) and then decrease every row for 6 rows (decreasing 36 sts) and end with 10 sts to close the top of the hat. Either way will give me a hat with a close-fitting crown.

I have now covered how to make a basic beanie hat without using a pattern. Give it a try using your choice of yarn and your gauge. Happy Knitting. 🙂