Lindy's Knits & Laces knitting,Knitting Techniques,Sweater Design,Yarn Part 2: Freeing Yourself from a Pattern – Step 2: Analyze the Pattern and Modify It to Fit.

Part 2: Freeing Yourself from a Pattern – Step 2: Analyze the Pattern and Modify It to Fit.

In my last post, I went through all the necessary measurements you need to take in order to ensure that you can modify or create any sweater pattern you wish.
If you haven’t done so, you may want to go back and read this information and take your measurements.

Today I will discuss how to analyze a written pattern so that you can use it as a guideline to knit your own well-fitting garment. First, get your favorite sweater – you will be using it to help you analyze the pattern you have selected.

Now, let’s take a look at this sweater – you need to understand what it is about this sweater that makes it your favorite. Is it a pullover or a cardigan? Is it close-fitting or loose? How long is it? What type of sleeve does it have (Set-in, drop, raglan or other)? What type of neckline ( Round, V-neck, Boat Neck, Square, or other)? Now compare this information to the sweater pattern you want to knit. Just a word of caution, here, if the pattern you have chosen differs dramatically from your favorite sweater – you may not be happy with the end result. Then, again, if it is a conscious choice, you may.

Now let’s look at the sizing given in the pattern. Sizes are often stated as “Small, Medium, Large, Extra-Large”, etc. Some patterns will give sizing using finished chest/bust circumference, while others will state the sizing in terms of actual body measurements. If the pattern sizing is in terms of finished measurements, it will have the ease incorporated into it. If in actual body measurements, you may have to determine how much ease is factored into the garment. The amount of ease is both a matter of personal preference and a property of the design of the sweater. To determine how much ease you prefer – pull out your favorite sweater, measure the chest and compare the measurement to your actual body measurement. The math is simple: Subtract your body measurement from the garment measurement – this will give you the amount of inches of ease.

Now – take a look at that pattern you are considering– is there a size that matches your actual chest measurement PLUS that amount of ease? If the answer is “Yes” – then, if your gauge with your yarn matches the pattern, you are good to go.

If you find that your size is not represented within the pattern, you will need to adjust the body width.

For a body width less than the smallest size given in the pattern, recalculate the number of stitches to cast on and then follow the directions for the smallest size.

For a body width greater than the largest size given in the pattern, recalculate the number of stitches to cast on and follow the directions for the largest size.

For a body width that is in between sizes, recalculate the number of stitches to cast on and then follow the directions for the closest size.

In all cases, the formula is: SPI (your gauge) X body width

There are some additional elements to consider and modify if you are adjusting body width:

If the sleeve is a drop sleeve design, be careful not to add too much body width or the shoulders will be too wide. If you need more width in the hip area than the shoulders – use an A-Line shape for the body – which means that you will need to factor in some decreases from the hip to the underarm.

If the sleeve is a set-in sleeve design, remember that as you change body width, you must also adjust the shoulder width because the top of the sleeve should hit the end of the shoulder.

The sleeve length must be adjusted when adding or subtracting body width. This is because if you add width or subtract width to the body, you have also done so to the shoulder width – and shoulder width contributes to the total sleeve length. Verify the length you need for your sweater and make adjustments accordingly.

Additional considerations in modifying a written pattern:

Does this pattern incorporate a textured or colored stitch pattern? If so, what is the base stitch pattern? To determine this, look at the instructions and the graph for the stitch patterning. Most stitch patterns are a multiple of a base number of stitches – i.e. 8 stitches over 24 rows. So, if you are reducing or increasing the number of stitches to cast on – you will need to adjust this number so that it divisible by your base stitch pattern. For example: You have determined that you need to cast on 214 stitches and your base stitch pattern is an 8 stitch repeat. If you divide 214 by 8, you get 26.75 – which is not a even number. You will need to increase the number of stitches you cast on to 216 – which is evenly divisible by 8.

Today, I have discussed how to use a written pattern as a guideline and modify it so that it will fit properly. This works best if your gauge matches the pattern, but your measurements do not.

Next post, I will discuss the notion of designing your own sweater from your choice of yarn, a basic design and the stitch pattern of your choice.

Related Post

How to Knit a Helpful Swatch – Part 3 Swatching in the RoundHow to Knit a Helpful Swatch – Part 3 Swatching in the Round

It took me a good bit of time to decide if I thought it was necessary to knit swatches in the round if I was knitting an item in the round rather than flat. The practice of knitting sweaters flat in pieces that are sewn together versus knitting sweaters in the round is, in itself, a whole topic with proponents for each practice.  I may take this topic up at a later time, but for now I will focus on knitting a swatch in the round.

First, there are many knitters and designers who only use gauge swatches knit flat to determine their stitch gauge even if the pattern is knit in the round, and second,  most patterns do not state how the gauge swatch was done. All you see in the pattern is the gauge statement.

Do you know if your gauge is the same if you knit in the round as when you knit flat? There’s a good chance that it’s not. As I’ve said before, gauge is a measure of how an individual knitter knits.

Think about how you knit when you knit in the round. One of the biggest differences is that you only knit on the right side of the fabric when you knit in the round. Using stockinette stitch as an example: When you knit flat, you knit one row (right side) and then turn your work and purl the next (wrong side). When you knit in the round, you join the stitches to make a circle and then knit every round.

Now, if you are one of the many knitters whose purls are looser than their knits, there is going to be a difference in tension between something you knit flat and something you knit in the round. Plus, you may modify your technique for knitting when knitting in round from when you knit flat. If you use straight needles when knitting flat, then switch to using circular needles or double point needles (dpns) to knit circular – your gauge may be significantly different. This is why I have come to the conclusion that it is good practice to swatch in the round when planning a project that will be knit in the round.

So how does one knit a swatch in the round? The first method is to cast on a enough stitches to give you a knitted tube that will be at least 4+ inches when laid flat. This could be the start of a sock or a hat. (Elizabeth Zimmerman said that “a hat makes a good swatch”.) Once you have a tube knitted of sufficient length for a good  measurement, you treat this swatch the same way you would if your swatch that was knitted flat – i.e. measure, block, re-measure.

The second method goes by a couple of different names: “Speed Swatch” and “Circular Swatch with Floats” are two that I have found in my research. In this method, you use a circular needle and cast on the same number of stitches you would if you were knitting flat. But instead of knitting a row and then turning the swatch and knitting back to the end of the row, you slide your stitches to the needle on the opposite end and strand the working yarn loosely across the back and start knitting the next row. You keep repeating this process until you have a long enough swatch for good measurements. See pictures below:

Once you have the swatch completed, you treat it the same way as any swatch – measure unblocked, block, re-measure. A note about measuring this swatch: Some sources suggest that it is easier to measure this swatch after cutting the loose strands so that the swatch will lay flat. Others simply say to measure the swatch by laying it as flat as you can. Logically, you are not going to want to cut the strands if you plan to reuse the yarn in the swatch. I’ve tried both ways and did not find a significant difference in measurements.  Here are pictures of the swatch above after I blocked it and cut the floats to take the measurements:

So if you plan to knit a sweater in the round, please do your swatch in the round.

If you would like to see a video on this technique, here are three helpful ones:

Nancy Wynn,  “How to do a Circular Gauge – Speed Method”: https://youtu.be/1W9XYgd3s7I

HowToCast: “How to Knit a Circular Gauge Swatch”:  https://youtu.be/E1z2pbRmddY

11 Gauge Swatch Secrets PLUS How to Swatch in the Round | Off Our Needles S3E1: https://youtu.be/tv7uy0HetrI

Long Tail Cast OnLong Tail Cast On

The Long-Tail Cast On is one of the most common and popular cast ons. It is an all purpose cast on that gives an attractive and elastic edge and works in almost every type of project. Because of its structure, this cast on creates the first row of your knitting – which is usually considered the wrong side of the work for stockinette stitch.

As the name implies it starts with a long tail – which can be a challenge for a knitter to figure out how long to make the tail before you start making stitches on your needle. A general rule of thumb for this length is 3 times the length you need to form the number of stitches to cast on. Some knitters wrap the yarn around the needle the number of times that equals the number of stitches. I’ve used both methods and both work fairly well.

The cast on starts with a slip stitch (some knitters omit this step). You then form a “slingshot” by holding the needle in your right hand and using the thumb and forefinger of your left hand so that one of the two strands wraps around the thumb and the other wraps around the forefinger, forming a “Y”. The tail strand should go over the thumb and the working yarn should go over the forefinger.

To form a new stitch, put the needle under and into the loop on the thumb, then go over the yarn on the forefinger and bring the strand through the thumb loop. Drop the yarn off the thumb and gently tighten the loop on the needle. Repeat until you have the desired number of stitches.

There are several variations of this cast on. I have included a link for the Alternating Long Tail Cast on, which provides a way to alternate knit and purl stitches for a ribbing and gives a moderately elastic edge.

Everything About the Long-Tail Cast On

Long-Tail Cast On in Pattern – Alternating Long-Tail CO

It’s October — Breast Cancer Awareness MonthIt’s October — Breast Cancer Awareness Month

October is Breast Cancer Awareness Month. As a 13-year survivor of breast cancer, I make a point of promoting Breast Cancer Awareness. I was about 18 months overdue for my annual mammogram when I went in and had it done. To my great surprise, I had a small lump in my right breast and that started me on my journey as a woman with breast cancer. If you are reading this and are a female age 40 or more — please get your annual mammogram this month. If you are a male who has women in your life — ask them to get their mammogram if they haven’t done so. Early detection increases the chance of survival in breast cancer.

I designed a pattern for a Turban Style Hat that is knitted using a soft yarn specifically for women undergoing chemotherapy for breast cancer. If you are a knitter and know someone who is dealing with breast cancer, please feel free to download the pattern.