I am now half way through my Summer Knitting project of knitting a dozen dishcloths. Here are the three I have just finished:
Dishcloth #4 – Crocus Buds
Pattern from the Leisure Arts “Knitting Kitchen Brights Dishcloths” brochure. Yarn: Lion Brand Kitchen Cotton, color Banana. This was an interesting openwork pattern. The “crocus buds” are created by pulling a stitch over the next two stitches on the needle. It is a simple 6 stitch pattern over 4 rows with yarn overs creating the open patterning between the “crocus buds”.
Dishcloth #5 – Elfin Lace
Pattern from Leisure Arts “Knitting Kitchen Brights Dishcloths” brochure. Yarn: Lion Brand Kitchen Cotton, color Natural. Easy lace pattern, that knits up into a nice dishcloth. The Elfin Lace pattern is an eight stitch pattern done over 8 rows.
Dishcloth #6 – Trinity Stitch
Pattern from Leisure Arts “Knitting Kitchen Brights Dishcloths” brochure. Yarn: Lion Brand Kitchen Cotton, color Natural. Lovely textured pattern produced by using the “Trinity Stitch”. I loved knitting this one. The “Trinity Stitch” is a neat textured pattern.
3 thoughts on “Summer Knitting: Dishcloths # 4 – 6”
What an awesome dishcloth. I think you did a great job.
I am interested in the pattern on your front page – the turquoise dishcloth that looks lacy around the edge. Thanks.
MaryAnn — Thanks for the comment. All the dishclothes posted in this blog were knit from patterns from the Leisure Arts book cited in the posts, with the exception of the one that was knit using the pattern on the ball band of the Peaches and Cream yarn.
As you know from my previous post, I have been side-tracked with switching to a new computer and then finding that my blog had been hacked. Well, I think I have recovered from the hack and I have all of my pictures and files transferred to my new computer — so, now to catch up and post about the third hat I started in January and finished in February.
My third hat is a beret knit in Bee Stitch.
This hat was also inspired by the thread about Hermione Granger’s hat in the Deathly Hallows, Part I, in the Harry Potter Lover’s group on Ravelry. Again, I think the beret is fairly close to the original hat.
Details: Hat was knit with Stitch Nation Full O’ Sheep (100% Peruvian Wool), using US Size 7 (4.5 mm) needles. This yarn is very soft, aran weight, though I did find it a bit splinty. The color is Passionfruit. Stitch Nation is manufactured by Red Heart (Coats & Clark).
When increasing for the beret, I basically doubled the number of stitches and it created a very slouchy beret, so if you’d like it a less slouchy, I’d only increase by 50%. I converted the Bee Stitch so I could knit it in the round and I wrote up the pattern to share with others, so here’s the link: Bee Stitch Beret.
In my previous post, I discussed how to make a preliminary swatch to select the size needle that gives you a fabric that you like and then how to knit a gauge swatch. The gauge swatch is measured to give you your stitch gauge (stiches per inch) and your row gauge (rows per inch).
At this point, you might think you are ready to cast on and begin knitting your sweater – BUT….
Are you planning on using some type of ribbing for the bottom, cuffs and neckline of the garment? Are you planning on using a certain textured stitch pattern, a lace pattern or cables in your sweater? Will you be combining two or more stitch patterns in the body of the sweater? If the answer to any of these questions is “yes”, then you need to do more swatching.
Swatches with Borders: Have you ever knit something with a definite edge made by knitting either garter stitch or seed stitch and then found that the edges curl? The reason this happens is usually due to a difference in gauge between the stitch pattern used for the border and the stitch pattern used for the body. Thus, if you are knitting piece with a border that is different than the body of the piece, knitting a swatch with the borders on it provides you with an opportunity to make adjustments to minimize or eliminate the problem. Suzanne Bryan has a nice video on this that you may find helpful, here’s the link:
Note: I don’t recommend using garter stitch borders on gauge swatches even though others do. The border tends to distort the swatch and may affect the accuracy of your measurements.
Swatches of Ribbing: Ribbing by nature tends to “pull in”. Which means that 30 stitches of ribbing will have a smaller width than 30 stitches of stockinette stitch. How much of a difference can be quite significant and affect the way the garment fits around the hips and neck as well as around the wrists on a long sleeve. Also, some knitters find that their ribbing stitches appear larger than their stockinette stitches due to changes in tension. One solution for this is to use a smaller needle when ribbing – but if you do that you may need to have more stitches to get the right width of fabric for a proper fit. Knitting a swatch with your selected ribbing pattern followed by a transition to the stitch being used for the body of the sweater will provide you with the information you need to decide what you want to do. You might want to knit separate swatches with different ribbing patterns to select which ribbing you prefer to use in your garment. (You don’t have to use the same ribbing that the designer did for the pattern if you don’t want to…just saying.)
Swatches of Stitch Patterns:
In this post, stitch patterns refer to textured pattern stitches, lace patterns, cable patterns, etc. Basically any grouping of stitches that combine to make a pattern from the variations in stitches used.
I think making a swatch of the stitch patterns used in a written pattern provides a great deal of useful information about how the finished garment will look and feel – and fit! It’s also good practice before doing it as part of your finished item.
Keep in mind that most written patterns only give gauge in stockinette stitch and while that tells you what the designer’s gauge is – it does not tell you how the gauge changes in the stitch pattern(s) used in knitting the garment. If you find a written pattern that states the gauge of the stitch pattern – great. But does your gauge match that? Swatching is the only way you will know.
If you are only using one stitch pattern, then knitting a swatch with two or more pattern repeats will help you figure out how the pattern affects the width and length of the garment and what adjustment you might need to make to obtain the correct size of garment you want. If you combine it with your ribbing, you will see how the ribbing affects the transition to the main fabric of the garment.
If you are combining more than one stitch pattern within the main fabric of a garment, I recommend doing individual swatches for each stitch pattern to use as a gauge swatches.
Crest of Wave Lace Pattern
Garter Stitch
Embossed Moss Stitch Ribbing
Then to see what happens when the stitch patterns are combined, you should do a swatch large enough to include all of the stitch patterns used in the order you plan to use them. This may end up being a very large swatch – even enough stitches for the back of your garment. This type of swatch will provide you with a lot of helpful information and give you insight into what adjustments you might need to make for a great fitting garment. More on this in a later post.
I have read several Facebook posts and Ravelry forums where new knitters are asking about how to knit a basic hat. There are many basic beanie style hat patterns available for free on Ravelry, including one of mine: Basic Beanie Hat.
But the truth is that a basic beanie hat is fairly easy to knit without any pattern if you are familiar with its structure and know your gauge for the yarn you want to use for the hat. So this post is about the basic structure of a beanie, knit in the round.
Now, a beanie can be knit top down or bottom up, but if you look at most patterns, they are written with a bottom-up construction and this will be the approach I will follow here. There are three parts to a basic beanie: The brim, the body, and the crown. The brim of a beanie is usually done in either 1×1 ribbing (k1,p1) or 2×2 ribbing (k2,p2). The length of the brim can be relatively short – and intended to not be folded, or it can be longer so that it will be worn with the brim folded.
The body of a beanie is the part of the hat that covers the head from just above the ears to where the crown is formed. The length of the body varies according to the size of the hat, with children’s hats being shorter than an adults’ and Men’s hats are usually longer than Women’s. For a basic beanie this length is approximately the length from the top of the head to the bottom of the earlobe or half the length of measuring from the bottom of one earlobe to the other up over the top of the head.
The crown of a beanie is the area that covers the top of the head and is shaped by making decreases to form a circle that is closed at the very top.
To begin knitting the basic beanie you need to do a little math. You need to know what circumference you want it to be. If you have the measurement of the circumference of the head of person you want to fit, you can use that. If you don’t know the circumference, then you can use a standard size chart for the measurements. See the chart below. For a women’s head, I usually use a circumference of 21 – 22 inches as a starting point.
Knitted beanies are made with negative ease. Now what do I mean by that? Negative ease means that the knitted hat will be smaller than the actual circumference and I usually factor in about 10% negative ease for my beanies. This gives the hat a good fit and it hugs the wearer’s head and stays in place. Using an example of a 21 inch circumference, the knitted circumference with 10% negative ease is 19 inches. (10% of 21 = 2.1; 21-2 = 19 or if you prefer: 21 x 0.9 = 19)
You are now ready to determine how many stitches to cast on to start the brim of the beanie. For this you will need your stitch gauge in stitches per inch (spi). I usually have a gauge of 5 spi with worsted weight yarn, so in this example, I multiply 19 inches by 5 sts which gives me 95 sts. However, if I am doing 1×1 ribbing, I need an even number of stitches, so I can either round down to 94 or round up to 96 sts. If I do 2×2 ribbing, I need an even number of stitches, but the number also has to be divisible by 4. In this example, 96 is divisible by 4, so I would start with 96.
For a Women’s beanie, I usually like to knit the ribbing to a length of approximately 2 inches and then start the body. For a basic beanie, I knit the body in stockinette stitch. The body area is where you can add various textured stitch patterns or knit stripes using different colors of yarn. But the very basic beanie is knit in stockinette stitch.
The length of the hat is determined by measuring the length of the wearer’s head from the lower earlobe to the top of the crown. Another way is to measure the head from the bottom of one earlobe over the top of the head to the bottom of the other earlobe and then divide that number by 2. For a women’s hat, I usually use a length of 10.5 to 11 inches, for a men’s hat I use 11 to 11.5 inches. See the standard size chart above for further information. The crown of the hat is approximately 1/3 of the total length of the hat. So, once the ribbing is done, you knit the body to the desired length where the crown shaping starts (measured from the cast on edge). In my example of a women’s hat with a total length of 11 inches, I would knit to a length of 7.5inches. The remaining length of the hat is where the crown is shaped using decreases.
My next post covers things you need to consider to knit the crown of the beanie.
What an awesome dishcloth. I think you did a great job.
I am interested in the pattern on your front page – the turquoise dishcloth that looks lacy around the edge. Thanks.
MaryAnn — Thanks for the comment. All the dishclothes posted in this blog were knit from patterns from the Leisure Arts book cited in the posts, with the exception of the one that was knit using the pattern on the ball band of the Peaches and Cream yarn.