Summer Knitting: Dishcloths # 4 – 6

I am now half way through my Summer Knitting project of knitting a dozen dishcloths. Here are the three I have just finished:

Dishcloth #4 – Crocus Buds
Knitted dishcloth in crocus buds pattern
Pattern from the Leisure Arts “Knitting Kitchen Brights Dishcloths” brochure. Yarn: Lion Brand Kitchen Cotton, color Banana. This was an interesting openwork pattern. The “crocus buds” are created by pulling a stitch over the next two stitches on the needle. It is a simple 6 stitch pattern over 4 rows with yarn overs creating the open patterning between the “crocus buds”.

Dishcloth #5 – Elfin Lace
Knitted elfin lace pattern dishcloth
Pattern from Leisure Arts “Knitting Kitchen Brights Dishcloths” brochure. Yarn: Lion Brand Kitchen Cotton, color Natural. Easy lace pattern, that knits up into a nice dishcloth. The Elfin Lace pattern is an eight stitch pattern done over 8 rows.

Dishcloth #6 – Trinity Stitch
Dishcloth knitted using the trinity stitch
Pattern from Leisure Arts “Knitting Kitchen Brights Dishcloths” brochure. Yarn: Lion Brand Kitchen Cotton, color Natural. Lovely textured pattern produced by using the “Trinity Stitch”. I loved knitting this one. The “Trinity Stitch” is a neat textured pattern.

Link to “Kitchen Bright Dishcloths” from Leisure Arts (2004).

3 thoughts on “Summer Knitting: Dishcloths # 4 – 6”

  1. I am interested in the pattern on your front page – the turquoise dishcloth that looks lacy around the edge. Thanks.

  2. MaryAnn — Thanks for the comment. All the dishclothes posted in this blog were knit from patterns from the Leisure Arts book cited in the posts, with the exception of the one that was knit using the pattern on the ball band of the Peaches and Cream yarn.

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FO: Multnomah Shawlette in Crazy ZauberballFO: Multnomah Shawlette in Crazy Zauberball

Knitted shawlette using Multnomah pattern

I took a little knitting detour last week and knit up the Multnomah Shawl in Zauberball Crazy yarn. Colorway is Fliederduft, which is loosely translated as “lilacs”. I had allocated this yarn to a pair of socks as part of the “10 in 2010” projects at the beginning of this year. However, after looking through many examples of socks knit with Zauberball Crazy in the Ravelry projects, I decided that I really didn’t want to knit this yarn into a pair socks. So — I switched to a shawl and ended up doing the Multnomah pattern by Kate Flagg.

The shawl was done in garter stitch until I had 265 stitches and then I started the feather and fan pattern and did 9 repeats. This pattern is a fairly quick knit. I was able to finish it up in a week and that was even with needing to frog back a couple of rows in order to have enough yarn to bind off.

Final size of the shawl — it’s actually a shawlette — was 15.5 inches by 58 inches.

Multnomah Shawl knitted in Zauberball Crazy

I am pleased with the result. It’s an nice size for a decorative scarf/shawlette and I think the striping of the yarn is shown off to better affect than it would be in a pair of socks.

Zauberball Crazy is a self-striping, marled yarn. Which means that it stripes, but because the two plies of the yarn may be different colors, you get a somewhat “tweedy” appearance in many of the stripes. It’s a unique yarn. It is a fingering weight, superwash wool and nylon yarn and the fabric is soft and drapes nicely after blocking. I did find that the yarn had a tendency to split occasionally and there were spots where a tuft of yarn from one of the plies would stick out — these were easily removed. I might be tempted to try another colorway — but not certain what project I would use it for.

The Multnomah Shawl pattern is a very popular pattern on Ravelry and there many knitters who have made larger shawls, so when I knit this pattern again I plan to knit a larger one. The pattern is free and available for download from Ravelry (must be Ravelry member) or on Kate Flagg’s website.

I have finally figured out how to share information from my Ravelry project pages, so I am linking to this project details on my “Z Crazy” Multnomah Page.

Master Knitter Level I – Swatches #4, #5, & #6 – IncreasesMaster Knitter Level I – Swatches #4, #5, & #6 – Increases

Swatches 4 through 6 in the Master Knitter Level I program are all about increases. Specifically, each swatch demonstrates a particular type of increase. The increases are done on each side, with three stitches before the right edge increase and three stitches after the left edge increase.

Bar Increases

Swatch 4 - Bar Increase

Swatch 4 demonstrates the Bar Increase. This is probably the increase most knitters first learned to make when knitting. It often written as “KFB” in patterns — which means “Knit in the front and back loops”. When you knit into the front loop of a knit stitch and then knit in the back loop of the same knit stitch, the resulting increase has a purl bump where the second stitch was made. It is clearly visible as you can see in this picture.

I learned a few things working on this swatch. Since I am now much more aware of my tension, I found that the purl bumps looked much better if I made certain I kept the tension even with both stitches. It’s much the same issue as when I had trouble getting even tension in ribbing.

Also, through my research, I learned that you should never make your increases on the very edge of your knitting — you should have at least one stitch on the edge before doing the increase. This makes it much easier and neater to do seams. This is something to pay attention to when you are knitting pieces that will be sewn together — I know I will practice this in my future knitting projects.

Swatch 5 - Knitted Make 1 Increases

Swatch 5 - Make 1 Increases

Swatch 5 demonstrates Make 1 increases. On the right edge, I knit an M1R increase — which means “Make 1 Right” — this is a right-slanting increase. It is made by inserting the left needle from the back and lifting the horizontal strand between stitches onto the left needle and knitting into the front of this strand.

On the left edge, the increase is an M1L — which means “Make 1 Left” — a left-slanting increase. It is made by inserting the left needle from the front and lifting the horizontal strand between stitches onto the left needle and knitting into the back of this strand.

M1 increases are tighter and there is no purl bump on the front of the knitting.

Swatch 6 - Lifted Increases

Swatch #6 - Lifted Increases

Swatch 6 demonstrates the Lifted or Raised Increase. This is the most invisible of increases — and was an increase I had never used before, so the entire swatch was a learning experience.

Again, I knit a right-slanting increase on the right edge. This increase is done by lifting the stitch below the stitch on the left needle and knitting it.

The left-slanting increase on the left edge of the swatch gave me the most difficulty. I had to search out several different pictures of it in my references before I figured it out. The left-slanting lifted increase is done by lifting the stitch below the stitch just knitted on the right needle and then knitting it.

The best pictures and explanations I found of this increase, as well as the others, were in an online article at Knitty.com, entitled “Techniques with “Theresa – Increases”.

So, these three swatches improved my technique when knitting increases and I learned a method of increasing that I had never used before. Check out the article on Knitty.com if you want to explore these methods.

Yarn SubstitutionYarn Substitution

Substituting yarn

The question comes up every so often at the knitting meet-up and in the Ravelry forums. It takes the form of “Can I use this yarn instead of that yarn?” and any of a number of variations. And the answer is almost always: “It depends.”

Oh, we want this answer to be a simple “Yes”. But it seldom is. Usually the knitter has a valid reason for wanting to use a different yarn than what was used in the printed pattern: Lack of availability, wanting/needing a different colorway, dislike of the particular yarn, etc. If the knitter happens to select a yarn of similar weight and make-up, the substitution will probably go reasonably well – providing, of course, that the knitter can achieve the stated pattern gauge with the chosen yarn. This is the happiest of all occurrences – the yarn you want to use works out well with the pattern and you can just relax and knit happily on your project.

The subject of matching gauge could constitute the contents of an entire article, if not a book. For the sake of brevity, I will simply state that gauge is essential and that any knitter who wishes to produce a well-fitting garment needs to pay attention to gauge – IF she is following a pattern that contains the concept of “fit” as part of the design. (Gauge is less important with scarves & shawls).

Lindy’s Advice #1: When substituting yarns, it is best to select a yarn that is of the same weight and has the same characteristics as the original yarn. But do a gauge swatch to make certain you do not need to make adjustments so that the garment fits correctly.

Perhaps the most frustrating of experiences with yarn substitution is the situation where you have selected a yarn of similar weight and characteristics – but try as you may, you cannot achieve the stated gauge. The advice is usually to go up a needle size or two if your gauge has more stitches and to go down needle sizes if your gauge has fewer stitches. If this works, then wonderful! Proceed with the project. But if, in spite of the change in needle sizes, you still cannot get the stated gauge – well, this can be a significant problem. Being off a half a stitch doesn’t seem like much, but when multiplied over a large number of stitches (say 100 or more), it becomes quite significant and the result is a garment that doesn’t fit properly. You have two options in this situation: 1) try a different yarn (yep, try another one) ; or 2) get out your calculator and start calculating the adjustments needed to ensure a proper fit.

Note: If math makes you anxious and you would never consider recalculating the number of stitches you need to make the garment using your yarn and your gauge – then skip this next part.

Here are the basic calculations you’ll need to make the appropriate adjustments:

Pattern Gauge states “20 stitches and 20 rows = 4 inches” (5 stitches/inch and 5 rows/inch)

To adjust pattern width (i.e. your stitch gauge is different):
Your stitch gauge is 22 stitches = 4 inches. Which is 5.5 stitches per inch

Pattern instructions state that the back of the garment measures 25 inches at the bottom and says to cast on 125 stitches. To adjust for your gauge, you would need to cast on 25 X 5.5 = 137.5 stitches – you will need to round down to 137 stitches so that you have an odd number of stitches, since the pattern has an odd number.
You will need to make similar calculations for width measurements throughout your pattern – it is best if you go through and do this before you starting knitting.

Adjusting pattern length may or may not require some math. If the pattern has instructions that use length (inches) rather than rows, it really isn’t necessary to calculate the number of rows required with your gauge, because you can simply knit to the desired number of inches.

However, if the pattern contains instructions such as “knit 40 rows then begin shaping” – you may want to calculate the adjustments needed, as follows:

Your row gauge is 30 rows = 4 inches – which is 7.5 rows per inch

Pattern row gauge is 20 rows = 4 inches (5 rows per inch)
To calculate the number of rows you need to knit to be equal to the 40 rows called for in the pattern :
40 rows ÷ 5 rows/inch = 8 inches
8 inches X 7.5 rows/inch = 60 rows – so instead of knitting 40 rows then begin shaping, you would knit 60 rows.

A shortcut in these calculations would be to go through and calculate the number of inches that need to be knit using the row gauge of the pattern and then just knitting to the calculated length.

This can be a daunting bit of calculation – but it will result in a better fitting garment with your desired choice of yarn and is thus, worth the effort.

So far, I have discussed what considerations are needed when substituting a yarn of similar weight and characteristics with another. Now about substituting an entirely different weight of yarn…

I have attempted this several times and have not been happy with the result each time. Hence, Lindy’s Advice #2: No matter how much you love the yarn you want to substitute and the pattern, if the yarn is not the same weight and/or does not have the same characteristics as the yarn used in the pattern – DO NOT use that yarn with that pattern.

I know, I know – you really want to use this yarn, but it’s like trying to fit a square peg in a round hole. I feel your pain, I really do. But don’t do it, you won’t be happy with the result.

I think every knitter has tried using bulky yarn for a worsted weight pattern or visa versa. The results have probably been disappointing and the garment was either too big or too small. It certainly was for me.

I know of many knitters who have attempted to double-strand worsted weight or sport weight yarn to substitute for bulky weight. It can be done with some success, but once again – you have to do a gauge swatch and make the necessary adjustments for differences between your gauge and the pattern gauge. You just can’t get away from the math…

But wait! There is a way to substitute yarn so that it doesn’t drive you crazy: “Free yourself from the pattern”.

Huh? What do I mean by that? Well, as a knitter you will eventually reach a point in your knitting experience when you begin to understand the basics of garment design and construction. Granted there are literally hundreds of thousands of written sweater patterns available. But any sweater has a front, a back, two sleeves and a neck. If you understand how to construct the basic parts and match them to your desired body measurements – you really don’t need a specific written pattern.

Let’s start with that pattern you want to knit with a different weight of yarn. What are the characteristics of the garment? How are the sleeves shaped? How is the front shaped and how is the back shaped? What do you like about this pattern?

Does the pattern use a textured stitch patterning or does it have a particular colorwork patterning? Are there charts for the stitch pattern(s) or the colorwork pattern(s)? You can use these to make your own customized sweater with your chosen yarn.

How? Well, it will require some thinking, some planning, some math (sorry!) and a very good set of body measurements. Armed with the knowledge of sweater design – you can go from carefully following a written pattern to using the pattern as an inspiration for your own custom designed sweater.

I will outline how to do this in my next post. Off to find my sweater design references…