My GS is almost two and “Choo Choo’s” are one of his most favorite things at the moment. Now he got a train table and lots of trains and things to go with it for Christmas, but this Grandma just had to knit him a hat with a choo choo train on it. My first attempt was a little too tight, so I knit another a lit bit wider and it fit perfectly.
Since two year olds are always in motion when awake, it was a challenge to get him to stand still long enough to take his picture — But I was able to get one (and only one) good picture of him wearing his new hat.
I knit this scarf as a birthday present for my MIL. She wears scarves all the time and I thought she would enjoy this unique scarf. I knit this using a novelty yarn called “Sashay” by Red Heart Yarns. It’s a very interesting yarn to knit with. And Yes, it ruffles as you knit it up.
The pattern is really simple. You cast on 6 stitches and then just knit every row until you have used up the entire skein. It only takes one skein to make the scarf and when finished it is about 6 feet long.
My MIL was thrilled. She put the scarf on and wore it after she opened the bag. She exclaimed at how soft it was. She said she would be the envy of all the ladies in the independent living facility where she lives. (I made a BIG hit!) 🙂
Here’s the details:
Yarn: Sashay (Red Heart Boutique) Colorway: Hip Hop
Needles: U.S. 9 (5.5 mm)
Finished length = 72 inches Width = 3 inches
Notes about knitting with this yarn: See picture below of the yarn before knitted. This yarn is essentially a stripe of lace — with the bottom edge more finished than the top. The bottom is the finished edge of the ruffles. You knit this yarn using the top two strands of the upper edge of the lace. The yarn is quite slippery and it takes some getting used to — I used metal needles for this project and the combination of the slippery yarn and the slickness of the metal needles nearly drove me crazy! I recommend using a type of needle with some grab for this yarn — if I knit it again I will use bamboo needles. Also — it is not possible to weave in the ends on this yarn. When you are done, get out your sewing thread and a sewing needle — you will need to sew down the unfinished edges of the scarf to prevent the ends from raveling.
In my previous post, I discussed how to make a preliminary swatch to select the size needle that gives you a fabric that you like and then how to knit a gauge swatch. The gauge swatch is measured to give you your stitch gauge (stiches per inch) and your row gauge (rows per inch).
At this point, you might think you are ready to cast on and begin knitting your sweater – BUT….
Are you planning on using some type of ribbing for the bottom, cuffs and neckline of the garment? Are you planning on using a certain textured stitch pattern, a lace pattern or cables in your sweater? Will you be combining two or more stitch patterns in the body of the sweater? If the answer to any of these questions is “yes”, then you need to do more swatching.
Swatches with Borders: Have you ever knit something with a definite edge made by knitting either garter stitch or seed stitch and then found that the edges curl? The reason this happens is usually due to a difference in gauge between the stitch pattern used for the border and the stitch pattern used for the body. Thus, if you are knitting piece with a border that is different than the body of the piece, knitting a swatch with the borders on it provides you with an opportunity to make adjustments to minimize or eliminate the problem. Suzanne Bryan has a nice video on this that you may find helpful, here’s the link:
Note: I don’t recommend using garter stitch borders on gauge swatches even though others do. The border tends to distort the swatch and may affect the accuracy of your measurements.
Swatches of Ribbing: Ribbing by nature tends to “pull in”. Which means that 30 stitches of ribbing will have a smaller width than 30 stitches of stockinette stitch. How much of a difference can be quite significant and affect the way the garment fits around the hips and neck as well as around the wrists on a long sleeve. Also, some knitters find that their ribbing stitches appear larger than their stockinette stitches due to changes in tension. One solution for this is to use a smaller needle when ribbing – but if you do that you may need to have more stitches to get the right width of fabric for a proper fit. Knitting a swatch with your selected ribbing pattern followed by a transition to the stitch being used for the body of the sweater will provide you with the information you need to decide what you want to do. You might want to knit separate swatches with different ribbing patterns to select which ribbing you prefer to use in your garment. (You don’t have to use the same ribbing that the designer did for the pattern if you don’t want to…just saying.)
Swatches of Stitch Patterns:
In this post, stitch patterns refer to textured pattern stitches, lace patterns, cable patterns, etc. Basically any grouping of stitches that combine to make a pattern from the variations in stitches used.
I think making a swatch of the stitch patterns used in a written pattern provides a great deal of useful information about how the finished garment will look and feel – and fit! It’s also good practice before doing it as part of your finished item.
Keep in mind that most written patterns only give gauge in stockinette stitch and while that tells you what the designer’s gauge is – it does not tell you how the gauge changes in the stitch pattern(s) used in knitting the garment. If you find a written pattern that states the gauge of the stitch pattern – great. But does your gauge match that? Swatching is the only way you will know.
If you are only using one stitch pattern, then knitting a swatch with two or more pattern repeats will help you figure out how the pattern affects the width and length of the garment and what adjustment you might need to make to obtain the correct size of garment you want. If you combine it with your ribbing, you will see how the ribbing affects the transition to the main fabric of the garment.
If you are combining more than one stitch pattern within the main fabric of a garment, I recommend doing individual swatches for each stitch pattern to use as a gauge swatches.
Crest of Wave Lace Pattern
Garter Stitch
Embossed Moss Stitch Ribbing
Then to see what happens when the stitch patterns are combined, you should do a swatch large enough to include all of the stitch patterns used in the order you plan to use them. This may end up being a very large swatch – even enough stitches for the back of your garment. This type of swatch will provide you with a lot of helpful information and give you insight into what adjustments you might need to make for a great fitting garment. More on this in a later post.
The other day while waiting for my MIL at the beauty shop, I took out my baby blanket and sat knitting in the waiting area. One of the stylists came up to me and asked me what I was knitting. So I showed her. Then she said, “I could never knit anything like that – it’s too complex.” I replied that this pattern was actually very easy – it was just a three different combinations of knit and purl stitches, and I showed her the graph of the pattern square. She then told me that she had once knitted a sweater for her granddaughter that had a color pattern of a frog. So, I told her that if she had done that type of color knitting, this textured pattern would be easy for her to do. She replied that “maybe, she could do it – BUT she didn’t think she’d ever be able to master anything like cables”. So in spite of my gentle encouragement, I’m not certain this knitter will try to knit something with a variety of textures – which is too bad, because she will miss out on some wonderful knitting projects.
Have you ever limited your knitting by such thinking? I know I did many years ago – but after discovering Elizabeth Zimmerman’s approach to “unventing” things, my perspective has changed greatly. I’d like to encourage all my readers to think about this. There is a lot of freedom in being able to take a printed pattern and view it not as something that has to be followed exactly, but more as a place to start something uniquely yours. BTW – if you have never read Elizabeth Zimmerman’s books – you are missing an absolutely fun and enlightening experience!
As I spend time knitting my baby blanket, I find myself marveling at how those two basic stitches – the Knit Stitch and the Purl Stitch – can be combined in endless ways to make up fascinating textures. Consider the sheer simplicity of these two stitches. They are just opposites of each other. Yet these two stitches are knitting up nicely into teddy bear squares surrounded by seed stitch borders. And this project is rather simple. Then consider an Aran sweater pattern as an example of a far more complex combination of textured patterns – but again, the textures are made by the way one combines the basic knit and purl stitches and applies techniques such as cabling. Thus, knitting is both simple and complex and filled with unlimited possibilities of variation and combinations. No wonder we knitters love to knit!
