The subtitle for this book is “mastering fit + plus-size style + 15 projects”. The first two chapters of this book cover the basics of how to knit garments that fit. While the focus is on plus-size, the information is applicable to any knitted garment. The information in these two chapters is worth the price of the book if you are wanting to learn more about how to modify patterns so that they actually fit your body. Chapter One discusses the common elements of a sweater and “what they mean to you” and Chapter Two covers the use of measurements and how to redesign patterns for a custom fit.
The remaining five chapters cover different types of sweater styles: The Drop-Shoulder, the Set-In Sleeve, The Raglan, The Seamless Yoke, and The Dolman. There are three projects for each type and these are really lovely designs for us plus-size gals. Each project also has helpful notes for the knitter. So this book is both a “how-to” guide and a set of 15 plus-size patterns. And some of those patterns are the sort that makes a knitter’s fingers itch to pull out some yarn and needles and get started. The “Poppy Cardigan” on page 67 is on my list of future projects for sure.
If you are interested in this book, click on the picture at the top of this post. It will take you to the book on Amazon.com.
You may or may not have noticed a new page showing up in the top menu. It’s the Stitches Library Page. I have decided to copy the instructions from some of the posts I wrote back in 2010 on various stitch patterns into downloadable pdf files and make them available in my new stitch library. So far there are only four: Elfin Lace, Trinity Stitch, Waffle Check, and Zig-Zag Eyelet.
I plan to add a new stitch pattern about once a month going forward. I will start with a couple from 2009, but after that I will be swatching new patterns. Please check back from time to time to see what is new. 🙂
All of us know the standard bind-off (K2, pass first stitch over, *K1, psso, repeat from * until all stitches are bound off). This is a useful bind-off and it works well for any number of knitting projects where you need a nice firm edge. You can occasionally have trouble with it, however, if you do it too tightly and most of us have experienced the frustration of a too tight bound off edge. Most often to correct this you simply need to bind-off more loosely by pulling your stitches out a little more when doing the passing over of the stitch.
Then, there are those projects where you simply need a much more elastic – or stretchy – bind-off. I discovered a couple of these stretchier bind-offs as I was looking for a different bind-off for my Crazy Zauberball Shawl. And I thought I’d post them here for future reference with some of my notes.
You see, I tried them all in the process of finishing the shawl and ended up doing the standard bind-off anyway because I was at the very end of my yarn and all three of the bind-offs used up more yarn. So, one thing to keep in mind with these more elastic bind-offs is that they are stretchy because they use more yarn.
The Elastic Bind-off
This is a very nice, stretchy bind-off. I will probably use it for toe-up socks and ribbed necklines.
To do the Elastic Bind-off:
Knit first two stitches, then * slip them back onto the left needle.
Then knit these two stitches together through the back loop.
Knit the next stitch and repeat from * until bind off is complete.
The Lace Bind-off
This bind-off is also known as the Decrease Bind-off. It produces a very nice elastic edge that really looked nice on the edge of my shawl, but it takes about 2-3 times more yarn to complete than the standard bind-off. I would use this bind-off with any lace shawls or scarves.
To do the Lace Bind-off:
Knit together the first two stitches on the left needle, through the back loop.
Then slip the stitch now on the right needle back onto the left needle.
Repeat these two steps until the bind-off is complete.
Jeny’s Surprisingly Stretchy Bind-off
Many sock knitters swear by this bind-off. It does produce a super elastic edge, but I don’t think I would use it on a lace shawl.
If you haven’t tried any of these bind-offs, I recommend that you do. It’s always nice to have more than one method of finishing off your lovely knitted item. I’d love to hear from any of my readers about any other bind-offs they like/love to use. Just leave me a comment (and a link if you have one). Thanks!
In my previous post, I discussed how to make a preliminary swatch to select the size needle that gives you a fabric that you like and then how to knit a gauge swatch. The gauge swatch is measured to give you your stitch gauge (stiches per inch) and your row gauge (rows per inch).
At this point, you might think you are ready to cast on and begin knitting your sweater – BUT….
Are you planning on using some type of ribbing for the bottom, cuffs and neckline of the garment? Are you planning on using a certain textured stitch pattern, a lace pattern or cables in your sweater? Will you be combining two or more stitch patterns in the body of the sweater? If the answer to any of these questions is “yes”, then you need to do more swatching.
Swatches with Borders: Have you ever knit something with a definite edge made by knitting either garter stitch or seed stitch and then found that the edges curl? The reason this happens is usually due to a difference in gauge between the stitch pattern used for the border and the stitch pattern used for the body. Thus, if you are knitting piece with a border that is different than the body of the piece, knitting a swatch with the borders on it provides you with an opportunity to make adjustments to minimize or eliminate the problem. Suzanne Bryan has a nice video on this that you may find helpful, here’s the link:
Note: I don’t recommend using garter stitch borders on gauge swatches even though others do. The border tends to distort the swatch and may affect the accuracy of your measurements.
Swatches of Ribbing: Ribbing by nature tends to “pull in”. Which means that 30 stitches of ribbing will have a smaller width than 30 stitches of stockinette stitch. How much of a difference can be quite significant and affect the way the garment fits around the hips and neck as well as around the wrists on a long sleeve. Also, some knitters find that their ribbing stitches appear larger than their stockinette stitches due to changes in tension. One solution for this is to use a smaller needle when ribbing – but if you do that you may need to have more stitches to get the right width of fabric for a proper fit. Knitting a swatch with your selected ribbing pattern followed by a transition to the stitch being used for the body of the sweater will provide you with the information you need to decide what you want to do. You might want to knit separate swatches with different ribbing patterns to select which ribbing you prefer to use in your garment. (You don’t have to use the same ribbing that the designer did for the pattern if you don’t want to…just saying.)
Swatches of Stitch Patterns:
In this post, stitch patterns refer to textured pattern stitches, lace patterns, cable patterns, etc. Basically any grouping of stitches that combine to make a pattern from the variations in stitches used.
I think making a swatch of the stitch patterns used in a written pattern provides a great deal of useful information about how the finished garment will look and feel – and fit! It’s also good practice before doing it as part of your finished item.
Keep in mind that most written patterns only give gauge in stockinette stitch and while that tells you what the designer’s gauge is – it does not tell you how the gauge changes in the stitch pattern(s) used in knitting the garment. If you find a written pattern that states the gauge of the stitch pattern – great. But does your gauge match that? Swatching is the only way you will know.
If you are only using one stitch pattern, then knitting a swatch with two or more pattern repeats will help you figure out how the pattern affects the width and length of the garment and what adjustment you might need to make to obtain the correct size of garment you want. If you combine it with your ribbing, you will see how the ribbing affects the transition to the main fabric of the garment.
If you are combining more than one stitch pattern within the main fabric of a garment, I recommend doing individual swatches for each stitch pattern to use as a gauge swatches.
Crest of Wave Lace Pattern
Garter Stitch
Embossed Moss Stitch Ribbing
Then to see what happens when the stitch patterns are combined, you should do a swatch large enough to include all of the stitch patterns used in the order you plan to use them. This may end up being a very large swatch – even enough stitches for the back of your garment. This type of swatch will provide you with a lot of helpful information and give you insight into what adjustments you might need to make for a great fitting garment. More on this in a later post.
