The first three swatches for the Master Knitter Level I require you to knit 2 X 2 ribbing, 1 X 1 Ribbing, garter stitch, stockinette stitch and seed stitch. As I have been knitting the first two swatches for the Master Knitter Level I, I have discovered that my tension is not what I thought it was: I thought I knit fairly evenly– but as I looked at the examples from TKGA — I began to realize that my knitting tension is not the same when I knit as when I purl. This seems to be a common issue among those who are working on the Level I Master Knitter swatches.
I have tried several different things to correct this problem — but so far I am still not knitting as evenly as I want. I have discovered that my knitting is less even with bamboo needles than with metal needles. I have also determined that it is very important to tighten up my tension at the end of a row — especially on the last stitch, so that I get more even stitches on the edges of the swatch. However — I have yet to achieve the even stitches for ribbing that I’d like to have.
Did you know that tension in ribbing — that it is, tension differences between knit and purl stitches — can really make a difference in the way your ribbing appears? I’d never given this much thought — but it really does effect how the ribs in the ribbing are formed. I have read (very recently) that this more of a problem for English knitters than for Continental knitters — but that it happens with both styles. The problem is often due to the excess yarn used in forming the purl stitch. The next time you are switching between knit and purl stitches — pay attention to how you wrap the yarn for the purl stitch — you actually do use slightly more yarn when doing a purl.
I am still seeking solutions for my tension problems — I’ll post about how I resolve this.
This cast on is basically a series of slip knots placed on your needle. It creates a very elastic edge and is great for the cuffs of socks, mittens, and sleeves plus anywhere else where you want a very stretchy edge. It works especially well with ribbing and adding stitches at the end of a row.
One important point when doing this cast on: you need to get the stitches snugged up close to each other – avoid gaps between the stitches as it will give an untidy looking edge.
Well, my Summer knitting project of a dozen dishcloths has now drifted into Fall. I completed Dishcloth #7 and #8 before Summer ended and then got busy with other projects and just left my needles and yarn waiting for me to come back and knit some more. So, I started Dishcloth # 9 on Sunday and finished it up today. Hopefully, I will finish the last three dishcloths before the end of the Fall season. Here are the completed projects:
Dishcloth #7 — Valentine Hearts
Pattern from Leisure Arts “Knitting Kitchen Brights Dishcloths” brochure. Yarn: Peaches & Cream Cotton, color Teal. This is a reverse stockinette stitch pattern on a stockinette stitch background that resembles a cut-out of hearts that I made when I was a child. It’s an easy knit pattern over 20 rows.
Dishcloth #8 — Zigzag Eyelet
Pattern from Leisure Arts “Knitting Kitchen Brights Dishcloths” brochure. Yarn: Lion Brand Kitchen Cotton, color Natural. Lovely little lace pattern done over a multiple of 11 stitches plus 2 and 12 rows.
Dishcloth #9 — Climbing Lattice
Pattern from Leisure Arts “Knitting Kitchen Brights Dishcloths” brochure. Yarn: Sugar’n Cream, color Cool Breeze Ombre. This is an interesting lace pattern that combines left twists with a four stitch eyelet pattern. I was getting tired of solid color yarns, so I went with this ombre — I really like the way it knitted up.
It took me a good bit of time to decide if I thought it was necessary to knit swatches in the round if I was knitting an item in the round rather than flat. The practice of knitting sweaters flat in pieces that are sewn together versus knitting sweaters in the round is, in itself, a whole topic with proponents for each practice. I may take this topic up at a later time, but for now I will focus on knitting a swatch in the round.
First, there are many knitters and designers who only use gauge swatches knit flat to determine their stitch gauge even if the pattern is knit in the round, and second, most patterns do not state how the gauge swatch was done. All you see in the pattern is the gauge statement.
Do you know if your gauge is the same if you knit in the round as when you knit flat? There’s a good chance that it’s not. As I’ve said before, gauge is a measure of how an individual knitter knits.
Think about how you knit when you knit in the round. One of the biggest differences is that you only knit on the right side of the fabric when you knit in the round. Using stockinette stitch as an example: When you knit flat, you knit one row (right side) and then turn your work and purl the next (wrong side). When you knit in the round, you join the stitches to make a circle and then knit every round.
Now, if you are one of the many knitters whose purls are looser than their knits, there is going to be a difference in tension between something you knit flat and something you knit in the round. Plus, you may modify your technique for knitting when knitting in round from when you knit flat. If you use straight needles when knitting flat, then switch to using circular needles or double point needles (dpns) to knit circular – your gauge may be significantly different. This is why I have come to the conclusion that it is good practice to swatch in the round when planning a project that will be knit in the round.
So how does one knit a swatch in the round? The first method is to cast on a enough stitches to give you a knitted tube that will be at least 4+ inches when laid flat. This could be the start of a sock or a hat. (Elizabeth Zimmerman said that “a hat makes a good swatch”.) Once you have a tube knitted of sufficient length for a good measurement, you treat this swatch the same way you would if your swatch that was knitted flat – i.e. measure, block, re-measure.
The second method goes by a couple of different names: “Speed Swatch” and “Circular Swatch with Floats” are two that I have found in my research. In this method, you use a circular needle and cast on the same number of stitches you would if you were knitting flat. But instead of knitting a row and then turning the swatch and knitting back to the end of the row, you slide your stitches to the needle on the opposite end and strand the working yarn loosely across the back and start knitting the next row. You keep repeating this process until you have a long enough swatch for good measurements. See pictures below:
Front of Swatch ITR — Knit with US 8 and Us 7 Needles
Back of Swatch ITR
Once you have the swatch completed, you treat it the same way as any swatch – measure unblocked, block, re-measure. A note about measuring this swatch: Some sources suggest that it is easier to measure this swatch after cutting the loose strands so that the swatch will lay flat. Others simply say to measure the swatch by laying it as flat as you can. Logically, you are not going to want to cut the strands if you plan to reuse the yarn in the swatch. I’ve tried both ways and did not find a significant difference in measurements. Here are pictures of the swatch above after I blocked it and cut the floats to take the measurements:
So if you plan to knit a sweater in the round, please do your swatch in the round.
If you would like to see a video on this technique, here are three helpful ones:
More yarn for a purl stitch? Hmm that’s interesting. You’ll have to show me what you have been working on sometime.
I’m working on a dishcloth right now just using continental knitting. I can tell that my tension is VERY different from when I knit English.