Troubles with Tension

January 22, 2010| Lindy| 0 Comments | 3:15 pm

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The first three swatches for the Master Knitter Level I require you to knit 2 X 2 ribbing, 1 X 1 Ribbing, garter stitch, stockinette stitch and seed stitch. As I have been knitting the first two swatches for the Master Knitter Level I, I have discovered that my tension is not what I thought it was: I thought I knit fairly evenly– but as I looked at the examples from TKGA — I began to realize that my knitting tension is not the same when I knit as when I purl. This seems to be a common issue among those who are working on the Level I Master Knitter swatches.

I have tried several different things to correct this problem — but so far I am still not knitting as evenly as I want. I have discovered that my knitting is less even with bamboo needles than with metal needles. I have also determined that it is very important to tighten up my tension at the end of a row — especially on the last stitch, so that I get more even stitches on the edges of the swatch. However — I have yet to achieve the even stitches for ribbing that I’d like to have.

Did you know that tension in ribbing — that it is, tension differences between knit and purl stitches — can really make a difference in the way your ribbing appears? I’d never given this much thought — but it really does effect how the ribs in the ribbing are formed. I have read (very recently) that this more of a problem for English knitters than for Continental knitters — but that it happens with both styles. The problem is often due to the excess yarn used in forming the purl stitch. The next time you are switching between knit and purl stitches — pay attention to how you wrap the yarn for the purl stitch — you actually do use slightly more yarn when doing a purl.

I am still seeking solutions for my tension problems — I’ll post about how I resolve this.

1 thought on “Troubles with Tension”

Amanda says:

January 23, 2010 at 6:37 am

More yarn for a purl stitch? Hmm that’s interesting. You’ll have to show me what you have been working on sometime.

I’m working on a dishcloth right now just using continental knitting. I can tell that my tension is VERY different from when I knit English.

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Things Learned from a SwatchThings Learned from a Swatch

It took me years to appreciate the value of doing a swatch before starting a knitting project. I cannot tell you how many poorly fitted sweaters I knit before I came to realize that it truly was worth the time and effort to swatch first.

I learned this when I bought my first knitting machine. You see, when you are using a knitting machine, you can’t even get started without doing that swatch – as you need it to tell you if you have your machine tension set up correctly. It only takes one frustrating experience with a too tight tension on the knitting machine to convince you of the necessity for doing a swatch or two.

Swatching also provides you as a knitter the freedom to become, as Elizabeth Zimmermann says, “The boss of your knitting”. If you know your gauge, and understand the basics of the design you are wanting to make – you are free to modify any pattern – or MAKE YOUR OWN.

So, I always swatch. This last weekend I did a swatch using the Baby Ull yarns that I purchased to knit a sweater and romper for my new grandson due the end of January. I had a couple of extra reasons for doing this swatch beyond determining what size needle I needed to obtain the stated pattern gauge. First, I wanted to try out the three color pattern for the sweater and get comfortable with it. Second, I wanted to see if I liked the color combinations of the yarns in the color pattern.

Swatch_Cardigan1 Here’s a picture of the swatch. I cast on 44 stitches so that I could have a 40 stitch area surrounded by a 2 stitch garter stitch edging. I started using US 2 (3.00 mm) needles and then switched to a smaller US 1 (2.50 mm) needle for the last part of the swatch. I did a section of garter stitch, then stockinette stitch, then the color pattern using the lighter aqua blue as the main color and then switched to using the darker teal blue as the main color. I finished the swatch by doing a section of sockinette stitch on the smaller needles, followed by a section of garter stitch.

Here’s what I learned from this swatch: 1) I need to use smaller needles than what is stated in the pattern in order to obtain gauge. This is important because I want this sweater to fit. 2) I like using the darker teal blue as the main color – I think the lighter aqua blue shows up better against it than the other way around. This is significant – because I bought 7 balls of the lighter aqua and only 1 ball of the darker teal. (I have now ordered enough teal to make the sweater, as my LYS did not have enough of it on hand…) 3) The 3 color pattern is fairly simple and easy to knit. I think it’s good to practice such things before starting off on a special project like this.

So to those readers who “hate to swatch”: do you see the value of what I did here? Swatching is a valuable technique that helps you be the “boss of your knitting”. Now go swatch!

Master Knitter Level I – Swatches #1, #2, & #3Master Knitter Level I – Swatches #1, #2, & #3

I have completed the first three swatches for the TKGA Master Knitter Level I program. As I mentioned in an earlier post, I discovered an issue with tension that I did not realize I had. And over the last few weeks, I have done quite a bit of reading about tension and an equal amount of knitting, reknitting, and being much more aware of HOW I knit. This is one of the purposes of the Master Knitter program — it makes you think about your craft and helps you identify the bad habits you have developed over time.

I have decided to use this blog as I way for me to document the lessons learned as I proceed through the Master Knitter Level I program. Hopefully, others will find my notes and comments helpful and will also learn from them. So, here is the first of my “lessons learned”:

Swatch #1 — 2 X 2 Ribbing & Garter Stitch
Garter stitch (knit all rows) was fairly easy for me — the key is to maintain an even tension throughout knitting the rows.

Tension can be a real issue with 2 X 2 Ribbing, because most knitters tend to purl more loosely than they knit. [I do]. The result of this tendency is that your ribs are formed of uneven stitches and appear “wonky”. My first attempt at this swatch was definitely “wonky”. After much researching, knitting and reknitting, I determined that I was really out of practice purling because I had been knitting projects mostly “in the round” and this was part of my problem. So, I spent some time just purling and working on my tension — trying to get it more consistent. I eventually managed to obtain a fairly even tension with my ribs. From my reading, I think that the unevenness on the edges is normal and should be satisfactory.

Swatch # 2: 1 X 1 Ribbing and Stockinette Stitch
Tension was also an issue for me with the 1 X 1 Ribbing. With this ribbing, I found that my looser purl stitches really impacted the shape of the ribs. Again, I found that I really needed to practice purling and focus on keeping my tension even when doing the ribbing.

For the Stockinette Stitch, I was able to obtain the even fabric required — but only after I had worked on my purling. The evenness isn’t as noticeable on the right side — you need to look at the wrong side of the fabric and make certain that there isn’t a distinct difference in your rows between the knit rows and the purl rows. Along the way, I discovered that I knit fairly loosely and I had to go down one needle size to achieve a decent fabric.

If you are trying to correct uneven tension when ribbing, here are a couple of ways to do so:
1) Just try knitting with an even tension; 2) Give your yarn and extra tug when moving it to the front of the needle and before purling; 3) Try wrapping your yarn under your needle when purling — note, this makes the stitches sit on the needle with the back loop leaning forward — to avoid twisting the stitch you must knit through the back loop rather than the front when knitting; 4) Try purling using the Norwegian Purl method [link to video here].

Swatch # 3: Seed Stitch

Swatch # 3 was a sample of Seed Stitch — which is K1, P1 across the row over an even number of stitches. The goal here is to produce a nice even fabric with no visible holes between the knit and purl stitches. This is another tension challenge. It took me three swatches to produce the swatch shown. I finally came to the conclusion that I was over-doing the tension, basically trying too hard — and once I relaxed a bit on this, I got a better result.

In summary, here’s what worked for me: 1) After practicing, I needed to relax a bit — I got to the point that I was pulling my purl stitches so tightly that I made my knitting even less consistent. 2) Remembering to do that little extra tug when putting the yarn in front to purl. 3) For the edges — giving the yarn an extra tug when knitting off the last stitch on the row, followed by giving an extra tug after knitting the first two stitches on the next row. (more…)

Stitch Pattern: Elfin LaceStitch Pattern: Elfin Lace

The Elfin Lace pattern was used in Dishcloth #5 in my Summer Knitting project. This is an easy eyelet lace pattern made with a combination of yarn-overs and right and left leaning decreases.

The Elfin Lace pattern is a multiple of 8 stitches plus 9 done over 16 rows.

Row 1: (Wrong Side) and all wrong side rows – Purl.
Row 2: K2, *YO, SSK, K6. Repeat from *, end last repeat K5.
Row 4: K3, *YO, SSK, K3,K2tog, YO, K1. Repeat from *, end YO, SSK, K4.
Row 6: K4, *YO, SSK, K1, K2tog, YO, K3. Repeat from *, end YO, SSK, K3.
Row 8: K2, K2Tog, *YO, K5, YO, Slip 2 knitwise, K1, Pass 2 slipped stitches over. Repeat from *, end YO, K5.
Row 10: K6, *YO, SSK, K6. Repeat from *, end YO, SSK, K1.
Row 12: K4, K2tog, *YO, K1, YO, SSK, K3, K2Tog. Repeat from *, end YO, K3.
Row 14: K3, *K2Tog, YO, K3, YO, SSK, K1. Repeat from *, end K2Tog, YO, K4.
Row 16: K5, *YO, Slip 2 knitwise, K1, pass 2 slipped stitches over, YO, K5. Repeat from *, end YO, K2Tog, K2.

Repeat rows 1-16 for the desired pattern length.

Reference: Barbara G. Walker, A Treasury of Knitting Patterns