The first three swatches for the Master Knitter Level I require you to knit 2 X 2 ribbing, 1 X 1 Ribbing, garter stitch, stockinette stitch and seed stitch. As I have been knitting the first two swatches for the Master Knitter Level I, I have discovered that my tension is not what I thought it was: I thought I knit fairly evenly– but as I looked at the examples from TKGA — I began to realize that my knitting tension is not the same when I knit as when I purl. This seems to be a common issue among those who are working on the Level I Master Knitter swatches.
I have tried several different things to correct this problem — but so far I am still not knitting as evenly as I want. I have discovered that my knitting is less even with bamboo needles than with metal needles. I have also determined that it is very important to tighten up my tension at the end of a row — especially on the last stitch, so that I get more even stitches on the edges of the swatch. However — I have yet to achieve the even stitches for ribbing that I’d like to have.
Did you know that tension in ribbing — that it is, tension differences between knit and purl stitches — can really make a difference in the way your ribbing appears? I’d never given this much thought — but it really does effect how the ribs in the ribbing are formed. I have read (very recently) that this more of a problem for English knitters than for Continental knitters — but that it happens with both styles. The problem is often due to the excess yarn used in forming the purl stitch. The next time you are switching between knit and purl stitches — pay attention to how you wrap the yarn for the purl stitch — you actually do use slightly more yarn when doing a purl.
I am still seeking solutions for my tension problems — I’ll post about how I resolve this.
Okay — I swatched some more on this cardigan project. Earlier I had posted about Things Learned from a Swatch. Well, I continued to be dissatisfied with my color selections — I really just do not like that light aqua color for this sweater. So, I went back to my LYS and bought up all the teal color they had — which is the color I really wanted for the main color on the cardigan. The problem is that there isn’t enough of this color to do both a cardigan and a romper to match.
So, standing in front of the yarn bin at the store, I decided that I’d try using a combination of the teal, the red AND a darker blue. There was enough of the darker blue in one dye lot to do the romper and there was 1 ball of another dye lot left. Since I only need 1 ball of the darker color to do the alternating 3 color pattern in the cardigan, I bought this ball as well because the color variation is not that different between the two dye lots and since it will be mixed in with the other colors, it should work out okay.
Here’s my swatch with the new color scheme added. The darker blue color definitely shows up better than the lighter blue against the teal color that I want for the main color. I have started knitting the romper in the darker blue and I think I’m going to really like the coordinated outfit that will result. This project is a bit challenging because I am knitting on size 0 and size 1 needles to get the right guage. Lots and lots of small stitches…
In my previous post, I discussed how to make a preliminary swatch to select the size needle that gives you a fabric that you like and then how to knit a gauge swatch. The gauge swatch is measured to give you your stitch gauge (stiches per inch) and your row gauge (rows per inch).
At this point, you might think you are ready to cast on and begin knitting your sweater – BUT….
Are you planning on using some type of ribbing for the bottom, cuffs and neckline of the garment? Are you planning on using a certain textured stitch pattern, a lace pattern or cables in your sweater? Will you be combining two or more stitch patterns in the body of the sweater? If the answer to any of these questions is “yes”, then you need to do more swatching.
Swatches with Borders: Have you ever knit something with a definite edge made by knitting either garter stitch or seed stitch and then found that the edges curl? The reason this happens is usually due to a difference in gauge between the stitch pattern used for the border and the stitch pattern used for the body. Thus, if you are knitting piece with a border that is different than the body of the piece, knitting a swatch with the borders on it provides you with an opportunity to make adjustments to minimize or eliminate the problem. Suzanne Bryan has a nice video on this that you may find helpful, here’s the link:
Note: I don’t recommend using garter stitch borders on gauge swatches even though others do. The border tends to distort the swatch and may affect the accuracy of your measurements.
Swatches of Ribbing: Ribbing by nature tends to “pull in”. Which means that 30 stitches of ribbing will have a smaller width than 30 stitches of stockinette stitch. How much of a difference can be quite significant and affect the way the garment fits around the hips and neck as well as around the wrists on a long sleeve. Also, some knitters find that their ribbing stitches appear larger than their stockinette stitches due to changes in tension. One solution for this is to use a smaller needle when ribbing – but if you do that you may need to have more stitches to get the right width of fabric for a proper fit. Knitting a swatch with your selected ribbing pattern followed by a transition to the stitch being used for the body of the sweater will provide you with the information you need to decide what you want to do. You might want to knit separate swatches with different ribbing patterns to select which ribbing you prefer to use in your garment. (You don’t have to use the same ribbing that the designer did for the pattern if you don’t want to…just saying.)
Swatches of Stitch Patterns:
In this post, stitch patterns refer to textured pattern stitches, lace patterns, cable patterns, etc. Basically any grouping of stitches that combine to make a pattern from the variations in stitches used.
I think making a swatch of the stitch patterns used in a written pattern provides a great deal of useful information about how the finished garment will look and feel – and fit! It’s also good practice before doing it as part of your finished item.
Keep in mind that most written patterns only give gauge in stockinette stitch and while that tells you what the designer’s gauge is – it does not tell you how the gauge changes in the stitch pattern(s) used in knitting the garment. If you find a written pattern that states the gauge of the stitch pattern – great. But does your gauge match that? Swatching is the only way you will know.
If you are only using one stitch pattern, then knitting a swatch with two or more pattern repeats will help you figure out how the pattern affects the width and length of the garment and what adjustment you might need to make to obtain the correct size of garment you want. If you combine it with your ribbing, you will see how the ribbing affects the transition to the main fabric of the garment.
If you are combining more than one stitch pattern within the main fabric of a garment, I recommend doing individual swatches for each stitch pattern to use as a gauge swatches.
Crest of Wave Lace Pattern
Garter Stitch
Embossed Moss Stitch Ribbing
Then to see what happens when the stitch patterns are combined, you should do a swatch large enough to include all of the stitch patterns used in the order you plan to use them. This may end up being a very large swatch – even enough stitches for the back of your garment. This type of swatch will provide you with a lot of helpful information and give you insight into what adjustments you might need to make for a great fitting garment. More on this in a later post.
The Zig Zag Eyelet pattern was used in Dishcloth #8. This is an easy eyelet pattern made by using yarn overs in combination with left-slanting and right-slanting decreases to create the “zig zag”.
This pattern is a multiple of 11 stitches plus 2 done over 12 rows.
Row 1: (Wrong Side) and all wrong side rows – Purl.
Row 2: K6, *YO, SSK, K9. Repeat from *, end last repeat K5.
Row 4: K7, *YO, SSK, K9. Repeat from *, end last repeat K4.
Row 6: K3, *K2Tog, YO, K3, YO, SSK, K4. Repeat from *, end last repeat K3.
Row 8: *K2, K2Tog, YO, K5, YO, SSK. Repeat from *, end K2.
Row 10: K1, *K2Tog, YO, K9. Repeat from *, end K1.
Row 12: *K2Tog, YO, K9. Repeat from *, end K2.
Here’s my swatch with the new color scheme added. The darker blue color definitely shows up better than the lighter blue against the teal color that I want for the main color. I have started knitting the romper in the darker blue and I think I’m going to really like the coordinated outfit that will result. This project is a bit challenging because I am knitting on size 0 and size 1 needles to get the right guage. Lots and lots of small stitches…
More yarn for a purl stitch? Hmm that’s interesting. You’ll have to show me what you have been working on sometime.
I’m working on a dishcloth right now just using continental knitting. I can tell that my tension is VERY different from when I knit English.