Troubles with Tension

January 22, 2010| Lindy| 0 Comments | 3:15 pm

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The first three swatches for the Master Knitter Level I require you to knit 2 X 2 ribbing, 1 X 1 Ribbing, garter stitch, stockinette stitch and seed stitch. As I have been knitting the first two swatches for the Master Knitter Level I, I have discovered that my tension is not what I thought it was: I thought I knit fairly evenly– but as I looked at the examples from TKGA — I began to realize that my knitting tension is not the same when I knit as when I purl. This seems to be a common issue among those who are working on the Level I Master Knitter swatches.

I have tried several different things to correct this problem — but so far I am still not knitting as evenly as I want. I have discovered that my knitting is less even with bamboo needles than with metal needles. I have also determined that it is very important to tighten up my tension at the end of a row — especially on the last stitch, so that I get more even stitches on the edges of the swatch. However — I have yet to achieve the even stitches for ribbing that I’d like to have.

Did you know that tension in ribbing — that it is, tension differences between knit and purl stitches — can really make a difference in the way your ribbing appears? I’d never given this much thought — but it really does effect how the ribs in the ribbing are formed. I have read (very recently) that this more of a problem for English knitters than for Continental knitters — but that it happens with both styles. The problem is often due to the excess yarn used in forming the purl stitch. The next time you are switching between knit and purl stitches — pay attention to how you wrap the yarn for the purl stitch — you actually do use slightly more yarn when doing a purl.

I am still seeking solutions for my tension problems — I’ll post about how I resolve this.

1 thought on “Troubles with Tension”

Amanda says:

January 23, 2010 at 6:37 am

More yarn for a purl stitch? Hmm that’s interesting. You’ll have to show me what you have been working on sometime.

I’m working on a dishcloth right now just using continental knitting. I can tell that my tension is VERY different from when I knit English.

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Completed WIP’sCompleted WIP’s

October 20, 2009| Lindy| 0 Comments| 1:07 pm

I’ve finally finished some projects!

The knitted bunny is done. It turned out a little lopsided, but it’s rather cute.

Knitted Bunny on Teddy Bear Blanket

The lace scarf for my DIL is done. This is a lovely pattern. I especially like the three-stitch slipped stitch edging on this scarf. This is a technique I will keep in mind for future projects.

Lace Scarf

Stitch Patterns – Seed Stitch, Irish Moss Stitch & Double Moss StitchStitch Patterns – Seed Stitch, Irish Moss Stitch & Double Moss Stitch

August 14, 2009| Lindy| 0 Comment| 8:30 am

These three stitch patterns create an allover textured pattern using a combination of knit and purl stitches. As such, these three textured patterns are great for decorative borders. Between the USA and UK there is some confusion related to the Moss Stitch – I have seen references to the Moss Stitch which are exactly the same as what I know as a Seed Stitch here in the USA.

Seed Stitch (Moss Stitch):
SeedStitch
This is one of my favorite patterns for borders with the stockinette stitch. It lies flat and does not roll or curl. It is reversible and I love it for front bands on cardigan sweaters.
This stitch pattern is a multiple of two and a repeat over two rows. The first row is the same as a 1 X 1 ribbing: K1, P1 across the row. On the following row, all stitches are worked the opposite of the way they face you – i.e. you purl the knit stitches and knit the purl stitches. Seed stitch tends to expand widthwise and is wider than the same number of stockinette stitches.

Irish Moss Stitch:
IrishMossStitch
This stitch has a diagonal texture. It is a multiple of two stitches with a repeat over four rows. The first two rows are knit the same as 1 X 1 Ribbing: K1, P1 across the row. Then the next two rows are knit the opposite: P1, K1 across. You repeat these four rows to make the textured pattern.

Just like the Seed Stitch, the Irish Moss Stitch creates a reversible fabric that lies flat and does not roll or curl. The fabric will tend to expand crosswise and the stitches may “seat” themselves after washing. If you are using this pattern stitch as the main body of your garment, it is best to knit the garment to the actual measurements of the chest of the intended wearer before the first washing.

Double Moss Stitch (Double Seed Stitch, Box Stitch):
DblMossStitc
This stitch pattern is a multiple of four stitches repeated over four rows. The first two rows are the same as 2 X 2 Ribbing: K2, P2 across the row. On the next two rows, you do P2, K2 across. It has essentially the same properties as the Irish Moss Stitch. This pattern is wonderful for knitting textured scarves that do not roll or curl on the edges.

Master Knitter Level I – Swatches #7, #8, & #9 – DecreasesMaster Knitter Level I – Swatches #7, #8, & #9 – Decreases

March 8, 2010| Lindy| 2 Comments| 8:00 am

Swatches 7 through 9 are demonstrations of various decrease techniques.

Swatch #7

Swatch 7 demonstrates “Blended Decreases” using SSK (Slip, Slip, Knit) on the right edge and K2Tog (Knit 2 Together) on the left edge.

SSK is a left-slanting decrease and is made by slipping 1 stitch as if to knit, then slipping a second stitch as if to knit, then inserting the left needle into these two stitches and knitting them together.

K2Tog is a right-slanting decrease. K2Tog decreases are the basic decrease every knitter learns. You simply insert the right needle into two stitches on the left needle and knit them together.

I have had difficulty finding a reference that actually defines “Blended Decreases”. Through my research it appears that “Blended Decreases” are decreases that slant or slope in the direction of the desired shaping. In this swatch the left-slanting decrease on the right edge and the right-slanting decrease on the left edge slope in toward the center of the swatch.

Swatch #8

Swatch 8 demonstrates SKP (Slip, Knit, Pass Slipped Stitch Over) and KSP (Knit, Slip, Pass stitch over) decreases.

SKP decreases are also sometimes written as S1, K1 PSSO in patterns. This is a left-slanting decrease and is done on the right edge of the swatch. Any decrease that requires you to pass a stitch over another one results in a somewhat uneven stitch due to the stretching that occurs when you pass the stitch over.

The KSP decrease was a new method for me. It is a right-slanting decrease that mirrors the SKP decrease and was knit on the left edge of this swatch. KSP is done by knitting a stitch, then slipping the stitch back on the left needle and passing the stitch over the next stitch with the right needle, then slipping the stitch back from the left needle to the right needle.

Swatch #9

Swatch 9 uses the K2Tog and SSK decreases but is different from Swatch 7 in that the K2Tog is done on the right edge and the SSK is done on the left edge.

TKGA refers to this swatch as “Full Fashioned”. I have not found a specific definition for the term “Full Fashioned” in my references. However, two of my sources refer to full fashioned decreases as decreases that are done with 2 or more stitches on the edge, making the decreases more visible and part of the intended design of the knitted fabric. In this swatch, the K2Tog decrease on the right edge slants to the right and stands out against the slope of the fabric. Likewise the SSK decrease on the left edge slants to the left and stands out against the slope of the fabric on that side. These decreases are more visible than those in Swatch 7.