I have started another project even though I have at least two others on needles. I just got the itch to knit the Clapotis Scarf pattern along with some of the other members of my knitting guild. It took me a bit of time to decide to join the knit-along, because I wanted to use yarn from my stash rather than buy yarn for this project. I finally settled on the Jaggerspun Zephyr lace weight yarn I had left over from a lace scarf I knit for my DD a couple of years ago. This yarn is 50% fine grade merino wool and 50% Chinese Tussah silk in 2/18 Lace Weight. The colorway is Teal. I am using size US 4 (3.5 mm) needles.
This scarf is knit by starting at one point of a parallelogram and increasing stitches until you reach the desired width of the scarf. Then you knit a series of straight row sections until you have your desired length and then you decrease stitches until you reach the far corner of the scarf. Along the way, you drop stitches to create an open pattern between rows of stockinette stitches.
So far, I have knitted the increase section to the point where I will begin the straight rows and start dropping stitches. Here’s a picture:
The Clapotis pattern is free on Knitty.com. Here’s a link to the pattern: Clapotis Pattern
Swatches 4 through 6 in the Master Knitter Level I program are all about increases. Specifically, each swatch demonstrates a particular type of increase. The increases are done on each side, with three stitches before the right edge increase and three stitches after the left edge increase.
Swatch 4 - Bar Increase
Swatch 4 demonstrates the Bar Increase. This is probably the increase most knitters first learned to make when knitting. It often written as “KFB” in patterns — which means “Knit in the front and back loops”. When you knit into the front loop of a knit stitch and then knit in the back loop of the same knit stitch, the resulting increase has a purl bump where the second stitch was made. It is clearly visible as you can see in this picture.
I learned a few things working on this swatch. Since I am now much more aware of my tension, I found that the purl bumps looked much better if I made certain I kept the tension even with both stitches. It’s much the same issue as when I had trouble getting even tension in ribbing.
Also, through my research, I learned that you should never make your increases on the very edge of your knitting — you should have at least one stitch on the edge before doing the increase. This makes it much easier and neater to do seams. This is something to pay attention to when you are knitting pieces that will be sewn together — I know I will practice this in my future knitting projects.
Swatch 5 - Make 1 Increases
Swatch 5 demonstrates Make 1 increases. On the right edge, I knit an M1R increase — which means “Make 1 Right” — this is a right-slanting increase. It is made by inserting the left needle from the back and lifting the horizontal strand between stitches onto the left needle and knitting into the front of this strand.
On the left edge, the increase is an M1L — which means “Make 1 Left” — a left-slanting increase. It is made by inserting the left needle from the front and lifting the horizontal strand between stitches onto the left needle and knitting into the back of this strand.
M1 increases are tighter and there is no purl bump on the front of the knitting.
Swatch #6 - Lifted Increases
Swatch 6 demonstrates the Lifted or Raised Increase. This is the most invisible of increases — and was an increase I had never used before, so the entire swatch was a learning experience.
Again, I knit a right-slanting increase on the right edge. This increase is done by lifting the stitch below the stitch on the left needle and knitting it.
The left-slanting increase on the left edge of the swatch gave me the most difficulty. I had to search out several different pictures of it in my references before I figured it out. The left-slanting lifted increase is done by lifting the stitch below the stitch just knitted on the right needle and then knitting it.
The best pictures and explanations I found of this increase, as well as the others, were in an online article at Knitty.com, entitled “Techniques with “Theresa – Increases”.
So, these three swatches improved my technique when knitting increases and I learned a method of increasing that I had never used before. Check out the article on Knitty.com if you want to explore these methods.
It took me a good bit of time to decide if I thought it was necessary to knit swatches in the round if I was knitting an item in the round rather than flat. The practice of knitting sweaters flat in pieces that are sewn together versus knitting sweaters in the round is, in itself, a whole topic with proponents for each practice. I may take this topic up at a later time, but for now I will focus on knitting a swatch in the round.
First, there are many knitters and designers who only use gauge swatches knit flat to determine their stitch gauge even if the pattern is knit in the round, and second, most patterns do not state how the gauge swatch was done. All you see in the pattern is the gauge statement.
Do you know if your gauge is the same if you knit in the round as when you knit flat? There’s a good chance that it’s not. As I’ve said before, gauge is a measure of how an individual knitter knits.
Think about how you knit when you knit in the round. One of the biggest differences is that you only knit on the right side of the fabric when you knit in the round. Using stockinette stitch as an example: When you knit flat, you knit one row (right side) and then turn your work and purl the next (wrong side). When you knit in the round, you join the stitches to make a circle and then knit every round.
Now, if you are one of the many knitters whose purls are looser than their knits, there is going to be a difference in tension between something you knit flat and something you knit in the round. Plus, you may modify your technique for knitting when knitting in round from when you knit flat. If you use straight needles when knitting flat, then switch to using circular needles or double point needles (dpns) to knit circular – your gauge may be significantly different. This is why I have come to the conclusion that it is good practice to swatch in the round when planning a project that will be knit in the round.
So how does one knit a swatch in the round? The first method is to cast on a enough stitches to give you a knitted tube that will be at least 4+ inches when laid flat. This could be the start of a sock or a hat. (Elizabeth Zimmerman said that “a hat makes a good swatch”.) Once you have a tube knitted of sufficient length for a good measurement, you treat this swatch the same way you would if your swatch that was knitted flat – i.e. measure, block, re-measure.
The second method goes by a couple of different names: “Speed Swatch” and “Circular Swatch with Floats” are two that I have found in my research. In this method, you use a circular needle and cast on the same number of stitches you would if you were knitting flat. But instead of knitting a row and then turning the swatch and knitting back to the end of the row, you slide your stitches to the needle on the opposite end and strand the working yarn loosely across the back and start knitting the next row. You keep repeating this process until you have a long enough swatch for good measurements. See pictures below:
Front of Swatch ITR — Knit with US 8 and Us 7 Needles
Back of Swatch ITR
Once you have the swatch completed, you treat it the same way as any swatch – measure unblocked, block, re-measure. A note about measuring this swatch: Some sources suggest that it is easier to measure this swatch after cutting the loose strands so that the swatch will lay flat. Others simply say to measure the swatch by laying it as flat as you can. Logically, you are not going to want to cut the strands if you plan to reuse the yarn in the swatch. I’ve tried both ways and did not find a significant difference in measurements. Here are pictures of the swatch above after I blocked it and cut the floats to take the measurements:
So if you plan to knit a sweater in the round, please do your swatch in the round.
If you would like to see a video on this technique, here are three helpful ones:
I have been knitting recreated Green Sweater from the pattern recreated by Sunday Holm from the original sweater knitted by Elizabeth Zimmerman. (Schoolhouse Press Pattern #13, Elizabeth Zimmermann’s Green Sweater). This sweater pattern has a charming history and you can read the story here: Channelling Elizabeth.
Now, I am a “sometimes knitter” when it comes to sweaters. I start them and I knit on them “sometimes” — for some reason, I tend to knit on my sweater projects in between other projects. This means that I take a long time to finish a sweater project once it’s started. So, I started this project over a year ago — and I knitted a portion of the lower body and then I set this project aside.
A couple of months ago, I took this project up again and knit on it quite a bit. It’s a very intriguing pattern. The sweater is knit in the round using steeks. Yes, I said steeks. Steeks are that technique that many of us knitters avoid — but one Elizabeth Z embraced and used extensively. I decided to do this sweater specifically because of the steeks — I figured it was time for me to master the use of steeks. In this pattern, there are four steeks. The first one is up the center front (the sweater is a cardigan), then there is a steek for each armhole/sleeve and the fourth one is the neckline. You basically cast-on extra stitches, in this case I cast on five for each steek, and knit them up with the sweater. Then you cut them apart in the middle. Yep — I said you cut them apart. That’s what’s scary about steeks.
Here are some pictures of this sweater in progress:
This is the center front, showing the center 5 steek stitches and the beginning of the armholes for the sleeves.
This shows the sweater with all the steeks knitted, before they have been cut.
I used the crocheted method for fastening the steek stitches on each side.
In these two pictures, you can see the steeks, all cut and awaiting further work.
I am now working on the first sleeve. I am about two-thirds done with it. The sleeve has a unique design, and I really like how it is knitting up. I’ll post more pictures of this sweater once I have the sleeves and the neckline knitted.
Some details: I am using Frog Tree 100% Merino Yarn in Colorway 909 Teal and using circular needles, size US 8 (5.0 mm).
Wow! That is looking nice! Mine is temporarily hibernating while I finish up a few things!