How to Knit a Helpful Swatch – Part 3 Swatching in the Round

It took me a good bit of time to decide if I thought it was necessary to knit swatches in the round if I was knitting an item in the round rather than flat. The practice of knitting sweaters flat in pieces that are sewn together versus knitting sweaters in the round is, in itself, a whole topic with proponents for each practice.  I may take this topic up at a later time, but for now I will focus on knitting a swatch in the round.

First, there are many knitters and designers who only use gauge swatches knit flat to determine their stitch gauge even if the pattern is knit in the round, and second,  most patterns do not state how the gauge swatch was done. All you see in the pattern is the gauge statement.

Do you know if your gauge is the same if you knit in the round as when you knit flat? There’s a good chance that it’s not. As I’ve said before, gauge is a measure of how an individual knitter knits.

Think about how you knit when you knit in the round. One of the biggest differences is that you only knit on the right side of the fabric when you knit in the round. Using stockinette stitch as an example: When you knit flat, you knit one row (right side) and then turn your work and purl the next (wrong side). When you knit in the round, you join the stitches to make a circle and then knit every round.

Now, if you are one of the many knitters whose purls are looser than their knits, there is going to be a difference in tension between something you knit flat and something you knit in the round. Plus, you may modify your technique for knitting when knitting in round from when you knit flat. If you use straight needles when knitting flat, then switch to using circular needles or double point needles (dpns) to knit circular – your gauge may be significantly different. This is why I have come to the conclusion that it is good practice to swatch in the round when planning a project that will be knit in the round.

So how does one knit a swatch in the round? The first method is to cast on a enough stitches to give you a knitted tube that will be at least 4+ inches when laid flat. This could be the start of a sock or a hat. (Elizabeth Zimmerman said that “a hat makes a good swatch”.) Once you have a tube knitted of sufficient length for a good  measurement, you treat this swatch the same way you would if your swatch that was knitted flat – i.e. measure, block, re-measure.

The second method goes by a couple of different names: “Speed Swatch” and “Circular Swatch with Floats” are two that I have found in my research. In this method, you use a circular needle and cast on the same number of stitches you would if you were knitting flat. But instead of knitting a row and then turning the swatch and knitting back to the end of the row, you slide your stitches to the needle on the opposite end and strand the working yarn loosely across the back and start knitting the next row. You keep repeating this process until you have a long enough swatch for good measurements. See pictures below:

Once you have the swatch completed, you treat it the same way as any swatch – measure unblocked, block, re-measure. A note about measuring this swatch: Some sources suggest that it is easier to measure this swatch after cutting the loose strands so that the swatch will lay flat. Others simply say to measure the swatch by laying it as flat as you can. Logically, you are not going to want to cut the strands if you plan to reuse the yarn in the swatch. I’ve tried both ways and did not find a significant difference in measurements.  Here are pictures of the swatch above after I blocked it and cut the floats to take the measurements:

So if you plan to knit a sweater in the round, please do your swatch in the round.

If you would like to see a video on this technique, here are three helpful ones:

Nancy Wynn,  “How to do a Circular Gauge – Speed Method”: https://youtu.be/1W9XYgd3s7I

HowToCast: “How to Knit a Circular Gauge Swatch”:  https://youtu.be/E1z2pbRmddY

11 Gauge Swatch Secrets PLUS How to Swatch in the Round | Off Our Needles S3E1: https://youtu.be/tv7uy0HetrI

Related Post

Long Tail Cast OnLong Tail Cast On

The Long-Tail Cast On is one of the most common and popular cast ons. It is an all purpose cast on that gives an attractive and elastic edge and works in almost every type of project. Because of its structure, this cast on creates the first row of your knitting – which is usually considered the wrong side of the work for stockinette stitch.

As the name implies it starts with a long tail – which can be a challenge for a knitter to figure out how long to make the tail before you start making stitches on your needle. A general rule of thumb for this length is 3 times the length you need to form the number of stitches to cast on. Some knitters wrap the yarn around the needle the number of times that equals the number of stitches. I’ve used both methods and both work fairly well.

The cast on starts with a slip stitch (some knitters omit this step). You then form a “slingshot” by holding the needle in your right hand and using the thumb and forefinger of your left hand so that one of the two strands wraps around the thumb and the other wraps around the forefinger, forming a “Y”. The tail strand should go over the thumb and the working yarn should go over the forefinger.

To form a new stitch, put the needle under and into the loop on the thumb, then go over the yarn on the forefinger and bring the strand through the thumb loop. Drop the yarn off the thumb and gently tighten the loop on the needle. Repeat until you have the desired number of stitches.

There are several variations of this cast on. I have included a link for the Alternating Long Tail Cast on, which provides a way to alternate knit and purl stitches for a ribbing and gives a moderately elastic edge.

Everything About the Long-Tail Cast On

Long-Tail Cast On in Pattern – Alternating Long-Tail CO

Book Review: Knitting Plus by Lisa ShroyerBook Review: Knitting Plus by Lisa Shroyer

The subtitle for this book is “mastering fit + plus-size style + 15 projects”. The first two chapters of this book cover the basics of how to knit garments that fit. While the focus is on plus-size, the information is applicable to any knitted garment. The information in these two chapters is worth the price of the book if you are wanting to learn more about how to modify patterns so that they actually fit your body. Chapter One discusses the common elements of a sweater and “what they mean to you” and Chapter Two covers the use of measurements and how to redesign patterns for a custom fit.

The remaining five chapters cover different types of sweater styles: The Drop-Shoulder, the Set-In Sleeve, The Raglan, The Seamless Yoke, and The Dolman. There are three projects for each type and these are really lovely designs for us plus-size gals. Each project also has helpful notes for the knitter. So this book is both a “how-to” guide and a set of 15 plus-size patterns. And some of those patterns are the sort that makes a knitter’s fingers itch to pull out some yarn and needles and get started. The “Poppy Cardigan” on page 67 is on my list of future projects for sure.

If you are interested in this book, click on the picture at the top of this post. It will take you to the book on Amazon.com.

Troubles with TensionTroubles with Tension

The first three swatches for the Master Knitter Level I require you to knit 2 X 2 ribbing, 1 X 1 Ribbing, garter stitch, stockinette stitch and seed stitch. As I have been knitting the first two swatches for the Master Knitter Level I, I have discovered that my tension is not what I thought it was: I thought I knit fairly evenly– but as I looked at the examples from TKGA — I began to realize that my knitting tension is not the same when I knit as when I purl. This seems to be a common issue among those who are working on the Level I Master Knitter swatches.

I have tried several different things to correct this problem — but so far I am still not knitting as evenly as I want. I have discovered that my knitting is less even with bamboo needles than with metal needles. I have also determined that it is very important to tighten up my tension at the end of a row — especially on the last stitch, so that I get more even stitches on the edges of the swatch. However — I have yet to achieve the even stitches for ribbing that I’d like to have.

Did you know that tension in ribbing — that it is, tension differences between knit and purl stitches — can really make a difference in the way your ribbing appears? I’d never given this much thought — but it really does effect how the ribs in the ribbing are formed. I have read (very recently) that this more of a problem for English knitters than for Continental knitters — but that it happens with both styles. The problem is often due to the excess yarn used in forming the purl stitch. The next time you are switching between knit and purl stitches — pay attention to how you wrap the yarn for the purl stitch — you actually do use slightly more yarn when doing a purl.

I am still seeking solutions for my tension problems — I’ll post about how I resolve this.