Things Learned from a Swatch

It took me years to appreciate the value of doing a swatch before starting a knitting project. I cannot tell you how many poorly fitted sweaters I knit before I came to realize that it truly was worth the time and effort to swatch first.

I learned this when I bought my first knitting machine. You see, when you are using a knitting machine, you can’t even get started without doing that swatch – as you need it to tell you if you have your machine tension set up correctly. It only takes one frustrating experience with a too tight tension on the knitting machine to convince you of the necessity for doing a swatch or two.

Swatching also provides you as a knitter the freedom to become, as Elizabeth Zimmermann says, “The boss of your knitting”. If you know your gauge, and understand the basics of the design you are wanting to make – you are free to modify any pattern – or MAKE YOUR OWN.

So, I always swatch. This last weekend I did a swatch using the Baby Ull yarns that I purchased to knit a sweater and romper for my new grandson due the end of January. I had a couple of extra reasons for doing this swatch beyond determining what size needle I needed to obtain the stated pattern gauge. First, I wanted to try out the three color pattern for the sweater and get comfortable with it. Second, I wanted to see if I liked the color combinations of the yarns in the color pattern.

Swatch_Cardigan1 Here’s a picture of the swatch. I cast on 44 stitches so that I could have a 40 stitch area surrounded by a 2 stitch garter stitch edging. I started using US 2 (3.00 mm) needles and then switched to a smaller US 1 (2.50 mm) needle for the last part of the swatch. I did a section of garter stitch, then stockinette stitch, then the color pattern using the lighter aqua blue as the main color and then switched to using the darker teal blue as the main color. I finished the swatch by doing a section of sockinette stitch on the smaller needles, followed by a section of garter stitch.

Here’s what I learned from this swatch: 1) I need to use smaller needles than what is stated in the pattern in order to obtain gauge. This is important because I want this sweater to fit. 2) I like using the darker teal blue as the main color – I think the lighter aqua blue shows up better against it than the other way around. This is significant – because I bought 7 balls of the lighter aqua and only 1 ball of the darker teal. (I have now ordered enough teal to make the sweater, as my LYS did not have enough of it on hand…) 3) The 3 color pattern is fairly simple and easy to knit. I think it’s good to practice such things before starting off on a special project like this.

So to those readers who “hate to swatch”: do you see the value of what I did here? Swatching is a valuable technique that helps you be the “boss of your knitting”. Now go swatch!

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Team Knitting: Socks for SoldiersTeam Knitting: Socks for Soldiers

Socks for Soldiers has a group of members who own working antique circular sock machines (CSM). These are amazing little machines that were designed to knit socks during the WWII era. I did a little searching on the web and found out that these machines often sell for between $1500 and $2500 refurbished and there are actually a few companies that refurbish these machine and keep them working. I’m including a link here if you are interested in taking a look. They actually look rather daunting.

Now, the knitters with the CSMs spend their time and yarn making those 12 inch long ribbed legs. Then they put the leg on a lifeline and send it off to a team member who knits the heel, foot and toe by hand. This speeds up the process for producing the SFS regulation socks significantly. I have recently teamed up with a CSM knitter and she just sent my first pair of CSM legs. Here’s a picture:
SFS_CSMLegs1

These legs are amazing! My team mate, Peggy, tells me that it takes her about 5 minutes to knit 1 leg on her CSM. However, the CSM itself takes longer to set up and encourage to actually knit. When we first corresponded, she also asked me if I was a right-handed or left-handed knitter. (I’m right-handed.) Seems you have to run the lifeline differently for left-handed vs. right-handed knitters. So, here are the CSM legs, close-up of the lifeline, and ready for me to put onto my needles and begin the heels. I plan to start them this evening, so hopefully I will get another pair of SFS OD regulation socks done well before Christmas.

Designing a Sweater without a PatternDesigning a Sweater without a Pattern

In previous posts, I have discussed how to use Elizabeth Zimmerman’s Percentage System (EPS) to design and knit a sweater and how to modify a written pattern to adjust for changes in sizing and/or gauge. Today, I will briefly describe the process of designing a sweater without a written pattern. I learned this process in depth when I first knitted a sweater using my knitting machine. Knitting garments on a knitting machine requires extensive set-up and calculations before you can even begin to knit. Regardless of whether you are hand knitting or machine knitting – the process and calculations are the same.

As in the previous design techniques, you start with a good set of body measurements and a gauge swatch to determine your stitch and row gauge. You will also need to factor in the amount of ease you wish to have in your completed sweater.

Any sweater has several basic elements: The front & back, the sleeves and the neck. Sweaters come in two basic forms – the pullover and the cardigan. If you take a minute to think through all the sweaters you have seen, you will realize that all of them are some variation of these two basic forms. So, let’s start by breaking down the elements of a basic pullover sweater.

Elements of a Pullover Sweater:

  • The Front & Back – in a very basic design, the front and the back are the same up to the point where one shapes the neckline. The Front and Back make up the tube of fabric that goes around the entire body – thus, the back consists of one-half of the total number of stitches needed for the body/chest measurement and the front has the other half. In our basic design, the back/front is essentially a rectangle – and you need to determine the width and the length from your own measurements. If you plan to knit this sweater in the round, then you will calculate the total number of stitches based upon the body/chest measurement plus ease. [(BM + Ease) X SPI]. If you plan to knit this sweater in pieces and then sew the pieces together, you will calculate the number of stitches needed for the front/back by dividing the Body/chest measurement by two and then adding in Ease and multiplying by your stitch gauge. [((BM/2) + Ease) X SPI]. For a set-in sleeve, you will also need to calculate the shaping of the armhole. When knitting in the round, at the point you begin shaping the armholes, it is best to knit flat and knit the front and back separately.
  • The Neck – the most basic neck for a pullover sweater is a round or crew neck shape. In our basic sweater design – a portion of the stitches of the center back are used for the back of the neck, while in the front there is some shaping done to make the front of the neck slightly lower than the back. The stitches not used in the neck are used for the shoulders and form the shoulder seams of the sweater. It is best to use live stitches for necklines. This allows you the needed stretch for the fabric to go over the head of the wearer. One must also keep in mind that the average woman’s head has a circumference of 22 inches. Thus, there needs to sufficient width allocated to the neck to allow the head to pass through it.Back Neck – for the basic sweater pattern, the back does not have any shaping to it. It is simply divided into three sections: Left shoulder, Neck and right shoulder. The number of stitches assigned to the back neck stitches is somewhat proportional to the chest measurement. Generally, the wider the chest, the larger the neck circumference. In this basic sweater design, there should be an equal number of stitches allocated to the shoulders, with the remaining stitches placed on hold for the neck. You determine the number of back neck stitches by multiplying your stitch gauge by the width of the back neck. You then subtract the number of back stitches from the total number of stitches for the back at the shoulders – this will give you the number of stitches for the shoulders. This number needs to be divisible by 2, so you may need to take 1 stitch from your neck stitches to even it out.

    Front Neck – the shaping for the front neck begins below the last row of the shoulder. For women, the depth of the neckline starts 2.5 to 3 inches below the shoulder, for men, the depth is 3 inches to 3.5 inches and for children the depth is 1.5 to 2.5 inches. This depth is entirely a matter of preference. The front neck is shaped as a semi-circle by gradually eliminating stitches on either side of the center front neck stitches. Thus, the center front stitches are placed on hold and then decreases are done on either side of these stitches as you knit up to the shoulders. This shaping will occur concurrently with the armhole shaping

  • The Sleeves – the most common styles of sleeve in commercial sweaters are the drop-sleeve and the set-in sleeve. For this design, I will cover the set-in sleeve. A Set-in Sleeve joins the body of the sweater at the armhole and the top of the shoulder seam. Set-in sleeves require shaping at the top of the sleeve itself as well as corresponding shaping in the front and back. The shaping is made by a series of bind-offs, increases and/or decreases. To design your sleeve you must have your sleeve length, the width of the sleeve at the armhole, the width of the sleeve at the elbow and the width of the sleeve at the wrist. You also need the depth of the armhole. There are quite a few calculations required to be able to knit a properly fitting set-in sleeve. You begin by calculating the shaping of the sleeve from the wrist to the underarm and then calculate the shaping required to form the rounded sleeve cap. Shaping is achieved by a series of increases from the wrist to the underarm, followed by bind-offs and decreases to form the sleeve cap.

Now let’s look at a basic cardigan sweater.

Cardigans are most often knitted flat – either in separate pieces or in as a one wide piece on a long circular needle. They can be knitted in the round using a steek to separate the two fronts when finishing the sweater. Shaping for armholes and neckline are mirrored for the right and left fronts. In addition, there is a knitted band of fabric that overlaps at the center front – this band can be knitted concurrently with the front using a pattern stitch or can be added to the front by picking up stitches along the center front edge after the front has been knitted.

The calculations for this sweater are essentially the same as for our basic pullover – with the exception of the front. A cardigan sweater has two front pieces that meet and overlap in the center of the garment. This means that each front piece is one-half of the front piece of a pullover sweater, plus some added width for the overlapping parts(buttonbands or borders). In our basic sweater design, you simply add the desired width of the buttonband to each front piece. For example, the front on our pullover measures 40 inches. For our cardigan, each front piece would be half of that or 20 inches and the buttonband would be 2 inches wide: 20 + 2 = 22 inches. My Excel Spreadsheet includes a section on calculating the fronts for a cardigan.

I have created an Excel Spreadsheet for all the calculations required for a basic pullover with a set-in sleeve. Click here to download the spreadsheet: Sweater Calculator.

Using this calculator and your own gauge, you now have all the calculations required to knit your pullover sweater. You can knit this sweater from the top down or from the bottom up. The shaping for a top-down sweater is done in the reverse order of a bottom-down sweater.

Terms of Use: You may electronically copy and print to hard copy portions of the spreadsheet for the sole purpose of using materials it contains for informational and non-commercial, personal use only. Any other use of this spreadsheet — including any commercial use, reproduction for purposes other than described above, modification, distribution, republication, display, or performance — without the prior written permission of Lindy’s Knits & Laces is strictly prohibited.

Today I have briefly outlined the basics of designing your own sweater using two basic sweater designs. From these two basic designs, you can create a sweater according to your own measurements out of any weight yarn. I recommend you give it a try. Listed below are some references for your further exploration – I have only scratched the surface of this topic. Happy Knitting.

If you find this post and/or my spreadsheet helpful , please leave me a comment. Thanks!

For further exploration – check out these sources:

Maggie Righetti, Sweater Design in Plain English
Leslye Solomon, The Uncomplicated Knitting Machine
Deborah Newton, Designing Knitwear.
Barbara G. Walker,Knitting from the Top Down.
Vogue Knitting

Mirrored Cables – Front Cross & Back Cross CablesMirrored Cables – Front Cross & Back Cross Cables

Front Cross and Back Cross Cable Stitches are mirror images of each other. The Front Cross cable twists to the left, while the Back Cross twists to the right. Both cables are done over four stitches.

Mirrored Cables

In the sample – I have knitted a swatch with 3 Front Cross Cables and 3 Back Cross Cables to demonstrate how they mirror each other and also to show how these two cables would look in a ribbing. Remember that cables are usually separated by a few purl stitches in most textured pattern designs. In this swatch, I separated the cables by 2 purl stitches on each side. (I also blocked this swatch and stretched it to separate the cables. If you were using these cables as a ribbing, you would not want to block your garment this way.)

Front Cross Cable Stitches

The Front Cross Cable is often written in patterns as “C4F”. To knit this cable, you slip the first two stitches onto a cable needle and hold them in the front of your knitting while you knit the next two stitches. Then you knit the two stitches off the cable needle. This results in the cable twisting to the left.

Single Front Cross Cable
Tension can be an issue here, as many knitters tend to stretch the last stitch of the four a bit too much and end up with a looser stitch on the left edge of the needle. If you look closely at the left edge of the cable in the picture above, you will see that I do have looser stitches on the left edge.

Montse Stanley, in the “Knitters Handbook”, suggests knitting through the back of this stitch, rather than then front will tighten it up. You must remember to purl through the back loop again on the next row or you will have a twisted stitch if you do this, however.

Back Cross Cable
The Back Cross Cable is often written in patterns as “C4B”. To knit this cable, you slip the first two stitches onto a cable needle and hold them in the back of your knitting while you knit the next two stitches. Then you knit the two stitches of the cable needle. This results in the cable twisting to the right. The same tension issues occur with this cable as with the Front Cross Cable.

In my swatch, I have varied the number of rows between cable stitch repeats to demonstrate how the appearance of the cables changes with the number of rows. The first two cables are based upon a four row repeat (meaning that the cable was done on the fourth row) and the last two cables are based upon a six row repeat.

These two cable patterns are very versatile – uses include: all-over cable patterning in a sweater (the popular “baby cable” sweaters found in stores today), a border for another textured pattern in an Aran style sweater, a decorative ribbing for a pullover sweater, the patterning found in my Cable Rib socks. I’m certain you can find many more examples as you look through sweater and sock patterns.